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  35. </font><font size="-1" color="white" face="Verdana, Arial, Helvetica, sans-serif">Hua Yan Shu Juan</font><font size="-1" face="Verdana, Arial, Helvetica, sans-serif"><br />
  36. </font><font size="-1" color="white" face="Verdana, Arial, Helvetica, sans-serif">Huang Tingjian </font><font face="Verdana,Geneva,Arial,Helvetica"><font size="-0" color="white" face="Lucida Calligraphy">黄庭坚</font></font><font size="-1" color="white" face="Verdana, Arial, Helvetica, sans-serif">(1045-1105)<br />
  37. Running script<br />
  38. Huang Tingjian was born in Xiushui, Jiangxi province. His designated name was Luzhi and his literary<br />
  39. name was Shan'gu Daoren. Like Su Shi, his teacher, he is considered one of the four masters of calligraphy<br />of the Song Dynasty. He is also the founder of the Jiangxi school of poetry. Huang Tingjian wrote this scroll to <br />
  40. raise money for a temple. Both the size and spacing of the characters are important to the expression of the <br />
  41. meaning, his style is fluidand relaxed. In addition to the running script shown here, he also mastered a type of <br />
  42. script called cursive. Both running script (xingshu) and cursive script allow strokes to meld with one another <br />
  43. and toextend past the imaginary box that bounds regular script. Cursive is more extreme and there are<br />
  44. examples from other calligraphers within this site. Running script was developed from clerical or official script <br />
  45. in the first centuries AD and became the usual form of handwriting as it was much faster.<br />
  46. Northern Song Dynasty (960-1126)<br />
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  62. <p align="left"><font size="-1" color="white" face="Verdana, Arial, Helvetica, sans-serif">http://hua.umf.maine.edu/China/SMcalligraphy/index.html<br />
  63. (c) Marilyn Shea, 2006, 2007<br />
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