A Return to the top
Alber, Charles J. Embracing the lie: Ding Ling and the politics of literature in the People's Republic of China. Westport, Conn.: Praeger Publishers, 2004.
Alber, Charles J. Enduring the revolution: Ding Ling and the politics of literature in Guomingdang China. Westport, Conn.: Praeger, 2002.
Ames, Roger T. Interpreting culture through translation. Hong Kong: Chinese University Press, 1991.
Ames, Roger T.; Hall, David L. Focusing the Familiar: A Translation and Philosophical Interpretation of the Zhongyong. Honolulu: University of Hawai'i Press, 2001.
Anthology of Chinese Literature: Beginnings to 1911. (ed. Owen, Stephen). New York: W. W. Norton & Company, 1997.
The appropriation of cultural capital: China's May Fourth Project. (ed. Dolezelova-Velingerova, Milena; Kral, Oldrich; Sanders, Graham Martin). Harvard East Asian Monographs, 207. Cambridge: Harvard University Asia Center: Distributed by Harvard University Press, 2001.
Ariel, Yoav. K'ung-Ts'ung-Tzu: The K'ung Family Masters' Anthology. Princeton: Princeton University Press, 1989.
Atangan, Patrick. The silk tapestry and other Chinese folktales. New York: NBM Publishers, 2004.
B Return to the top
Baker, David J. On demand: writing for the market in early modern England. Stanford, CA: Stanford University Press, 2010.
Ballaster, Ros. Fabulous Orients: Fictions of the East in England 1662-1785. Oxford; New York: Oxford University Press, 2005.
Beecroft, Alexander. Authorship and cultural identity in early Greece and China: patterns of literary circulation. Cambridge; New York Cambridge University Press, 2010.
Berry, Michael. A history of pain: trauma in modern Chinese literature and film. New York, NY: Columbia University Press, 2008.
A Biographical Dictionary of Modern Chinese Writers. Boston: Cheng & Tsui Company, 1994.
Bordahl, Vibeke. The Eternal Storyteller: Oral Literature in Modern China. Nordic Institute of Asian Studies, Studies in Asian Topics, Vol. 24. Richmond, Surrey: Curzon Press Limited, 1998.
Bordahl, Vibeke; Ross, Jette. Chinese storytellers: life and art in the Yangzhou tradition. Boston: Cheng & Tsui Co., 2002.
British travel writing from China, 1798-1901. (ed. Chang, Elizabeth H. ). Cambridge, MA: Belknap Press of Harvard University Press, 2010.
Burkus, Anne Gail. Through a forest of chancellors: fugitive histories in Liu Yuan's Lingyan ge, an illustrated book from seventeenth-century Suzhou. Cambridge, MA: Harvard University Asia Center for the Harvard-Yenching Institute: Distributed by Harvard University Press, 2010.
Button, Peter. Configurations of the real in Chinese literary and aesthetic modernity. Leiden, The Netherlands: Brill, 2009.
C Return to the top
Cai, Zong-Qi. Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism. Honolulu: University of Hawai'i Press, 2001.
Cai, Zong-Qi. A Chinese Literary Mind: Culture, Creativity and Rhetoric in Wenxin Diaolong. Stanford: Stanford University Press, 2001.
Campany, Robert Ford. To live as long as heaven and earth: a translation and study of Ge Hong's traditions of divine transcendents. Berkeley: University of California Press, 2002.
A century of travels in China: a collection of critical essays on travel writing from the 1840s to the 1940s. (ed., Kerr, Douglas, Keuhn, Julia) Hong Kong: Hong Kong University Press, 2007.
Ch'ien, Chung-Shu. Limited Views: Essays on Ideas and Letters. Harvard-Yenching Institute Monographs, Vol. 44. Cambridge: Harvard University Press, 1998.
Chan, Adrian. Orientalism in sinology. Palo Alto, California: Academica Press, 2009.
Chan, Leo T. The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling. Honolulu: University of Hawai'i Press, 1998.
Chang, Kang-I Sung; Saussy, Haun; Kwong, Charles Y. Women Writers of Traditional China: An Anthology of Poetry and Criticism. Stanford: Stanford University Press, 1999.
Chen, Jianguo. The aesthetics of the "beyond": phantasm, nostalgia, and the literary practice in contemporary China. Newark, Delaware: University of Delaware Press, 2009.
Chen, Lingchei Letty. Writing Chinese: reshaping Chinese cultural identity. New York: Palgrave Macmillan, 2006.
Chen, Xiaomei. Occidentalism: a theory of counter-discourse in post-Mao China. 2nd ed. Lanham, Md.: Rowman & Littlefield, 2002.
Chi, Xiao. The Chinese garden as lyric enclave: A generic study of The Story of the Stone. Michigan Monographs in Chinese Studies, No. 93. Ann Arbor: Center for Chinese Studies, 2001.
China in a polycentric world: Essays in Chinese comparative literature. (ed. Zhang, Yingjin). Stanford: Stanford University Press, 1998.
Chinese aesthetics and literature: a reader. (ed. Dale, Corinne H.). Albany: State University of New York Press, 2004.
The Chinese Essay. (ed. Pollard, David E.). Hong Kong: Art Museum Chinese University of Hong Kong, 1999.
Chinese Literature in the Second Half of a Modern Century: A Critical Survey. (ed. Chi, Pang-yuan). Bloomington: Indiana University Press, 2000.
Chinese Literature in Transition from Antiquity to the Middle Ages. (ed. Holzman, Donald). Variorum Collected Studies, Vol. 605. Aldershot, Ashgate Publishing, 1998.
Chinese literature: overview and bibliography. (ed. Claren, James L.). Hauppauge, N.Y.: Nova Science Publishers, 2002.
Chinese Modern: The Heroic and Quotidian. Durham: Duke University Press, 2000.
Chinese writers on writing. (ed.Sze, Arthur). San Antonio, Tex.: Trinity University Press, 2010.
Chiu, Hsi-Kuei; Matto, Gilbert Louis; Norman, Jerry. Chinese writing. Early China Special Monographs. Berkeley: University of California, Institute of East Asian Studies, 2000.
Choa, Carolyn. The Vintage book of contemporary Chinese fiction. New York: Random House, 2008.
Chow, Kai-wing. Publishing, culture, and power in early modern China. Stanford: Stanford University Press, 2004.
Chow, Rey. Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field. Durham: Duke University Press, 2000.
Clark, Steve. Asian Crossings: Travel Writing on China, Japan and South-east Asia. Hong Kong: Hong Kong University Press, 2008.
Classical Chinese Literature: (eds. Minford, John; Lau, Joseph S. M.). New York: Columbia University Press, 2000.
Classical Chinese Literature: An Anthology of Translations: From Antiquity to the Tang Dynasty. (eds. Minford, John; Lau, Joseph S. M.). Classical Chinese Literature; An Anthology of Translations Series, Vol. 1. Hong Kong: Chinese University Press, 2000.
The Columbia History of Chinese Literature. (ed. Mair, Victor H.). New York: Columbia University Press, 2001.
Connery, Christopher L. The Empire of the Text: Writing and Authority in Early Imperial China. Lanham: Rowman & Littlefield Publishers, 1998.
Contested modernities in Chinese literature. (ed. Laughlin, Charles A.). New York, NY: Palgrave Macmillan, 2005.
D Return to the top
Daruvala, Susan. Zhou Zuoren and an Alternative Chinese Response to Modernity. Harvard East Asian Monographs, Vol. 189. Cambridge: Harvard University Press, 2000.
Davies, Gloria. Voicing Concerns: Contemporary Chinese Critical Inquiry. Asian Voices Series. Lanham: Rowman & Littlefield Publishers, 2001.
Declercq, Dominik. Writing Against the State: Political Rhetorics in Third and Fourth Century China. Sinica Leidensia Series, 39. Boston: Brill Academic Publishers, 1998.
Dehejia, Vidya. Love in Asian Art and Culture. Asian Art and Culture Series. Seattle: University of Washington Press, 1998.
Denton, Kirk A. The Problematic of Self in Modern Chinese Literature: Hu Feng and Lu Ling. Stanford: Stanford University Press, 1998.
Dirlik, Arif. Snapshots of Intellectual LIfe in Contemporary PR China: Boundary 2. Durham, North Carolina: Duke University Press, 2008.
Dooling, Amy D. Women's literary feminism in twentieth-century China. New York, N.Y.: Palgrave Macmillan, 2005.
Dragon Tales: A Collection of Chinese Stories. Beijing: Panda Books, 1988.
Duncan, Patti. Tell this silence: Asian American women writers and the politics of speech. Iowa City: University of Iowa Press, 2004.
E Return to the top
Edwards, Louise P. Men and women in Qing China: Gender in the Red Chamber Dream. Sinica Leidensia Series, Vol. 31. Honolulu: University of Hawai'i Press, 2001.
Elvin, Mark. Changing Stories in the Chinese World. Stanford: Stanford University Press, 1998.
Epstein, Maram. Competing Discourses. East Asian Monographs Series, Vol. 197. Cambridge: Harvard University Press, 2001.
Excursions in Chinese culture: festschrift in honor of William R. Schultz. (eds. Chan, Marie; Bao, Jialin; Tao, Jinsheng). Hong Kong: Chinese University Press, 2002.
F Return to the top
Fables of the East: Selected Tales 1662-1785. (ed. Ballaster, Ross). Oxford; New York: Oxford University Press, 2005.
Fang Fang. Contemporary Chinese women writers. Vol. 2. San Francisco, CA: China Books & Periodicals, Incorporated, 1991.
Farquhar, Mary Ann. Children's Literature in China: From Lu Xun to Mao Zedong. Studies on Modern China. Armonk: M. E. Sharpe Incorporated, 1999.
Feminism/femininity in Chinese literature. (eds. Chen, Huihua; Dilley, Whitney Crothers). Critical Studies; Vol. 18. Amsterdam; New York: Rodopi, 2002.
Feng, Meng-lung; Yang, Shuhui; Yang, Yunqin. Stories Old and New: A Ming Dynasty Collection. Ming Dynasty Collection. Seattle: University of Washington Press, 2000.
Feuerwerker, Yi-Tsi M. Ideology, Power and Text: Self-Representation and the Peasant "Other" in Modern Chinese Literature. Stanford: Stanford University Press, 1998.
Fowler, Rosamund. Tales from China. Oxford Myths and Legends Series. New York: Oxford University Press, Incorporated, 2001.
From Youthful Manuscripts to River Elegy: The Chinese Popular Cultural Movement and Political Transformation, 1979-1989. (eds. Cheng, Fong-Ching; Jin, Guantao). Monographs in Contemporary Chinese Culture, Vol. 2. Hong Kong: Chinese University Press, 1997.
Fu, Shelley. Ho Yi the Archer and other classic Chinese Tales. North Haven: Shoe String Press, Incorporated, 2001.
Fu, Shelley. Treasury of Chinese folk tales: beloved myths and legends from the Middle Kingdom. (Illus. Yee, Patrick; Fu, Sherwin). North Clarendon, VT: Tuttle Publishing, 2008.
Fuller, Michael A. An Introduction to Literary Chinese. Harvard East Asian Monographs, Vol. 176. Cambridge: Harvard University Press, 1999.
G Return to the top
Gamsa, Mark. The reading of Russian literature in China: a moral example and manual of practice. New York: Palgrave Macmillan, 2010.
Gamsa, Mark. The Chinese translation of Russian literature: three studies. Leiden, The Netherlands: Brill, 2008.
Gao, Xingjian. The case for literature. (Trans. Lee, Mabel). New Haven, CT: Yale University Press, 2007.
Ge, Liangyan. Out of the Margins: The Rise of Chinese Vernacular Fiction. Honolulu: University of Hawai'i Press, 2001.
Gender, discourse and the self in literature: issues in mainland China, Taiwan and Hong Kong (eds. Tam, Kwok-kan and Siu-han Yip, Terry). Hong Kong: Chinese University Press, 2010.
Goebel, Rolf J. Constructing China: Kafka's orientalist discourse. Studies in German Literature, Linguistics and Culture, Literary Criticism in Perspective. Rochester: Camden House: 1997.
Guanzi: Political, Economic and Philosophical Essays from Early China. (trans. Rickett, W.). Princeton Library of Asian Translations. Princeton: Princeton University Press, 1998.
H Return to the top
Han, Carolyn. Why snails have shells: minority and Han folktales from China. (trans. Han, Jan). Kolowalu Books: distr. Honolulu,HI: University of Hawai'i Press, 1993.
Han, Jay. The Demon King and Other Festival Folktales of China. (contr. Han, Carolyn; trans. Han, Jay). Honolulu, HI: University of Hawai'i Press, 1995.
Hanzhang, Tao. Sun Tzu's Art of War: The Modern Chinese Interpretation. New York: Sterling Publishing Company, 2000.
Hay, Jonathan. Shitao, painting and modernity in early Qing China. RES Monographs in Anthropology & Aesthetics. New York: Cambridge University Press, 2001.
He, Yuhuai. Cycles of repression and relaxation: Politico-literary events in China, 1976-1989. Bochum: N. Brockmeyer, 1992.
Hegel, Robert E. Reading Illustrated Fiction in the Late Imperial China. Stanford: Stanford University Press, 1998.
Hendrikse, Cees. Writing on the wall: Chinese new realism and avant-garde in the eighties and nineties. Rotterdam, The Netherlands: NAi Publishers, 2008.
Hillenbrand, Margaret. Literature, modernity, and the practice of resistance: Japanese and Taiwanese fiction, 1960-1990. Boston: Brill, 2007.
Hock, Michel. The Literary Field of Twentieth-Century China. Chinese Worlds Series. Honolulu: University of Hawai'i Press, 1999.
Hockx, Michel. The literary field of twentieth-century China. Honolulu: University of Hawai'i Press, 1999.
Honey, David B. Incense at the Altar: Pioneering Sinolgoists and the Development of Classical Chinese Philology. New Haven: American Oriental Society, 2001.
Hong Kong Collage: Contemporary Stories and Writings. (ed. Cheung, Martha P.). New York: Oxford University Press, 1998.
Hsia, C. T. A History of Modern Chinese Fiction 3rd Edition. Bloomington: Indiana University Press, 1999.
Hsu, Pi-Ching. Beyond eroticism: a historian's reading of humor in Feng Menglong's Child's Folly. Lanham, Md.: University Press of America, 2006.
Hsun, Lu. A Brief History of Chinese Fiction. (On Demand). Miami: University Press of the Pacific, 2000.
Huang, Martin W. Desire and fictional narrative in late imperial China. Harvard East Asian Monographs, Vol. 202. Cambridge: Harvard University Press, 2001.
Huang, Martin. Literati and Self-Re/Presentation: Autobiographical Sensibility in the Eighteenth-Century Chinese Novel. Stanford: Stanford University Press, 1995.
Huang, Nicole. Women, War, Domesticity: Shanghai Literature and Popular Culture of the 1940s. Leiden; Boston; Bedfordshire: Brill, 2005.
Hung, Eva. Paradoxes of Traditional Chinese Literature: An Analysis of Literary Works from the Tang Dynasty to the Late Qing. Hong Kong: Chinese University Press, 1997.
Huters, Theodore; Wong, Roy B.; Yu, Pauline. Culture and State in Chinese History: Conventions, Accommodations, and Critiques. Irvine Studies in the Humanities. Stanford: Stanford University Press, 1997.
I Return to the top
Idema, W. L.. Meng Jiangn? brings down the Great Wall: ten versions of a Chinese legend. Seattle, Washington: University of Washington Press, 2008.
Idema, W. L. & Grant, Beata. The red brush: writing women of imperial China. Cambridge: Harvard University Asia Center, 2004.
Idema, Wilt L. A Guide to Chinese Literature. Michigan Monographs in Chinese Studies, No. 74. Ann Arbor: Center for Chinese Studies Publications, 1997.
Idema, Wilt L.. Judge Bao and the Rule of Law: Eight Ballad-stories from the Period 1250-1450. Toh Tuck Link, Singapore: World Scientific Publishing Group, 2009.
Identity in Asian Literature. (ed. Littrup, Lisbeth). Honolulu, HI: University of Hawai'i Press, 1995.
The Indiana Companion to Traditional Chinese Literature: (ed. Nienhauser, William H., Jr.). Companion to Traditional Chinese Literature Series, Vol. II. Bloomington: Indiana University Press, 1998.
The Indiana Companion to Traditional Chinese Literature. (ed. Nienhauser, Jr. ,William H.; trans. Hartman, Charles; Ma, Y. W.; West, Stephen H.). Bloomington, IN: Indiana University Press, 1985.
An interethnic companion to Asian American literature. (ed. Cheung, King-Kok). New York: Cambridge University Press, 1996.
The interplay of the oral and the written in Chinese popular literature. (eds. Boordahl, Vibeke and Wan, Margaret B.). Copenhagen: NIAS; Abingdon: Marston [distributor], 2010.
J Return to the top
Johnson, Dale R. A glossary of words and phrases in the oral performing and dramatic literatures of the Jin, Yuan, and Ming. Michigan Monographs in Chinese Studies, No. 89. Ann Arbor: Center for Chinese Studies, 2001.
K Return to the top
Kao, George. The translation of things past. Hong Kong: Chinese University Press, 1982.
Karolides, Nicholas J. Literature suppressed on political grounds. Rev. ed. New York: Facts On File, 2006.
Kerr, Douglas. A century of travels in China: critical essays on travel writing from the 1840s to the 1940s. Hong Kong: Hong Kong University Press, 2009.
Knechtges, David R. Court culture and literature in early China. Variorum Collected Studies Series, CS740. Aldershot: Ashgate, 2002.
Knechtges, David R. Court Culture and Literature in Early China. Variorum Collected Studies Series. Burlington: Ashgate Publishing, 2002.
Kong, Shuyu. Consuming literature: best sellers and the commercialization of literary production in contemporary China. Stanford, Calif.: Stanford University Press, 2005.
L Return to the top
Larson, Wendy. Women and Writing in Modern China. Stanford: Stanford University Press, 1998.
Lau, Joseph S.M. The Columbia anthology of modern Chinese literature. New York, NY: Columbia University Press, 2007.
Lee, Lily. The Virtue of Yin: Essays on Chinese Women. Honolulu, HI: University of Hawai'i Press, 1994.
Legge, James. The Chinese Classics. Safety Harbor: Simon Publications, 2001.
Levy, Andre. Chinese Literature: Ancient and Classical. Bloomington: Indiana University Press, 2000.
Lewis, Mark Edward. Writing and Authority in Early China. Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 1999.
Lieberman, Sally T. The Mother and Narrative Politics in Modern China. Feminist Issues Series. Charlottesville: University Press of Virginia, 1998.
Ling, Amy. Between worlds: women writers of Chinese ancestry. New York: Elsevier Science, 1990.
Ling, Vivian. A Reader in Post-Cultural Revolution Chinese Literature. 3rd Edition. Hong Kong: Chinese University Press, 1997.
Link, E. Perry. The Uses of Literature: Life in the Socialist Chinese Literary System. Princeton: Princeton University Press, 2000.
Literature, religion, and East/West comparison: essays in honor of Anthony C. Yu. (ed. Ziolkowski, Eric). Newark: University of Delaware Press, 2005.
Liu, Shih Shun. Chinese classical prose. Hong Kong: Chinese University Press, 1979.
Liu, Xie. The Book of Literary Design: The "Wenxin Diaolong" and Chinese Literary Criticism. Hong Kong: Hong Kong University Press, 1999.
Louie, Kam; McDougall, Bonnie S. The Literature of China in the Twentieth Century. New York: Columbia University Press, 1999.
Louie, Kam; McDougall, Bonnie S. Literature of China in the 20th Century. New York: Columbia University Press, 1997.
Lovell, Julia. The Politics of Cultural Capital: China's Quest for a Nobel Prize. Honolulu: University of Hawai`i Press, 2006.
Lu, Jie. Dismantling time: Chinese literature in the age of globalization. Singapore: Eastern Universities Press, 2004.
Lu, Sheldon H. Chinese modernity and global biopolitics: studies in literature and visual culture. Honolulu: University of Hawai'i Press, 2007.
Lu, Sheldon H. From Historicity to Fictionality: The Chinese Poetics of Narrative. Stanford, CA: Stanford University Press, 1994.
M Return to the top
Mair, Victor H. The Shorter Columbia Anthology of Traditional Chinese Literature. Translations from the Asian Classics. New York: Columbia University Press, 2000.
Martinique, Edward. Preservation of Chinese traditional books in cultural institutions in Taiwan: The Threefold Call. Lewiston, NY: Edwin Mellen Press, 2009.
Mayers, William Frederick. Bibliography of the Chinese Imperial Collections of Literature (1878). Legacy Reprint Series. Whitefish, MT: Kessinger Pub Co., 2007.
McCunn, Ruthanne Lum. God of luck. (fiction) New York: Soho Press, 2008.
McDougall, Bonnie S. Love-Letters and Privacy in Modern China: The Intimate Lives of Lu Xun and Xu Guangping. Oxford; New York: Oxford University Press, 2002.
Minford, John. Classical, modern and humane: essays in Chinese literature. Hong Kong: Chinese University Press, 1989.
Modern Chinese literary and cultural studies in the age of theory: Reimagining a field. (ed. Chow, Rey). B2 Books & Asia Pacific. Durham: Duke University Press, 2000.
Mukherji, Priyadarsi. Chinese and Tibetan societies through folk literature. New Delhi: Lancers Books, 1999.
N Return to the top
Nienhauser, William H. Jr. Critical essays on Chinese literature. Hong Kong: Chinese University Press, 1976.
O Return to the top
Owen, Stephen. Readings in Chinese Literary Thought. Harvard-Yenching Institute Monographs, No. 30. Cambridge: Harvard University Press, 1996.
Owen, Stephen. The End of the Chinese `Middle Ages': Essays in Mid-Tang Literary Culture. Stanford: Stanford University Press, 1996.
P Return to the top
Pelly, Lewis, Sir. The Miracle Play of Hasan and Husain. (Originally published 1874. Two Volumes. Also on Google Books.). New York: Hesperides Press, 2008.
Politics, ideology, and literary discourse in modern China: theoretical interventions and cultural critique. (eds. Liu, Kang; Tang, Xiaobing; contr. Jameson, Fredric). Durham, NC: Duke University Press, 1994.
Pollard, David. The Chinese Essay: [ku Chin San Wen Ying I Chi]. (English and Chinese). (Concurrent publication, London: C. Hurst), New York: Columbia University Press, 2000.
Porter, Deborah L. From Deluge to Discourse: Myth, History, and the Generation of Chinese Fiction. Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 1996.
Presence and Presentation: Women in the Chinese Literati Tradition. (ed. Mou, Sherry J.). New Middle Ages Series, Vol. 4. New York: Saint Martin's Press, 1999.
Q Return to the top
Qiao, Li. Wintry night. Modern Chinese Literature from Taiwan Series. New York Columbia University Press, 2001.
R Return to the top
Raphals, Lisa. Sharing the Light: Representations of Women and Virtue in Early China. Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 1998.
Reading China: fiction, history and the dynamics of discourse : essays in honour of professor Glen Dudbridge. (ed. Berg, Daria). Boston, MA: Brill, 2007.
Reading the modern Chinese short story. (ed. Huters, Theodore). Armonk, New York: M. E. Sharpe Incorporated, 1990.
Roddy, Stephen; Hsia, Ching-Chu; Li, Ju-Chen, ; Wu, Ching-tzu. Literati Identity and Its Fictional Representations in Late Imperial China. Stanford: Stanford University Press, 1998.
Rouzer, Paul F. Articulated Ladies: Gender and the Male Community in Early Chinese Texts. Yenching Institute Monograph Series, Vol. 53. Cambridge: Harvard University Press, 2001.
S Return to the top
A Sampler of Chinese Literature: From the Ming Dynasty to Mao Zedong. (trans. Shapiro, Sidney). San Francisco: China Books & Periodicals, 1996.
Schwarcz, Vera. Bridge Across Broken Time: Chinese and Jewish Cultural Memory. New Haven: Yale University Press, 1998.
The Serenity of Whiteness: Stories By and About Women in Contemporary China. (ed. trans. Hong, Zhu). New York: Ballantine Publishing Group, 1992.
Seymour, Nancy N. An Index Dictionary of Chinese Artist, Collectors and Connoisseurs, with Character Identification by Modified Stroke Count: Including over 5,000 Chinese Names and Biographies from the T'ang Dynasty Through the Modern Period. Lanham, MD: Scarecrow Press, Incorporated, 1988.
Shahar, Meir. Crazy Ji: Chinese religion and popular literature. Harvard-Yenching Institute Monographs. Cambridge: Harvard University Press, 1998.
Shakespeare in Asia: contemporary performance. (eds. Kennedy, Dennis and Yong, Li Lan). Cambridge, UK; New York: Cambridge University Press, 2010.
Shang, Wei. Rulin waishi and cultural transformation in late imperial China. Cambridge: Published by the Harvard University Asia Center for the Harvard-Yenching Institute: Distributed by Harvard University Press, 2003.
Shao, Lixin. Nietzsche in China. Literature & the Sciences of Man Series, Vol. 11. New York: Peter Lang Publishing, 1999.
Shaughnessy, Edward L. Before Confucius: Studies in the Creation of the Chinese Classics. Series in Chinese Philosophy and Culture. Albany: State University of New York, 1997.
Shaughnessy, Edward L. Rewriting early Chinese texts. SUNY series in Chinese philosophy and culture. Albany: State University of New York Press, 2006.
Shih, Shu-Mei. The lure of the modern: Writing modernism in semicolonial China, 1917-1937. Berkeley Series in Interdisciplinary Studies of China, Vol. 1. Berkeley: University of California Press, 2001.
Sin-Wai, Chan. A Chronology of Translation in China and the West: From the Legendary Period to 2004. Hong Kong: The Chinese University Press, 2009.
Spring, Madeline K. Animal Allegories in T'ang China. American Oriental Series, Vol. 76. New Haven: American Oriental Society, 1993.
Stories from ancient China. (eds. Kennedy, George A.; Rouse, Mary). New Haven, CT: Yale University, Far Eastern Publications, 1976.
Strickmann, Michel. Chinese poetry and prophecy: the written oracle in East Asia. Stanford: Stanford University Press, 2005.
Su, Tong. Tatoo: three novellas. (trans. Josh Stenberg). Portland, Me.: MerwinAsia, 2010.
Sun, Yifeng. Fragmentation and dramatic moments: Zhang Tianyi and the narrative discourse of upheaval in modern China. Asian Thought and Culture,Vol. 54. New York: Peter Lang, 2002.
Syrokomla-Stefanowska, A. D. Classical Chinese Reader. Honolulu, HI: University of Hawai'i Press, 1996.
T Return to the top
Tales of Tibet: sky burials, prayer wheels, and wind horses. (ed. trans. Batt, Herbert J.). Lanham, MD: Rowman & Littlefield Publishers, 2001.
Tang, Xiaoing. Chinese Modern. Post-Contemporary Interventions Series. Durham: Duke University Press, 2000.
Tautz, Birgit. Reading and seeing ethnic differences in the Enlightenment: from China to Africa. New York: Palgrave, 2006.
Thornber, Karen Laura. Empire of texts in motion: Chinese, Korean, and Taiwanese transculturations of Japanese literature. Cambridge, Massachusetts: Harvard University Asia Center, 2009.
Three Kingdoms and Chinese culture. (ed. Besio, Kimberly.; Tung, Constantine). Albany, NY: State University of New York Press, 2007.
Tien-Wen, Chu. Notes of a desolate man. New York: Columbia University Press, 2000.
Tillmann, von Herbert. Dictionary of Radio and Television Terms: English-German-Chinese. Berlin: Publicis Corporate Publishing, 2002.
Tom, K. S. Echoes from Old China: Life, Legends, and Lore of the Middle Kingdom. Honolulu, HI: University of Hawai'i Press, 1989.
Towery, Britt. Lao She: China's Master Storyteller. Waco: Texian Press, 2000.
Traditions of writing research. (eds. Bazerman, Charles et al.). London; New York: Routledge, 2010.
Translating Chinese literature. (eds. Eoyang, Eugene; Lin Yao-fu). Bloomington, IN: Indiana University Press, 1995.
Translation and Creation: Readings of Western Literature in Early Modern China, 1840-1918. (ed. Pollard, David E.). Erdenheim: John Benjamins Publishing Company, 1998.
Trauma and Transcendence in Early Qing Literature. (eds. Idema, Wilt L.; Li, Wai-yee; Widmer, Ellen). Cambridge, MA: Harvard University Press, 2005.
Tsien, Tsuen-Hsuin. Written on Bamboo and Silk: The Beginnings of Chinese Books and Inscriptions. Second Edition. Chicago: University of Chicago Press, 2004.
Tung, Yueh. The Tower of Myriad Mirrors. (trans. Lin, Shuen-fu; Schulz, Larry J.). Michigan Classics in Chinese Studies, No. 1. Ann Arbor: Center for Chinese Studies, 2001.
V Return to the top
Visible Traces: Rare Books and Special Collections from the National Library of China. (ed. Hu, Philip K.). Jamaica: Queens Borough Public Library, 2000.
Visions of China: stories from Macau. (ed. Brookshaw, David). Hong Kong: Hong Kong University Press, 2002.
W Return to the top
Waley, Arthur. Ballads and Stories from Tun-Huang: An Anthology. London: George Allen & Unwin, 1960.
Wang, Ban. Narrative Perspective and Irony in Selected Chinese and American Fiction. Lewiston: Edwin Mellen Press, 2002.
Wang, Dewei. The monster that is history: history, violence, and fictional writing in twentieth-century China. Berkeley: University of California Press, 2004.
Wang, Lingzhen. Personal matters: women's autobiographical practice in twentieth-century China. Standford: Stanford University Press, 2004.
Wang, Ning. Translated modernities: literary and cultural perspectives on globalization and China. New York: Legas, 2010.
Wang, Te-Wei. Fin-de-Si Ecle Splendor: Repressed Modernities of Late Qing Fiction, 1849-1911. Stanford: Stanford University Press, 1997.
Waters, Geoffrey R. Three elegies of Ch'u: an introduction to the traditional interpretation of the Ch'u Tz'u. Madison, WI: University of Wisconsin Press, 1986.
Watson , Burton. Early Chinese Literature. (eds. Esherick, Joseph W.; Rankin, Mary Backus). New York, Columbia University Press, 1962.
Wei, Cuiyi; Luckert, Karl W.; Wei, Tsui I. Uighur Stories from along the Silk Road. Lanham: University Press of America, 1998.
Wei, Jingsheng. The Courage to Stand Alone: Letters from Prison and Other Writings. New York: Penguin Putnam, 1998.
Welter, Albert. The Linji lu and the creation of Chan orthodoxy: the development of Chan's records of sayings literature. New York: Oxford University Press, 2008.
White, Jules. Chinese Scrolls. Montrose: Texas Center for Writers Press, 2000.
Widmer, Ellen. The beauty and the book: women and fiction in nineteenth-century China. Harvard East Asian monographs; 268. Cambridge, Mass.: Harvard University Asia Center, 2006.
Widmer, Ellen; Kang-I Sun Chang. Writing Women in Late Imperial China. Stanford, CA: Stanford University Press, 1997.
Williams, Philip F. The great wall of confinement: the Chinese prison camp through contemporary fiction and reportage. Berkeley: University of California Press, 2004.
Williams, Samuel Wells. The Middle Kingdom: A Survey of the Geography, Government, Literature of the Chinese Empire: Vol. 1, Pt. 1. Safety Harbor: Simon Publications, 2001.
Wong, Kwok-yiu. Re-discovering literature in medieval China: mid-T'ang literary theories and political discourse. Thesis (Ph. D.)--University of Toronto, 2002. Ann Arbor: University Microfilms International, 2002.
Wong, Wai-Ching Angela. The Poor Woman: A Critical Analysis of Asian Theology and Contemporary Chinese Fiction by Women. New York: Peter Lang Publishers, 2000.
Writing Women in Modern China: An Anthology of Literature by Chinese Women from the Early Twentieth Century. (Dooling, Amy D.; Torgeson, Kristina M.). Modern Asian Literature Series. New York: Columbia University Press, 1998.
Wu, Fusheng. Written at imperial command: panegyric poetry in early medieval China. Albany, NY: State University of New York Press, 2008.
Wu, Yenna. Ameliorative Satire and the Seventeenth-Century Chinese Novel: Xingshi Yinyuan Zhuan-Marriage as Retribution, Awakening the World. Chinese Studies, Vol. 9. Lewiston: Edwin Mellen Press, 1999.
X Return to the top
Xing, Lu. Rhetoric in Ancient China, Fifth to Third Century B.C.E.: A Comparison with Classical Greek Rhetoric. Studies in Rhetoric/Communication. Columbia: University of South Carolina Press, 1998.
Y Return to the top
Yan, Haiping. Chinese Women Writers and the Feminist Imagination. London; New York: Routledge, 2005.
Yang, Jiang. Baptism: An English Translation of Xizao. Hong Kong: Hong Kong University Press, 2007.
Yang, Lan. Chinese Fiction of the Cultural Revolution. Hong Kong: Hong Kong University Press, 1998.
Ye, Yang. Vignettes from the Late Ming: A Hsiao-P in Anthology. Seattle: University of Washington Press, 1999.
You, Xiaoye, Writing in the devil's tongue: a history of English composition in China. Carbondale: Southern Illinois University Press, 2010.
Yu, Ning. The Contemporary Theory of Metaphor: A Perspective from Chinese. Human Cognitive Processing Series, Vol. 1. Erdenheim: John Benjamins Publishing Company, 1998.
Yu, Pauline. Ways with words: Writing about reading texts from early China. (eds. Yu, Pauline; Bol, Peter; Owen, Stephen; Peterson, Willard). Studies on China, Vol. 24. Berkeley: University of California Press, 2000.
Z Return to the top
Zeitlin, Judith T. The phantom heroine: ghosts and gender in seventeenth-century Chinese literature. Honolulu, HI: University of Hawai'i Press, 2007.
Zhao, Henry Y. The uneasy narrator: Chinese fiction from the traditional to the modern. New York: Oxford University Press, Incorporated, 1995.
Zhao, Xiaohuan. Classical Chinese Supernatural Fiction: A Morphological History. Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2005.
Zhu, Aijun. Feminism and global Chineseness: the cultural production of controversial women authors. Amherst, NY Cambria Press, 2007.
Zito, Angela. Grand sacrifice as text/performance ritual and writing in eighteenth century China. Thesis (Ph. D.) -- University of Chicago, 1989. Microfilm. Chicago: University of Chicago, Joseph Regenstein Library, Dept. of Photoduplication, 1989.
To contribute to the bibliography, please send e-mail to: Please format your contributions to match the entries above. If you have a question, please use the message board.
Marilyn Shea
Department of Psychology
University of Maine at Farmington
mshea@maine.edu
http://hua.umf.maine.edu/China/literature.html
Last update: September 2010
© Marilyn Shea 1996, 2010