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  33. <TITLE>The Return of Sherlock Holmes -- The Adventure of the Dancing Men</TITLE>
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  65. <CENTER><P><font face="Verdana"><FONT SIZE=1><A HREF="../dancingwav/d1.wav">THE STRAND MAGAZINE
  66. </A><br>
  67. <A HREF="../dancingwav/d2.wav">Vol. 26 DECEMBER, 1903 </A></FONT></P>
  68. <FONT SIZE=+1><A HREF="../dancingwav/d3.wav">THE RETURN OF SHERLOCK
  69. HOLMES. </A></FONT>
  70. <P><FONT SIZE=+1><A HREF="../dancingwav/d4.wav">By ARTHUR CONAN DOYLE
  71. </A></FONT></P>
  72. <P><FONT SIZE=+1><A HREF="../dancingwav/d5.wav">III. --- The Adventure
  73. of the Dancing Men. </A></FONT></P></CENTER>
  74. <blockquote>
  75. <P><FONT SIZE=+1><A HREF="../dancingwav/1dance.wav"><img border="0" src="../tingsmbl.gif">Section
  76. I</A></FONT></P>
  77. <FONT SIZE=-1>
  78. <P><A HREF="../dancingwav/d6.wav">HOLMES had been seated for some hours in
  79. silence with his long, thin back curved over a chemical vessel in which
  80. he was brewing a particularly malodorous product. </A><A HREF="../dancingwav/d7.wav">His
  81. head was sunk upon his breast, and he looked from my point of view like
  82. a strange, lank bird, with dull grey plumage and a black top-knot. </A></P>
  83. <P><A HREF="../dancingwav/d8.wav">&quot;So, Watson,&quot; said he, suddenly,
  84. &quot;you do not propose to invest in South African securities?&quot; </A></P>
  85. <P><A HREF="../dancingwav/d9.wav">I gave a start of astonishment. Accustomed
  86. as I was to Holmes's curious faculties, this sudden intrusion into my most
  87. intimate thoughts was utterly inexplicable. </A></P>
  88. <P><A HREF="../dancingwav/d10.wav">&quot;How on earth do you know that?&quot;
  89. I asked. </A></P>
  90. <P><A HREF="../dancingwav/d11.wav">He wheeled round upon his stool, with a
  91. steaming test-tube in his hand and a gleam of amusement in his deep-set
  92. eyes. </A></P>
  93. <P><A HREF="../dancingwav/d12.wav">&quot;Now, Watson, confess yourself utterly
  94. taken aback,&quot; said he. </A></P>
  95. <P><A HREF="../dancingwav/d13.wav">&quot;I am.&quot; </A></P>
  96. <P><A HREF="../dancingwav/d14.wav">&quot;I ought to make you sign a paper to
  97. that effect.&quot; </A></P>
  98. <P><A HREF="../dancingwav/d15.wav">&quot;Why?&quot; </A></P>
  99. <P><A HREF="../dancingwav/d16.wav">&quot;Because in five minutes you will say
  100. that it is all so absurdly simple.&quot; </A></P>
  101. <P><A HREF="../dancingwav/d17.wav">&quot;I am sure that I shall say nothing
  102. of the kind.&quot; </A></P>
  103. <P><A HREF="../dancingwav/d18.wav">&quot;You see, my dear Watson&quot; -- he
  104. propped his test-tube in the rack and began to lecture with the air of
  105. a professor addressing his class -- &quot;it is not really difficult to
  106. construct a series of inferences, each dependent upon its predecessor and
  107. each simple in itself. </A><A HREF="../dancingwav/d19.wav">If, after doing
  108. so, one simply knocks out all the central inferences and presents one's
  109. audience with the starting-point and the conclusion, one may produce a
  110. startling, though possibly a meretricious, effect. </A><A HREF="../dancingwav/d20.wav">Now,
  111. it was not really difficult, by an inspection of the groove between your
  112. left forefinger and thumb, to feel sure that you did NOT propose to invest
  113. your small capital in the goldfields.&quot; </A></P>
  114. <P><A HREF="../dancingwav/d21.wav">&quot;I see no connection.&quot; </A></P>
  115. <P><A HREF="../dancingwav/d22.wav">&quot;Very likely not; but I can quickly
  116. show you a close connection. Here are the missing links of the very simple
  117. chain: </A><A HREF="../dancingwav/d23.wav">1. You had chalk between your left
  118. finger and thumb when you returned from the club last night. </A><A HREF="../dancingwav/d24.wav">2.
  119. You put chalk there when you play billiards to steady the cue. 3. You never
  120. play billiards except with Thurston. </A><A HREF="../dancingwav/d25.wav">4.
  121. You told me four weeks ago that Thurston had an option on some South African
  122. property which would expire in a month, and which he desired you to share
  123. with him. </A><A HREF="../dancingwav/d26.wav">5. Your cheque-book is locked
  124. in my drawer, and you have not asked for the key. 6. You do not propose
  125. to invest your money in this manner.&quot; </A></P>
  126. <P><A HREF="../dancingwav/d27.wav">&quot;How absurdly simple!&quot; I cried.
  127. </A></P>
  128. <P><A HREF="../dancingwav/d28.wav">&quot;Quite so!&quot; said he, a little
  129. nettled. &quot;Every problem becomes very childish when once it is explained
  130. to you. Here is an unexplained one. See what you can make of that, friend
  131. Watson.&quot; He tossed a sheet of paper upon the table and turned once
  132. more to his chemical analysis. </A></P>
  133. <P><A HREF="../dancingwav/d29.wav">I looked with amazement at the absurd hieroglyphics
  134. upon the paper. </A><A HREF="../dancingwav/d30.wav">Why, Holmes, it is a child's
  135. drawing,&quot; I cried. </A></P>
  136. <P><A HREF="../dancingwav/d31.wav">&quot;Oh, that's your idea!&quot; </A></P>
  137. <P><A HREF="../dancingwav/d32.wav">&quot;What else should it be?&quot; </A></P>
  138. <P><A HREF="../dancingwav/d33.wav">&quot;That is what Mr. Hilton Cubitt, of
  139. Riding Thorpe Manor, Norfolk, is very anxious to know. This little conundrum
  140. came by the first post, and he was to follow by the next train. </A><A HREF="../dancingwav/d34.wav">There's
  141. a ring at the bell, Watson. I should not be very much surprised if this
  142. were he.&quot; </A></P>
  143. <P><A HREF="../dancingwav/d35.wav">A heavy step was heard upon the stairs,
  144. and an instant later there entered a tall, ruddy, clean-shaven gentleman,
  145. whose clear eyes and florid cheeks told of a life led far from the fogs
  146. of Baker Street. </A><A HREF="../dancingwav/d36.wav">He seemed to bring a whiff
  147. of his strong, fresh, bracing, east-coast air with him as he entered. </A><A HREF="../dancingwav/d37.wav">Having
  148. shaken hands with each of us, he was about to sit down when his eye rested
  149. upon the paper with the curious markings, which I had just examined and
  150. left upon the table. </A></P>
  151. <P><A HREF="../dancingwav/d38.wav">&quot;Well, Mr. Holmes, what do you make
  152. of these?&quot; he cried. &quot;They told me that you were fond of queer
  153. mysteries, and I don't think you can find a queerer one than that. </A><A HREF="../dancingwav/d39.wav">I
  154. sent the paper on ahead so that you might have time to study it before
  155. I came.&quot; </A></P>
  156. <P><A HREF="../dancingwav/d40.wav">&quot;It is certainly rather a curious production,&quot;
  157. said Holmes. &quot;At first sight it would appear to be some childish prank.
  158. </A><A HREF="../dancingwav/d41.wav">It consists of a number of absurd little
  159. figures dancing across the paper upon which they are drawn. Why should
  160. you attribute any importance to so grotesque an object?&quot; </A></P>
  161. <P><A HREF="../dancingwav/d42.wav">&quot;I never should, Mr. Holmes. But my
  162. wife does. It is frightening her to death. She says nothing, but I can
  163. see terror in her eyes. That's why I want to sift the matter to the bottom.&quot;
  164. </A></P>
  165. <center><a href="#Top" onMouseOver="img14top.src='arrowin.jpg'" onMouseOut="img14top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img14top" BORDER=0 ></a></center>
  166. <P><FONT SIZE=+1><A HREF="../dancingwav/2dance.wav"><img border="0" src="../tingsmbl.gif">Section
  167. II</A></FONT></P>
  168. <P><A HREF="../dancingwav/d43.wav">Holmes held up the paper so that the sunlight
  169. shone full upon it. It was a page torn from a note-book. The markings were
  170. done in pencil, and ran in this way:-- </A></P>
  171. <P><center><IMG SRC="d44.jpg" ALT="Graphic" border="0" height=95 width=367></center></P>
  172. <P><A HREF="../dancingwav/d45.wav">Holmes examined it for some time, and then,
  173. folding it carefully up, he placed it in his pocket-book. </A></P>
  174. <P><A HREF="../dancingwav/d46.wav">&quot;This promises to be a most interesting
  175. and unusual case,&quot; said he. &quot;You gave me a few particulars in
  176. your letter, Mr. Hilton Cubitt, but I should be very much obliged if you
  177. would kindly go over it all again for the benefit of my friend, Dr. Watson.&quot;
  178. </A></P>
  179. <P><A HREF="../dancingwav/d47.wav">&quot;I'm not much of a story-teller,&quot;
  180. said our visitor, nervously clasping and unclasping his great, strong hands.
  181. &quot;You'll just ask me anything that I don't make clear. </A><A HREF="../dancingwav/d48.wav">I'll
  182. begin at the time of my marriage last year; but I want to say first of
  183. all that, though I'm not a rich man, my people have been at Ridling Thorpe
  184. for a matter of five centuries, and there is no better known family in
  185. the County of Norfolk. </A><A HREF="../dancingwav/d49.wav">Last year I came
  186. up to London for the Jubilee, and I stopped at a boarding-house in Russell
  187. Square, because Parker, the vicar of our parish, was staying in it. </A><A HREF="../dancingwav/d50.wav">There
  188. was an American young lady there -- Patrick was the name -- Elsie Patrick.
  189. In some way we became friends, until before my month was up I was as much
  190. in love as a man could be. </A><A HREF="../dancingwav/d51.wav">We were quietly
  191. married at a registry office, and we returned to Norfolk a wedded couple.
  192. </A><A HREF="../dancingwav/d52.wav">You'll think it very mad, Mr. Holmes, that
  193. a man of a good old family should marry a wife in this fashion, knowing
  194. nothing of her past or of her people; but if you saw her and knew her it
  195. would help you to understand. </A></P>
  196. <P><A HREF="../dancingwav/d53.wav">&quot;She was very straight about it, was
  197. Elsie. I can't say that she did not give me every chance of getting out
  198. of it if I wished to do so. `I have had some very disagreeable associations
  199. in my life,' said she; </A><A HREF="../dancingwav/d54.wav">`I wish to forget
  200. all about them. I would rather never allude to the past, for it is very
  201. painful to me. </A><A HREF="../dancingwav/d55.wav">If you take me, Hilton,
  202. you will take a woman who has nothing that she need be personally ashamed
  203. of; but you will have to be content with my word for it, and to allow me
  204. to be silent as to all that passed up to the time when I became yours.
  205. </A><A HREF="../dancingwav/d56.wav">If these conditions are too hard, then
  206. go back to Norfolk and leave me to the lonely life in which you found me.'
  207. It was only the day before our wedding that she said those very words to
  208. me. </A><A HREF="../dancingwav/d57.wav">I told her that I was content to take
  209. her on her own terms, and I have been as good as my word. </A></P>
  210. <P><A HREF="../dancingwav/d58.wav">&quot;Well, we have been married now for
  211. a year, and very happy we have been. But about a month ago, at the end
  212. of June, I saw for the first time signs of trouble. </A><A HREF="../dancingwav/d59.wav">One
  213. day my wife received a letter from America. I saw the American stamp. She
  214. turned deadly white, read the letter, and threw it into the fire. </A><A HREF="../dancingwav/d60.wav">She
  215. made no allusion to it afterwards, and I made none, for a promise is a
  216. promise; but she has never known an easy hour from that moment. </A><A HREF="../dancingwav/d61.wav">There
  217. is always a look of fear upon her face -- a look as if she were waiting
  218. and expecting. She would do better to trust me. She would find that I was
  219. her best friend. </A><A HREF="../dancingwav/d62.wav">But until she speaks I
  220. can say nothing. Mind you, she is a truthful woman, Mr. Holmes, and whatever
  221. trouble there may have been in her past life it has been no fault of hers.
  222. </A><A HREF="../dancingwav/d63.wav">I am only a simple Norfolk squire, but
  223. there is not a man in England who ranks his family honour more highly than
  224. I do. She knows it well, and she knew it well before she married me. </A><A HREF="../dancingwav/d64.wav">She
  225. would never bring any stain upon it -- of that I am sure. </A></P>
  226. <center><a href="#Top" onMouseOver="img13top.src='arrowin.jpg'" onMouseOut="img13top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img13top" BORDER=0 ></a></center>
  227. <P><FONT SIZE=+1><A HREF="../dancingwav/3ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  228. III</A></FONT></P>
  229. <P><A HREF="../dancingwav/d65.wav">&quot;Well, now I come to the queer part
  230. of my story. About a week ago -- it was the Tuesday of last week -- I found
  231. on one of the window-sills a number of absurd little dancing figures, like
  232. these upon the paper. </A><A HREF="../dancingwav/d66.wav">They were scrawled
  233. with chalk. I thought that it was the stable-boy who had drawn them, but
  234. the lad swore he knew nothing about it. </A><A HREF="../dancingwav/d67.wav">Anyhow,
  235. they had come there during the night. I had them washed out, and I only
  236. mentioned the matter to my wife afterwards. To my surprise she took it
  237. very seriously, and begged me if any more came to let her see them. </A><A HREF="../dancingwav/d68.wav">None
  238. did come for a week, and then yesterday morning I found this paper lying
  239. on the sun-dial in the garden. I showed it to Elsie, and down she dropped
  240. in a dead faint. </A><A HREF="../dancingwav/d69.wav">Since then she has looked
  241. like a woman in a dream, half dazed, and with terror always lurking in
  242. her eyes. It was then that I wrote and sent the paper to you, Mr. Holmes.
  243. </A><A HREF="../dancingwav/d70.wav">It was not a thing that I could take to
  244. the police, for they would have laughed at me, but you will tell me what
  245. to do. </A><A HREF="../dancingwav/d71.wav">I am not a rich man; but if there
  246. is any danger threatening my little woman I would spend my last copper
  247. to shield her.&quot; </A></P>
  248. <P><A HREF="../dancingwav/d72.wav">He was a fine creature, this man of the
  249. old English soil, simple, straight, and gentle, with his great, earnest
  250. blue eyes and broad, comely face. </A><A HREF="../dancingwav/d73.wav">His love
  251. for his wife and his trust in her shone in his features. Holmes had listened
  252. to his story with the utmost attention, and now he sat for some time in
  253. silent thought. </A></P>
  254. <P><A HREF="../dancingwav/d74.wav">&quot;Don't you think, Mr. Cubitt,&quot;
  255. said he, at last, &quot;that your best plan would be to make a direct appeal
  256. to your wife, and to ask her to share her secret with you?&quot; </A></P>
  257. <P><A HREF="../dancingwav/d75.wav">Hilton Cubitt shook his massive head. </A></P>
  258. <P><A HREF="../dancingwav/d76.wav">&quot;A promise is a promise, Mr. Holmes.
  259. If Elsie wished to tell me she would. If not, it is not for me to force
  260. her confidence. But I am justified in taking my own line -- and I will.&quot;
  261. </A></P>
  262. <P><A HREF="../dancingwav/d77.wav">&quot;Then I will help you with all my heart.
  263. In the first place, have you heard of any strangers being seen in your
  264. neighbourhood?&quot; </A></P>
  265. <P><A HREF="../dancingwav/d78.wav">&quot;No.&quot; </A></P>
  266. <P><A HREF="../dancingwav/d79.wav">&quot;I presume that it is a very quiet
  267. place. Any fresh face would cause comment?&quot; </A></P>
  268. <P><A HREF="../dancingwav/d80.wav">&quot;In the immediate neighbourhood, yes.
  269. But we have several small watering-places not very far away. And the farmers
  270. take in lodgers.&quot; </A></P>
  271. <P><A HREF="../dancingwav/d81.wav">&quot;These hieroglyphics have evidently
  272. a meaning. If it is a purely arbitrary one it may be impossible for us
  273. to solve it. If, on the other hand, it is systematic, I have no doubt that
  274. we shall get to the bottom of it. </A><A HREF="../dancingwav/d82.wav">But this
  275. particular sample is so short that I can do nothing, and the facts which
  276. you have brought me are so indefinite that we have no basis for an investigation.
  277. </A><A HREF="../dancingwav/d83.wav">I would suggest that you return to Norfolk,
  278. that you keep a keen look-out, and that you take an exact copy of any fresh
  279. dancing men which may appear. </A><A HREF="../dancingwav/d84.wav">It is a thousand
  280. pities that we have not a reproduction of those which were done in chalk
  281. upon the window-sill. Make a discreet inquiry also as to any strangers
  282. in the neighbourhood. </A><A HREF="../dancingwav/d85.wav">When you have collected
  283. some fresh evidence come to me again. That is the best advice which I can
  284. give you, Mr. Hilton Cubitt. If there are any pressing fresh developments
  285. I shall be always ready to run down and see you in your Norfolk home.&quot;
  286. </A></P>
  287. <P><A HREF="../dancingwav/d86.wav">The interview left Sherlock Holmes very
  288. thoughtful, and several times in the next few days I saw him take his slip
  289. of paper from his note-book and look long and earnestly at the curious
  290. figures inscribed upon it. </A><A HREF="../dancingwav/d87.wav">He made no allusion
  291. to the affair, however, until one afternoon a fortnight or so later. I
  292. was going out when he called me back. </A></P>
  293. <P><A HREF="../dancingwav/d88.wav">&quot;You had better stay here, Watson.&quot;
  294. </A></P>
  295. <P><A HREF="../dancingwav/d89.wav">&quot;Why?&quot; </A></P>
  296. <P><A HREF="../dancingwav/d90.wav">&quot;Because I had a wire from Hilton Cubitt
  297. this morning -- you remember Hilton Cubitt, of the dancing men? He was
  298. to reach Liverpool Street at one-twenty. He may be here at any moment.
  299. I gather from his wire that there have been some new incidents of importance.&quot;
  300. </A></P>
  301. <P><A HREF="../dancingwav/d91.wav">We had not long to wait, for our Norfolk
  302. squire came straight from the station as fast as a hansom could bring him.
  303. He was looking worried and depressed, with tired eyes and a lined forehead.
  304. </A></P>
  305. <P><A HREF="../dancingwav/d92.wav">&quot;It's getting on my nerves, this business,
  306. Mr. Holmes,&quot; said he, as he sank, like a wearied man, into an arm-chair.
  307. &quot;It's bad enough to feel that you are surrounded by unseen, unknown
  308. folk, who have some kind of design upon you; </A><A HREF="../dancingwav/d93.wav">but
  309. when, in addition to that, you know that it is just killing your wife by
  310. inches, then it becomes as much as flesh and blood can endure. She's wearing
  311. away under it -- just wearing away before my eyes.&quot; </A></P>
  312. <center><a href="#Top" onMouseOver="img12top.src='arrowin.jpg'" onMouseOut="img12top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img12top" BORDER=0 ></a></center>
  313. <P><FONT SIZE=+1><A HREF="../dancingwav/4ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  314. IV</A></FONT></P>
  315. <P><A HREF="../dancingwav/d94.wav">&quot;Has she said anything yet?&quot; </A></P>
  316. <P><A HREF="../dancingwav/d96.wav">&quot;No, Mr. Holmes, she has not. And yet
  317. there have been times when the poor girl has wanted to speak, and yet could
  318. not quite bring herself to take the plunge. I have tried to help her; but
  319. I dare say I did it clumsily, and scared her off from it. </A><A HREF="../dancingwav/d97.wav">She
  320. has spoken about my old family, and our reputation in the county, and our
  321. pride in our unsullied honour, and I always felt it was leading to the
  322. point; but somehow it turned off before we got there.&quot; </A></P>
  323. <P><A HREF="../dancingwav/d98.wav">&quot;But you have found out something for
  324. yourself?&quot; </A></P>
  325. <P><A HREF="../dancingwav/d99.wav">&quot;A good deal, Mr. Holmes. I have several
  326. fresh dancing men pictures for you to examine, and, what is more important,
  327. I have seen the fellow.&quot; </A></P>
  328. <P><A HREF="../dancingwav/d100.wav">&quot;What, the man who draws them?&quot;
  329. </A></P>
  330. <P><A HREF="../dancingwav/d101.wav">&quot;Yes, I saw him at his work. But I
  331. will tell you everything in order. When I got back after my visit to you,
  332. the very first thing I saw next morning was a fresh crop of dancing men.
  333. </A><A HREF="../dancingwav/d102.wav">They had been drawn in chalk upon the
  334. black wooden door of the tool-house, which stands beside the lawn in full
  335. view of the front windows. I took an exact copy, and here it is.&quot;
  336. </A></P>
  337. <P><A HREF="../dancingwav/d103.wav">He unfolded a paper and laid it upon the
  338. table. Here is a copy of the hieroglyphics:-- </A></P>
  339. <P><center><IMG SRC="d104.jpg" ALT="Graphic" border="0" height=51 width=218></center></P>
  340. <P><A HREF="../dancingwav/d105.wav">&quot;Excellent!&quot; said Holmes. &quot;Excellent!
  341. Pray continue.&quot; </A></P>
  342. <P><A HREF="../dancingwav/d106.wav">&quot;When I had taken the copy I rubbed
  343. out the marks; but two mornings later a fresh inscription had appeared.
  344. I have a copy of it here&quot;:-- </A></P>
  345. <P><center><IMG SRC="d107.jpg" ALT="Graphic" border="0" height=49 width=214></center></P>
  346. <P><A HREF="../dancingwav/d108.wav">Holmes rubbed his hands and chuckled with
  347. delight. </A></P>
  348. <P><A HREF="../dancingwav/d109.wav">&quot;Our material is rapidly accumulating,&quot;
  349. said he. </A></P>
  350. <P><A HREF="../dancingwav/d110.wav">&quot;Three days later a message was left
  351. scrawled upon paper, and placed under a pebble upon the sun-dial. Here
  352. it is. The characters are, as you see, exactly the same as the last one.
  353. </A><A HREF="../dancingwav/d111.wav">After that I determined to lie in wait;
  354. so I got out my revolver and I sat up in my study, which overlooks the
  355. lawn and garden. </A><A HREF="../dancingwav/d112.wav">About two in the morning
  356. I was seated by the window, all being dark save for the moonlight outside,
  357. when I heard steps behind me, and there was my wife in her dressing-gown.
  358. She implored me to come to bed. </A><A HREF="../dancingwav/d113.wav">I told
  359. her frankly that I wished to see who it was who played such absurd tricks
  360. upon us. She answered that it was some senseless practical joke, and that
  361. I should not take any notice of it. </A></P>
  362. <P><A HREF="../dancingwav/d114.wav">&quot;`If it really annoys you, Hilton,
  363. we might go and travel, you and I, and so avoid this nuisance.' </A></P>
  364. <P><A HREF="../dancingwav/d115.wav">&quot;`What, be driven out of our own house
  365. by a practical joker?' said I. `Why, we should have the whole county laughing
  366. at us.' </A></P>
  367. <P><A HREF="../dancingwav/d116.wav">&quot;`Well, come to bed,' said she, `and
  368. we can discuss it in the morning.' </A></P>
  369. <P><A HREF="../dancingwav/d117.wav">&quot;Suddenly, as she spoke, I saw her
  370. white face grow whiter yet in the moonlight, and her hand tightened upon
  371. my shoulder. Something was moving in the shadow of the tool-house. </A><A HREF="../dancingwav/d118.wav">I
  372. saw a dark, creeping figure which crawled round the corner and squatted
  373. in front of the door. Seizing my pistol I was rushing out, when my wife
  374. threw her arms round me and held me with convulsive strength. </A><A HREF="../dancingwav/d119.wav">I
  375. tried to throw her off, but she clung to me most desperately. At last I
  376. got clear, but by the time I had opened the door and reached the house
  377. the creature was gone. </A><A HREF="../dancingwav/d120.wav">He had left a trace
  378. of his presence, however, for there on the door was the very same arrangement
  379. of dancing men which had already twice appeared, and which I have copied
  380. on that paper. </A><A HREF="../dancingwav/d121.wav">There was no other sign
  381. of the fellow anywhere, though I ran all over the grounds. </A><A HREF="../dancingwav/d122.wav">And
  382. yet the amazing thing is that he must have been there all the time, for
  383. when I examined the door again in the morning he had scrawled some more
  384. of his pictures under the line which I had already seen.&quot; </A></P>
  385. <center><a href="#Top" onMouseOver="img11top.src='arrowin.jpg'" onMouseOut="img11top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img11top" BORDER=0 ></a></center>
  386. <P><FONT SIZE=+1><A HREF="../dancingwav/5ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  387. V</A></FONT></P>
  388. <P><A HREF="../dancingwav/d123.wav">&quot;Have you that fresh drawing?&quot;
  389. </A></P>
  390. <P><A HREF="../dancingwav/d124.wav">&quot;Yes; it is very short, but I made
  391. a copy of it, and here it is.&quot; </A></P>
  392. <P><A HREF="../dancingwav/d125.wav">Again he produced a paper. The new dance
  393. was in this form:-- </A></P>
  394. <P><center><IMG SRC="d126.jpg" ALT="Graphic" border="0" height=47 width=121></center></P>
  395. <P><A HREF="../dancingwav/d127.wav">&quot;Tell me,&quot; said Holmes -- and
  396. I could see by his eyes that he was much excited -- &quot;was this a mere
  397. addition to the first, or did it appear to be entirely separate?&quot;
  398. </A></P>
  399. <P><A HREF="../dancingwav/d128.wav">&quot;It was on a different panel of the
  400. door.&quot; </A></P>
  401. <P><A HREF="../dancingwav/d129.wav">&quot;Excellent! This is far the most important
  402. of all for our purpose. It fills me with hopes. Now, Mr. Hilton Cubitt,
  403. please continue your most interesting statement.&quot; </A></P>
  404. <P><A HREF="../dancingwav/d130.wav">&quot;I have nothing more to say, Mr. Holmes,
  405. except that I was angry with my wife that night for having held me back
  406. when I might have caught the skulking rascal. She said that she feared
  407. that I might come to harm. </A><A HREF="../dancingwav/d131.wav">For an instant
  408. it had crossed my mind that perhaps what she really feared was that HE
  409. might come to harm, for I could not doubt that she knew who this man was
  410. and what he meant by these strange signals. </A><A HREF="../dancingwav/d132.wav">But
  411. there is a tone in my wife's voice, Mr. Holmes, and a look in her eyes
  412. which forbid doubt, and I am sure that it was indeed my own safety that
  413. was in her mind. There's the whole case, and now I want your advice as
  414. to what I ought to do. </A><A HREF="../dancingwav/d133.wav">My own inclination
  415. is to put half-a-dozen of my farm lads in the shrubbery, and when this
  416. fellow comes again to give him such a hiding that he will leave us in peace
  417. for the future.&quot; </A></P>
  418. <P><A HREF="../dancingwav/d134.wav">&quot;I fear it is too deep a case for
  419. such simple remedies,&quot; said Holmes. &quot;How long can you stay in
  420. London?&quot; </A></P>
  421. <P><A HREF="../dancingwav/d135.wav">&quot;I must go back to-day. I would not
  422. leave my wife alone all night for anything. She is very nervous and begged
  423. me to come back.&quot; </A></P>
  424. <P><A HREF="../dancingwav/d136.wav">&quot;I dare say you are right. But if
  425. you could have stopped I might possibly have been able to return with you
  426. in a day or two. </A><A HREF="../dancingwav/d137.wav">Meanwhile you will leave
  427. me these papers, and I think that it is very likely that I shall be able
  428. to pay you a visit shortly and to throw some light upon your case.&quot;
  429. </A></P>
  430. <P><A HREF="../dancingwav/d138.wav">Sherlock Holmes preserved his calm professional
  431. manner until our visitor had left us, although it was easy for me, who
  432. knew him so well, to see that he was profoundly excited. </A><A HREF="../dancingwav/d139.wav">The
  433. moment that Hilton Cubitt's broad back had disappeared through the door
  434. my comrade rushed to the table, laid out all the slips of paper containing
  435. dancing men in front of him, and threw himself into an intricate and elaborate
  436. calculation. </A><A HREF="../dancingwav/d140.wav">For two hours I watched him
  437. as he covered sheet after sheet of paper with figures and letters, so completely
  438. absorbed in his task that he had evidently forgotten my presence. </A><A HREF="../dancingwav/d141.wav">Sometimes
  439. he was making progress and whistled and sang at his work; sometimes he
  440. was puzzled, and would sit for long spells with a furrowed brow and a vacant
  441. eye. </A><A HREF="../dancingwav/d142.wav">Finally he sprang from his chair
  442. with a cry of satisfaction, and walked up and down the room rubbing his
  443. hands together. </A><A HREF="../dancingwav/d143.wav">Then he wrote a long telegram
  444. upon a cable form. &quot;If my answer to this is as I hope, you will have
  445. a very pretty case to add to your collection, Watson,&quot; said he. </A><A HREF="../dancingwav/d144.wav">I
  446. expect that we shall be able to go down to Norfolk to-morrow, and to take
  447. our friend some very definite news as to the secret of his annoyance.&quot;
  448. </A></P>
  449. <P><A HREF="../dancingwav/d145.wav">I confess that I was filled with curiosity,
  450. but I was aware that Holmes liked to make his disclosures at his own time
  451. and in his own way; so I waited until it should suit him to take me into
  452. his confidence. </A></P>
  453. <P><A HREF="../dancingwav/d146.wav">But there was a delay in that answering
  454. telegram, and two days of impatience followed, during which Holmes pricked
  455. up his ears at every ring of the bell. </A><A HREF="../dancingwav/d147.wav">On
  456. the evening of the second there came a letter from Hilton Cubitt. All was
  457. quiet with him, save that a long inscription had appeared that morning
  458. upon the pedestal of the sun-dial. He inclosed a copy of it, which is here
  459. reproduced:-- </A></P>
  460. <P><center><IMG SRC="d148.jpg" ALT="Graphic" border="0" height=95 width=293></center></P>
  461. <P><A HREF="../dancingwav/d149.wav">Holmes bent over this grotesque frieze
  462. for some minutes, and then suddenly sprang to his feet with an exclamation
  463. of surprise and dismay. His face was haggard with anxiety. </A></P>
  464. <P><A HREF="../dancingwav/d150.wav">&quot;We have let this affair go far enough,&quot;
  465. said he. &quot;Is there a train to North Walsham to-night?&quot; </A></P>
  466. <P><A HREF="../dancingwav/d151.wav">I turned up the time-table. The last had
  467. just gone. </A></P>
  468. <P><A HREF="../dancingwav/d152.wav">&quot;Then we shall breakfast early and
  469. take the very first in the morning,&quot; said Holmes. &quot;Our presence
  470. is most urgently needed. Ah! here is our expected cablegram. One moment,
  471. Mrs. Hudson; there may be an answer. </A><A HREF="../dancingwav/d153.wav">No,
  472. that is quite as I expected. This message makes it even more essential
  473. that we should not lose an hour in letting Hilton Cubitt know how matters
  474. stand, for it is a singular and a dangerous web in which our simple Norfolk
  475. squire is entangled.&quot; </A></P>
  476. <center><a href="#Top" onMouseOver="img10top.src='arrowin.jpg'" onMouseOut="img10top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img10top" BORDER=0 ></a></center>
  477. <P><FONT SIZE=+1><A HREF="../dancingwav/6ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  478. VI</A></FONT></P>
  479. <P><A HREF="../dancingwav/d154.wav">So, indeed, it proved, and as I come to
  480. the dark conclusion of a story which had seemed to me to be only childish
  481. and bizarre I experience once again the dismay and horror with which I
  482. was filled. </A><A HREF="../dancingwav/d155.wav">Would that I had some brighter
  483. ending to communicate to my readers, but these are the chronicles of fact,
  484. and I must follow to their dark crisis the strange chain of events which
  485. for some days made Ridling Thorpe Manor a household word through the length
  486. and breadth of England. </A></P>
  487. <P><A HREF="../dancingwav/d156.wav">We had hardly alighted at North Walsham,
  488. and mentioned the name of our destination, when the station-master hurried
  489. towards us. &quot;I suppose that you are the detectives from London?&quot;
  490. said he. </A></P>
  491. <P><A HREF="../dancingwav/d157.wav">A look of annoyance passed over Holmes's
  492. face. </A></P>
  493. <P><A HREF="../dancingwav/d158.wav">&quot;What makes you think such a thing?&quot;
  494. </A></P>
  495. <P><A HREF="../dancingwav/d159.wav">&quot;Because Inspector Martin from Norwich
  496. has just passed through. But maybe you are the surgeons. She's not dead
  497. -- or wasn't by last accounts. </A><A HREF="../dancingwav/d160.wav">You may
  498. be in time to save her yet -- though it be for the gallows.&quot; </A></P>
  499. <P><A HREF="../dancingwav/d161.wav">Holmes's brow was dark with anxiety. </A></P>
  500. <P><A HREF="../dancingwav/d162.wav">&quot;We are going to Ridling Thorpe Manor,&quot;
  501. said he, &quot;but we have heard nothing of what has passed there.&quot;
  502. </A></P>
  503. <P><A HREF="../dancingwav/d163.wav">&quot;It's a terrible business,&quot; said
  504. the station-master. &quot;They are shot, both Mr. Hilton Cubitt and his
  505. wife. She shot him and then herself -- so the servants say. </A><A HREF="../dancingwav/d164.wav">He's
  506. dead and her life is despaired of. Dear, dear, one of the oldest families
  507. in the County of Norfolk, and one of the most honoured.&quot; </A></P>
  508. <P><A HREF="../dancingwav/d165.wav">Without a word Holmes hurried to a carriage,
  509. and during the long seven miles' drive he never opened his mouth. Seldom
  510. have I seen him so utterly despondent. </A><A HREF="../dancingwav/d166.wav">He
  511. had been uneasy during all our journey from town, and I had observed that
  512. he had turned over the morning papers with anxious attention; but now this
  513. sudden realization of his worst fears left him in a blank melancholy. </A><A HREF="../dancingwav/d167.wav">He
  514. leaned back in his seat, lost in gloomy speculation. Yet there was much
  515. around to interest us, for we were passing through as singular a country-side
  516. as any in England, </A><A HREF="../dancingwav/d168.wav">where a few scattered
  517. cottages represented the population of to-day, while on every hand enormous
  518. square-towered churches bristled up from the flat, green landscape and
  519. told of the glory and prosperity of old East Anglia. </A><A HREF="../dancingwav/d169.wav">At
  520. last the violet rim of the German Ocean appeared over the green edge of
  521. the Norfolk coast, and the driver pointed with his whip to two old brick
  522. and timber gables which projected from a grove of trees. &quot;That's Ridling
  523. Thorpe Manor,&quot; said he. </A></P>
  524. <P><A HREF="../dancingwav/d170.wav">As we drove up to the porticoed front door
  525. I observed in front of it, beside the tennis lawn, the black tool-house
  526. and the pedestalled sun-dial with which we had such strange associations.
  527. </A><A HREF="../dancingwav/d171.wav">A dapper little man, with a quick, alert
  528. manner and a waxed moustache, had just descended from a high dog-cart.
  529. </A><A HREF="../dancingwav/d172.wav">He introduced himself as Inspector Martin,
  530. of the Norfolk Constabulary, and he was considerably astonished when he
  531. heard the name of my companion. </A></P>
  532. <P><A HREF="../dancingwav/d173.wav">&quot;Why, Mr. Holmes, the crime was only
  533. committed at three this morning. How could you hear of it in London and
  534. get to the spot as soon as I?&quot; </A></P>
  535. <P><A HREF="../dancingwav/d174.wav">&quot;I anticipated it. I came in the hope
  536. of preventing it.&quot; </A></P>
  537. <P><A HREF="../dancingwav/d175.wav">&quot;Then you must have important evidence
  538. of which we are ignorant, for they were said to be a most united couple.&quot;
  539. </A></P>
  540. <P><A HREF="../dancingwav/d176.wav">&quot;I have only the evidence of the dancing
  541. men,&quot; said Holmes. &quot;I will explain the matter to you later. Meanwhile,
  542. since it is too late to prevent this tragedy, I am very anxious that I
  543. should use the knowledge which I possess in order to ensure that justice
  544. be done. </A><A HREF="../dancingwav/d177.wav">Will you associate me in your
  545. investigation, or will you prefer that I should act independently?&quot;
  546. </A></P>
  547. <P><A HREF="../dancingwav/d178.wav">&quot;I should be proud to feel that we
  548. were acting together, Mr. Holmes,&quot; said the inspector, earnestly.
  549. </A></P>
  550. <P><A HREF="../dancingwav/d179.wav">&quot;In that case I should be glad to
  551. hear the evidence and to examine the premises without an instant of unnecessary
  552. delay.&quot; </A></P>
  553. <P><A HREF="../dancingwav/d180.wav">Inspector Martin had the good sense to
  554. allow my friend to do things in his own fashion, and contented himself
  555. with carefully noting the results. </A><A HREF="../dancingwav/d181.wav">The
  556. local surgeon, an old, white-haired man, had just come down from Mrs. Hilton
  557. Cubitt's room, and he reported that her injuries were serious, but not
  558. necessarily fatal. </A><A HREF="../dancingwav/d182.wav">The bullet had passed
  559. through the front of her brain, and it would probably be some time before
  560. she could regain consciousness. On the question of whether she had been
  561. shot or had shot herself he would not venture to express any decided opinion.
  562. </A><A HREF="../dancingwav/d183.wav">Certainly the bullet had been discharged
  563. at very close quarters. There was only the one pistol found in the room,
  564. two barrels of which had been emptied. </A><A HREF="../dancingwav/d184.wav">Mr.
  565. Hilton Cubitt had been shot through the heart. It was equally conceivable
  566. that he had shot her and then himself, or that she had been the criminal,
  567. for the revolver lay upon the floor midway between them. </A></P>
  568. <center><a href="#Top" onMouseOver="img9top.src='arrowin.jpg'" onMouseOut="img9top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img9top" BORDER=0 ></a></center>
  569. <P><FONT SIZE=+1><A HREF="../dancingwav/7ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  570. VII</A></FONT></P>
  571. <P><A HREF="../dancingwav/d185.wav">&quot;Has he been moved?&quot; asked Holmes.
  572. </A></P>
  573. <P><A HREF="../dancingwav/d186.wav">&quot;We have moved nothing except the
  574. lady. We could not leave her lying wounded upon the floor.&quot; </A></P>
  575. <P><A HREF="../dancingwav/d187.wav">&quot;How long have you been here, doctor?&quot;
  576. </A></P>
  577. <P><A HREF="../dancingwav/d188.wav">&quot;Since four o'clock.&quot; </A></P>
  578. <P><A HREF="../dancingwav/d189.wav">Anyone else?&quot; </A></P>
  579. <P><A HREF="../dancingwav/d190.wav">&quot;Yes, the constable here.&quot; </A></P>
  580. <P><A HREF="../dancingwav/d191.wav">&quot;And you have touched nothing?&quot;
  581. </A></P>
  582. <P><A HREF="../dancingwav/d192.wav">&quot;Nothing.&quot; </A></P>
  583. <P><A HREF="../dancingwav/d193.wav">&quot;You have acted with great discretion.
  584. Who sent for you?&quot; </A></P>
  585. <P><A HREF="../dancingwav/d194.wav">&quot;The housemaid, Saunders.&quot; </A></P>
  586. <P><A HREF="../dancingwav/d195.wav">&quot;Was it she who gave the alarm?&quot;
  587. </A></P>
  588. <P><A HREF="../dancingwav/d196.wav">&quot;She and Mrs. King, the cook.&quot;
  589. </A></P>
  590. <P><A HREF="../dancingwav/d197.wav">&quot;Where are they now?&quot; </A></P>
  591. <P><A HREF="../dancingwav/d198.wav">&quot;In the kitchen, I believe.&quot;
  592. </A></P>
  593. <P><A HREF="../dancingwav/d199.wav">&quot;Then I think we had better hear their
  594. story at once.&quot; </A></P>
  595. <P><A HREF="../dancingwav/d200.wav">The old hall, oak-panelled and high-windowed,
  596. had been turned into a court of investigation. Holmes sat in a great, old-fashioned
  597. chair, his inexorable eyes gleaming out of his haggard face. </A><A HREF="../dancingwav/d201.wav">I
  598. could read in them a set purpose to devote his life to this quest until
  599. the client whom he had failed to save should at last be avenged. </A><A HREF="../dancingwav/d202.wav">The
  600. trim Inspector Martin, the old, grey-headed country doctor, myself, and
  601. a stolid village policeman made up the rest of that strange company. </A></P>
  602. <P><A HREF="../dancingwav/d203.wav">The two women told their story clearly
  603. enough. They had been aroused from their sleep by the sound of an explosion,
  604. which had been followed a minute later by a second one. They slept in adjoining
  605. rooms, and Mrs. King had rushed in to Saunders. </A><A HREF="../dancingwav/d204.wav">Together
  606. they had descended the stairs. The door of the study was open and a candle
  607. was burning upon the table. Their master lay upon his face in the centre
  608. of the room. </A><A HREF="../dancingwav/d205.wav">He was quite dead. Near the
  609. window his wife was crouching, her head leaning against the wall. She was
  610. horribly wounded, and the side of her face was red with blood. She breathed
  611. heavily, but was incapable of saying anything. </A><A HREF="../dancingwav/d206.wav">The
  612. passage, as well as the room, was full of smoke and the smell of powder.
  613. The window was certainly shut and fastened upon the inside. Both women
  614. were positive upon the point. They had at once sent for the doctor and
  615. for the constable. </A><A HREF="../dancingwav/d207.wav">Then, with the aid
  616. of the groom and the stable-boy, they had conveyed their injured mistress
  617. to her room. Both she and her husband had occupied the bed. She was clad
  618. in her dress -- he in his dressing-gown, over his night clothes. </A><A HREF="../dancingwav/d208.wav">Nothing
  619. had been moved in the study. So far as they knew there had never been any
  620. quarrel between husband and wife. They had always looked upon them as a
  621. very united couple. </A></P>
  622. <P><A HREF="../dancingwav/d209.wav">These were the main points of the servants'
  623. evidence. In answer to Inspector Martin they were clear that every door
  624. was fastened upon the inside, and that no one could have escaped from the
  625. house. </A><A HREF="../dancingwav/d210.wav">In answer to Holmes they both remembered
  626. that they were conscious of the smell of powder from the moment that they
  627. ran out of their rooms upon the top floor. </A><A HREF="../dancingwav/d211.wav">I
  628. commend that fact very carefully to your attention,&quot; said Holmes to
  629. his professional colleague. &quot;And now I think that we are in a position
  630. to undertake a thorough examination of the room.&quot; </A></P>
  631. <P><A HREF="../dancingwav/d212.wav">The study proved to be a small chamber,
  632. lined on three sides with books, and with a writing-table facing an ordinary
  633. window, which looked out upon the garden. Our first attention was given
  634. to the body of the unfortunate squire, whose huge frame lay stretched across
  635. the room. </A><A HREF="../dancingwav/d213.wav">His disordered dress showed
  636. that he had been hastily aroused from sleep. The bullet had been fired
  637. at him from the front, and had remained in his body after penetrating the
  638. heart. </A><A HREF="../dancingwav/d214.wav">His death had certainly been instantaneous
  639. and painless. There was no powder-marking either upon his dressing-gown
  640. or on his hands. According to the country surgeon the lady had stains upon
  641. her face, but none upon her hand. </A></P>
  642. <P><A HREF="../dancingwav/d215.wav">&quot;The absence of the latter means nothing,
  643. though its presence may mean everything,&quot; said Holmes. &quot;Unless
  644. the powder from a badly-fitting cartridge happens to spurt backwards, one
  645. may fire many shots without leaving a sign. </A><A HREF="../dancingwav/d216.wav">I
  646. would suggest that Mr. Cubitt's body may now be removed. I suppose, doctor,
  647. you have not recovered the bullet which wounded the lady?&quot; </A></P>
  648. <P><A HREF="../dancingwav/d217.wav">&quot;A serious operation will be necessary
  649. before that can be done. But there are still four cartridges in the revolver.
  650. Two have been fired and two wounds inflicted, so that each bullet can be
  651. accounted for.&quot; </A></P>
  652. <P><A HREF="../dancingwav/d218.wav">&quot;So it would seem,&quot; said Holmes.
  653. &quot;Perhaps you can account also for the bullet which has so obviously
  654. struck the edge of the window?&quot; </A></P>
  655. <P><A HREF="../dancingwav/d219.wav">He had turned suddenly, and his long, thin
  656. finger was pointing to a hole which had been drilled right through the
  657. lower window-sash about an inch above the bottom. </A></P>
  658. <center><a href="#Top" onMouseOver="img8top.src='arrowin.jpg'" onMouseOut="img8top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img8top" BORDER=0 ></a></center>
  659. <P><FONT SIZE=+1><A HREF="../dancingwav/8ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  660. VIII</A></FONT></P>
  661. <P><A HREF="../dancingwav/d220.wav">&quot;By George!&quot; cried the inspector.
  662. &quot;How ever did you see that?&quot; </A></P>
  663. <P><A HREF="../dancingwav/d221.wav">&quot;Because I looked for it.&quot; </A></P>
  664. <P><A HREF="../dancingwav/d222.wav">&quot;Wonderful!&quot; said the country
  665. doctor. &quot;You are certainly right, sir. Then a third shot has been
  666. fired, and therefore a third person must have been present. But who could
  667. that have been and how could he have got away?&quot; </A></P>
  668. <P><A HREF="../dancingwav/d223.wav">&quot;That is the problem which we are
  669. now about to solve,&quot; said Sherlock Holmes. &quot;You remember, Inspector
  670. Martin, when the servants said that on leaving their room they were at
  671. once conscious of a smell of powder I remarked that the point was an extremely
  672. important one?&quot; </A></P>
  673. <P><A HREF="../dancingwav/d224.wav">&quot;Yes, sir; but I confess I did not
  674. quite follow you.&quot; </A></P>
  675. <P><A HREF="../dancingwav/d225.wav">&quot;It suggested that at the time of
  676. the firing the window as well as the door of the room had been open. Otherwise
  677. the fumes of powder could not have been blown so rapidly through the house.
  678. </A><A HREF="../dancingwav/d226.wav">A draught in the room was necessary for
  679. that. Both door and window were only open for a very short time, however.&quot;
  680. </A></P>
  681. <P><A HREF="../dancingwav/d227.wav">&quot;How do you prove that?&quot; </A></P>
  682. <P><A HREF="../dancingwav/d228.wav">&quot;Because the candle has not guttered.&quot;
  683. </A></P>
  684. <P><A HREF="../dancingwav/d229.wav">&quot;Capital!&quot; cried the inspector.
  685. &quot;Capital!&quot; </A></P>
  686. <P><A HREF="../dancingwav/d230.wav">&quot;Feeling sure that the window had
  687. been open at the time of the tragedy I conceived that there might have
  688. been a third person in the affair, who stood outside this opening and fired
  689. through it. </A><A HREF="../dancingwav/d231.wav">Any shot directed at this
  690. person might hit the sash. I looked, and there, sure enough, was the bullet
  691. mark!&quot; </A></P>
  692. <P><A HREF="../dancingwav/d232.wav">&quot;But how came the window to be shut
  693. and fastened?&quot; </A></P>
  694. <P><A HREF="../dancingwav/d233.wav">&quot;The woman's first instinct would
  695. be to shut and fasten the window. But, halloa! what is this?&quot; </A></P>
  696. <P><A HREF="../dancingwav/d234.wav">It was a lady's hand-bag which stood upon
  697. the study table -- a trim little hand-bag of crocodile-skin and silver.
  698. Holmes opened it and turned the contents out. </A><A HREF="../dancingwav/d235.wav">There
  699. were twenty fifty-pound notes of the Bank of England, held together by
  700. an india-rubber band -- nothing else. </A></P>
  701. <P><A HREF="../dancingwav/d236.wav">&quot;This must be preserved, for it will
  702. figure in the trial,&quot; said Holmes, as he handed the bag with its contents
  703. to the inspector. </A><A HREF="../dancingwav/d237.wav">It is now necessary
  704. that we should try to throw some light upon this third bullet, which has
  705. clearly, from the splintering of the wood, been fired from inside the room.
  706. </A><A HREF="../dancingwav/d238.wav">I should like to see Mrs. King, the cook,
  707. again. You said, Mrs. King, that you were awakened by a LOUD explosion.
  708. When you said that, did you mean that it seemed to you to be louder than
  709. the second one?&quot; </A></P>
  710. <P><A HREF="../dancingwav/d239.wav">&quot;Well, sir, it wakened me from my
  711. sleep, and so it is hard to judge. But it did seem very loud.&quot; </A></P>
  712. <P><A HREF="../dancingwav/d240.wav">&quot;You don't think that it might have
  713. been two shots fired almost at the same instant?&quot; </A></P>
  714. <P><A HREF="../dancingwav/d241.wav">&quot;I am sure I couldn't say, sir.&quot;
  715. </A></P>
  716. <P><A HREF="../dancingwav/d242.wav">&quot;I believe that it was undoubtedly
  717. so. I rather think, Inspector Martin, that we have now exhausted all that
  718. this room can teach us. If you will kindly step round with me, we shall
  719. see what fresh evidence the garden has to offer.&quot; </A></P>
  720. <P><A HREF="../dancingwav/d243.wav">A flower-bed extended up to the study window,
  721. and we all broke into an exclamation as we approached it. The flowers were
  722. trampled down, and the soft soil was imprinted all over with footmarks.
  723. </A><A HREF="../dancingwav/d244.wav">Large, masculine feet they were, with
  724. peculiarly long, sharp toes. Holmes hunted about among the grass and leaves
  725. like a retriever after a wounded bird. Then, with a cry of satisfaction,
  726. he bent forward and picked up a little brazen cylinder. </A></P>
  727. <P><A HREF="../dancingwav/d245.wav">&quot;I thought so,&quot; said he; &quot;the
  728. revolver had an ejector, and here is the third cartridge. I really think,
  729. Inspector Martin, that our case is almost complete.&quot; </A></P>
  730. <P><A HREF="../dancingwav/d246.wav">The country inspector's face had shown
  731. his intense amazement at the rapid and masterful progress of Holmes's investigation.
  732. </A><A HREF="../dancingwav/d247.wav">At first he had shown some disposition
  733. to assert his own position; but now he was overcome with admiration and
  734. ready to follow without question wherever Holmes led. </A></P>
  735. <P><A HREF="../dancingwav/d248.wav">&quot;Whom do you suspect?&quot; he asked.
  736. </A></P>
  737. <P><A HREF="../dancingwav/d249.wav">&quot;I'll go into that later. There are
  738. several points in this problem which I have not been able to explain to
  739. you yet. Now that I have got so far I had best proceed on my own lines,
  740. and then clear the whole matter up once and for all.&quot; </A></P>
  741. <P><A HREF="../dancingwav/d250.wav">&quot;Just as you wish, Mr. Holmes, so
  742. long as we get our man.&quot; </A></P>
  743. <P><A HREF="../dancingwav/d251.wav">&quot;I have no desire to make mysteries,
  744. but it is impossible at the moment of action to enter into long and complex
  745. explanations. I have the threads of this affair all in my hand. </A><A HREF="../dancingwav/d252.wav">Even
  746. if this lady should never recover consciousness we can still reconstruct
  747. the events of last night and ensure that justice be done. First of all
  748. I wish to know whether there is any inn in this neighbourhood known as
  749. `Elrige's'?&quot; </A></P>
  750. <center><a href="#Top" onMouseOver="img7top.src='arrowin.jpg'" onMouseOut="img7top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img7top" BORDER=0 ></a></center>
  751. <P><FONT SIZE=+1><A HREF="../dancingwav/9ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  752. IX</A></FONT></P>
  753. <P><A HREF="../dancingwav/d253.wav">The servants were cross-questioned, but
  754. none of them had heard of such a place. The stable-boy threw a light upon
  755. the matter by remembering that a farmer of that name lived some miles off
  756. in the direction of East Ruston. </A></P>
  757. <P><A HREF="../dancingwav/d254.wav">&quot;Is it a lonely farm?&quot; </A></P>
  758. <P><A HREF="../dancingwav/d255.wav">&quot;Very lonely, sir.&quot; </A></P>
  759. <P><A HREF="../dancingwav/d256.wav">&quot;Perhaps they have not heard yet of
  760. all that happened here during the night?&quot; </A></P>
  761. <P><A HREF="../dancingwav/d257.wav">&quot;Maybe not, sir.&quot; </A></P>
  762. <P><A HREF="../dancingwav/d258.wav">Holmes thought for a little and then a
  763. curious smile played over his face. </A></P>
  764. <P><A HREF="../dancingwav/d259.wav">&quot;Saddle a horse, my lad,&quot; said
  765. he. &quot;I shall wish you to take a note to Elrige's Farm.&quot; </A></P>
  766. <P><A HREF="../dancingwav/d260.wav">He took from his pocket the various slips
  767. of the dancing men. With these in front of him he worked for some time
  768. at the study-table. </A><A HREF="../dancingwav/d261.wav">Finally he handed
  769. a note to the boy, with directions to put it into the hands of the person
  770. to whom it was addressed, and especially to answer no questions of any
  771. sort which might be put to him. </A><A HREF="../dancingwav/d262.wav">I saw
  772. the outside of the note, addressed in straggling, irregular characters,
  773. very unlike Holmes's usual precise hand. It was consigned to Mr. Abe Slaney,
  774. Elrige's Farm, East Ruston, Norfolk. </A></P>
  775. <P><A HREF="../dancingwav/d263.wav">&quot;I think, inspector,&quot; Holmes
  776. remarked, &quot;that you would do well to telegraph for an escort, as,
  777. if my calculations prove to be correct, you may have a particularly dangerous
  778. prisoner to convey to the county gaol. </A><A HREF="../dancingwav/d264.wav">The
  779. boy who takes this note could no doubt forward your telegram. </A><A HREF="../dancingwav/d265.wav">If
  780. there is an afternoon train to town, Watson, I think we should do well
  781. to take it, as I have a chemical analysis of some interest to finish, and
  782. this investigation draws rapidly to a close.&quot; </A></P>
  783. <P><A HREF="../dancingwav/d266.wav">When the youth had been dispatched with
  784. the note, Sherlock Holmes gave his instructions to the servants. If any
  785. visitor were to call asking for Mrs. Hilton Cubitt no information should
  786. be given as to her condition, but he was to be shown at once into the drawing-room.
  787. </A><A HREF="../dancingwav/d267.wav">He impressed these points upon them with
  788. the utmost earnestness. Finally he led the way into the drawing-room with
  789. the remark that the business was now out of our hands, and that we must
  790. while away the time as best we might until we could see what was in store
  791. for us. </A><A HREF="../dancingwav/d268.wav">The doctor had departed to his
  792. patients, and only the inspector and myself remained. </A></P>
  793. <P><A HREF="../dancingwav/d269.wav">&quot;I think that I can help you to pass
  794. an hour in an interesting and profitable manner,&quot; said Holmes, drawing
  795. his chair up to the table and spreading out in front of him the various
  796. papers upon which were recorded the antics of the dancing men. </A><A HREF="../dancingwav/d270.wav">As
  797. to you, friend Watson, I owe you every atonement for having allowed your
  798. natural curiosity to remain so long unsatisfied. To you, inspector, the
  799. whole incident may appeal as a remarkable professional study. </A><A HREF="../dancingwav/d271.wav">I
  800. must tell you first of all the interesting circumstances connected with
  801. the previous consultations which Mr. Hilton Cubitt has had with me in Baker
  802. Street.&quot; He then shortly recapitulated the facts which have already
  803. been recorded. </A><A HREF="../dancingwav/d272.wav">I have here in front of
  804. me these singular productions, at which one might smile had they not proved
  805. themselves to be the fore-runners of so terrible a tragedy. </A><A HREF="../dancingwav/d273.wav">I
  806. am fairly familiar with all forms of secret writings, and am myself the
  807. author of a trifling monograph upon the subject, in which I analyze one
  808. hundred and sixty separate ciphers; but I confess that this is entirely
  809. new to me. </A><A HREF="../dancingwav/d274.wav">The object of those who invented
  810. the system has apparently been to conceal that these characters convey
  811. a message, and to give the idea that they are the mere random sketches
  812. of children. </A></P>
  813. <P><A HREF="../dancingwav/d275.wav">&quot;Having once recognised, however,
  814. that the symbols stood for letters, and having applied the rules which
  815. guide us in all forms of secret writings, the solution was easy enough.
  816. </A><A HREF="../dancingwav/d276.wav">The first message submitted to me was
  817. so short that it was impossible for me to do more than to say with some
  818. confidence that the symbol <A HREF="../dancingwav/d276.wav"><IMG SRC="d276.jpg" ALT="Graphic" border="0" height=40 width=53
  819. ALIGN=ABSCENTER></A>
  820. stood for E.</A> <A HREF="../dancingwav/d277.wav">As you are aware, E is the
  821. most common letter in the English alphabet, and it predominates to so marked
  822. an extent that even in a short sentence one would expect to find it most
  823. often. </A><A HREF="../dancingwav/d278.wav">Out of fifteen symbols in the first
  824. message four were the same, so it was reasonable to set this down as E.
  825. </A><A HREF="../dancingwav/d279.wav">It is true that in some cases the figure
  826. was bearing a flag and in some cases not, but it was probable from the
  827. way in which the flags were distributed that they were used to break the
  828. sentence up into words. </A><A HREF="../dancingwav/d280.wav">I accepted this
  829. as a hypothesis, and noted that E was represented by <A HREF="../dancingwav/d280.wav"><IMG SRC="d280.jpg" ALT="Graphic"
  830. border="0" height=40 width=41 ALIGN=ABSCENTER></A></A>.</P>
  831. <center><a href="#Top" onMouseOver="img6top.src='arrowin.jpg'" onMouseOut="img6top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img6top" BORDER=0 ></a></center>
  832. <P><FONT SIZE=+1><A HREF="../10ldance.wav"><img border="0" src="../tingsmbl.gif">Section X</A></FONT></P>
  833. <P><A HREF="../dancingwav/d281.wav">&quot;But now came the real difficulty
  834. of the inquiry. The order of the English letters after E is by no means
  835. well marked, and any preponderance which may be shown in an average of
  836. a printed sheet may be reversed in a single short sentence. </A><A HREF="../dancingwav/d282.wav">Speaking
  837. roughly, T, A, O, I, N, S, H, R, D, and L are the numerical order in which
  838. letters occur; but T, A, O, and I are very nearly abreast of each other,
  839. and it would be an endless task to try each combination until a meaning
  840. was arrived at. </A><A HREF="../dancingwav/d283.wav">I, therefore, waited for
  841. fresh material. In my second interview with Mr. Hilton Cubitt he was able
  842. to give me two other short sentences and one message, which appeared --
  843. since there was no flag -- to be a single word. </A><A HREF="../dancingwav/d284.wav">Here
  844. are the symbols. Now, in the single word I have already got the two E's
  845. coming second and fourth in a word of five letters. It might be `sever,'
  846. or `lever,' or `never.' </A><A HREF="../dancingwav/d285.wav">There can be no
  847. question that the latter as a reply to an appeal is far the most probable,
  848. and the circumstances pointed to its being a reply written by the lady.
  849. </A><A HREF="../dancingwav/d286.wav">Accepting it as correct, we are now able
  850. to say that the symbols <A HREF="../dancingwav/d286.wav"><IMG SRC="d286.jpg" ALT="Graphic" border="0" height=40 width=76
  851. ALIGN=ABSCENTER></A>
  852. stand respectively for N, V, and R. </A></P>
  853. <P><A HREF="../dancingwav/d287.wav">&quot;Even now I was in considerable difficulty,
  854. but a happy thought put me in possession of several other letters. </A><A HREF="../dancingwav/d288.wav">It
  855. occurred to me that if these appeals came, as I expected, from someone
  856. who had been intimate with the lady in her early life, a combination which
  857. contained two E's with three letters between might very well stand for
  858. the name `ELSIE.' </A><A HREF="../dancingwav/d289.wav">On examination I found
  859. that such a combination formed the termination of the message which was
  860. three times repeated. It was certainly some appeal to `Elsie.' In this
  861. way I had got my L, S, and I. </A><A HREF="../dancingwav/d290.wav">But what
  862. appeal could it be? There were only four letters in the word which preceded
  863. `Elsie,' and it ended in E. Surely the word must be `COME.' I tried all
  864. other four letters ending in E, but could find none to fit the case. </A><A HREF="../dancingwav/d291.wav">So
  865. now I was in possession of C, O, and M, and I was in a position to attack
  866. the first message once more, dividing it into words and putting dots for
  867. each symbol which was still unknown. So treated it worked out in this fashion:--
  868. </A></P>
  869. <P><A HREF="../dancingwav/d292.wav">.M .ERE ..E SL.NE. </A></P>
  870. <P><A HREF="../dancingwav/d293.wav">&quot;Now the first letter CAN only be
  871. A, which is a most useful discovery, since it occurs no fewer than three
  872. times in this short sentence, and the H is also apparent in the second
  873. word. Now it becomes:-- </A></P>
  874. <P><A HREF="../dancingwav/d294.wav">AM HERE A.E SLANE. </A></P>
  875. <P><A HREF="../dancingwav/d295.wav">Or, filling in the obvious vacancies in
  876. the name:-- </A></P>
  877. <P><A HREF="../dancingwav/d296.wav">AM HERE ABE SLANEY. </A></P>
  878. <P><A HREF="../dancingwav/d297.wav">I had so many letters now that I could
  879. proceed with considerable confidence to the second message, which worked
  880. out in this fashion:-- </A></P>
  881. <P><A HREF="../dancingwav/d298.wav">A. ELRI.ES. </A></P>
  882. <P><A HREF="../dancingwav/d299.wav">Here I could only make sense by putting
  883. T and G for the missing letters, and supposing that the name was that of
  884. some house or inn at which the writer was staying.&quot; </A></P>
  885. <P><A HREF="../dancingwav/d300.wav">Inspector Martin and I had listened with
  886. the utmost interest to the full and clear account of how my friend had
  887. produced results which had led to so complete a command over our difficulties.
  888. </A></P>
  889. <P><A HREF="../dancingwav/d301.wav">&quot;What did you do then, sir?&quot;
  890. asked the inspector. </A></P>
  891. <P><A HREF="../dancingwav/d302.wav">&quot;I had every reason to suppose that
  892. this Abe Slaney was an American, since Abe is an American contraction,
  893. and since a letter from America had been the starting-point of all the
  894. trouble. </A><A HREF="../dancingwav/d303.wav">I had also every cause to think
  895. that there was some criminal secret in the matter. The lady's allusions
  896. to her past and her refusal to take her husband into her confidence both
  897. pointed in that direction. </A><A HREF="../dancingwav/d304.wav">I therefore
  898. cabled to my friend, Wilson Hargreave, of the New York Police Bureau, who
  899. has more than once made use of my knowledge of London crime. I asked him
  900. whether the name of Abe Slaney was known to him. </A><A HREF="../dancingwav/d305.wav">Here
  901. is his reply: `The most dangerous crook in Chicago.' On the very evening
  902. upon which I had his answer Hilton Cubitt sent me the last message from
  903. Slaney. Working with known letters it took this form:-- </A></P>
  904. <center><a href="#Top" onMouseOver="img5top.src='arrowin.jpg'" onMouseOut="img5top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img5top" BORDER=0 ></a></center>
  905. <P><FONT SIZE=+1><A HREF="../dancingwav/11ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  906. XI</A></FONT></P>
  907. <P><A HREF="../dancingwav/d306.wav">ELSIE .RE.ARE TO MEET THY GO. </A></P>
  908. <P><A HREF="../dancingwav/d307.wav">The addition of a P and a D completed a
  909. message which showed me that the rascal was proceeding from persuasion
  910. to threats, and my knowledge of the crooks of Chicago prepared me to find
  911. that he might very rapidly put his words into action. </A><A HREF="../dancingwav/d308.wav">I
  912. at once came to Norfolk with my friend and colleague, Dr. Watson, but,
  913. unhappily, only in time to find that the worst had already occurred.&quot;
  914. </A><A HREF="../dancingwav/d309.wav">It is a privilege to be associated with
  915. you in the handling of a case,&quot; said the inspector, warmly. &quot;You
  916. will excuse me, however, if I speak frankly to you. </A><A HREF="../dancingwav/d310.wav">You
  917. are only answerable to yourself, but I have to answer to my superiors.
  918. If this Abe Slaney, living at Elrige's, is indeed the murderer, and if
  919. he has made his escape while I am seated here, I should certainly get into
  920. serious trouble.&quot; </A></P>
  921. <P><A HREF="../dancingwav/d311.wav">&quot;You need not be uneasy. He will not
  922. try to escape.&quot; </A></P>
  923. <P><A HREF="../dancingwav/d312.wav">&quot;How do you know?&quot; </A></P>
  924. <P><A HREF="../dancingwav/d313.wav">&quot;To fly would be a confession of guilt.&quot;
  925. </A></P>
  926. <P><A HREF="../dancingwav/d314.wav">&quot;Then let us go to arrest him.&quot;
  927. </A></P>
  928. <P><A HREF="../dancingwav/d315.wav">&quot;I expect him here every instant.&quot;
  929. </A></P>
  930. <P><A HREF="../dancingwav/d316.wav">&quot;But why should he come?&quot; </A></P>
  931. <P><A HREF="../dancingwav/d317.wav">&quot;Because I have written and asked
  932. him.&quot; </A></P>
  933. <P><A HREF="../dancingwav/d318.wav">&quot;But this is incredible, Mr. Holmes!
  934. Why should he come because you have asked him? Would not such a request
  935. rather rouse his suspicions and cause him to fly?&quot; </A></P>
  936. <P><A HREF="../dancingwav/d319.wav">&quot;I think I have known how to frame
  937. the letter,&quot; said Sherlock Holmes. &quot;In fact, if I am not very
  938. much mistaken, here is the gentleman himself coming up the drive.&quot;
  939. </A></P>
  940. <P><A HREF="../dancingwav/d320.wav">A man was striding up the path which led
  941. to the door. He was a tall, handsome, swarthy fellow, clad in a suit of
  942. grey flannel, with a Panama hat, a bristling black beard, and a great,
  943. aggressive hooked nose, and flourishing a cane as he walked. </A><A HREF="../dancingwav/d321.wav">He
  944. swaggered up the path as if the place belonged to him, and we heard his
  945. loud, confident peal at the bell. </A></P>
  946. <P><A HREF="../dancingwav/d322.wav">&quot;I think, gentlemen,&quot; said Holmes,
  947. quietly, &quot;that we had best take up our position behind the door. Every
  948. precaution is necessary when dealing with such a fellow. You will need
  949. your handcuffs, inspector. You can leave the talking to me.&quot; </A></P>
  950. <P><A HREF="../dancingwav/d323.wav">We waited in silence for a minute -- one
  951. of those minutes which one can never forget. Then the door opened and the
  952. man stepped in. In an instant Holmes clapped a pistol to his head and Martin
  953. slipped the handcuffs over his wrists. </A><A HREF="../dancingwav/d324.wav">It
  954. was all done so swiftly and deftly that the fellow was helpless before
  955. he knew that he was attacked. He glared from one to the other of us with
  956. a pair of blazing black eyes. Then he burst into a bitter laugh. </A></P>
  957. <P><A HREF="../dancingwav/d325.wav">&quot;Well, gentlemen, you have the drop
  958. on me this time. I seem to have knocked up against something hard. But
  959. I came here in answer to a letter from Mrs. Hilton Cubitt. Don't tell me
  960. that she is in this? Don't tell me that she helped to set a trap for me?&quot;
  961. </A></P>
  962. <P><A HREF="../dancingwav/d326.wav">Mrs. Hilton Cubitt was seriously injured
  963. and is at death's door.&quot; </A></P>
  964. <P><A HREF="../dancingwav/d327.wav">The man gave a hoarse cry of grief which
  965. rang through the house. </A></P>
  966. <P><A HREF="../dancingwav/d328.wav">&quot;You're crazy!&quot; he cried, fiercely.
  967. &quot;It was he that was hurt, not she. Who would have hurt little Elsie?
  968. I may have threatened her, God forgive me, but I would not have touched
  969. a hair of her pretty head. Take it back -- you! Say that she is not hurt!&quot;
  970. </A></P>
  971. <P><A HREF="../dancingwav/d329.wav">&quot;She was found badly wounded by the
  972. side of her dead husband.&quot; </A></P>
  973. <P><A HREF="../dancingwav/d330.wav">He sank with a deep groan on to the settee
  974. and buried his face in his manacled hands. For five minutes he was silent.
  975. Then he raised his face once more, and spoke with the cold composure of
  976. despair. </A></P>
  977. <P><A HREF="../dancingwav/d331.wav">&quot;I have nothing to hide from you,
  978. gentlemen,&quot; said he. &quot;If I shot the man he had his shot at me,
  979. and there's no murder in that. But if you think I could have hurt that
  980. woman, then you don't know either me or her. </A><A HREF="../dancingwav/d332.wav">I
  981. tell you there was never a man in this world loved a woman more than I
  982. loved her. I had a right to her. She was pledged to me years ago. </A><A HREF="../dancingwav/d333.wav">Who
  983. was this Englishman that he should come between us? I tell you that I had
  984. the first right to her, and that I was only claiming my own.&quot; </A></P>
  985. <P><A HREF="../dancingwav/d334.wav">&quot;She broke away from your influence
  986. when she found the man that you are,&quot; said Holmes, sternly. &quot;She
  987. fled from America to avoid you, and she married an honourable gentleman
  988. in England. </A><A HREF="../dancingwav/d335.wav">You dogged her and followed
  989. her and made her life a misery to her in order to induce her to abandon
  990. the husband whom she loved and respected in order to fly with you, whom
  991. she feared and hated. </A><A HREF="../dancingwav/d336.wav">You have ended by
  992. bringing about the death of a noble man and driving his wife to suicide.
  993. That is your record in this business, Mr. Abe Slaney, and you will answer
  994. for it to the law.&quot; </A></P>
  995. <P><FONT SIZE=+1><A HREF="../dancingwav/12ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  996. XII</A></FONT></P>
  997. <P><A HREF="../dancingwav/d337.wav">&quot;If Elsie dies I care nothing what
  998. becomes of me,&quot; said the American. He opened one of his hands and
  999. looked at a note crumpled up in his palm. &quot;See here, mister, he cried,
  1000. with a gleam of suspicion in his eyes, &quot;you're not trying to scare
  1001. me over this, are you? </A><A HREF="../dancingwav/d338.wav">If the lady is
  1002. hurt as bad as you say, who was it that wrote this note?&quot; He tossed
  1003. it forwards on to the table. </A></P>
  1004. <P><A HREF="../dancingwav/d339.wav">&quot;I wrote it to bring you here.&quot;
  1005. </A></P>
  1006. <P><A HREF="../dancingwav/d340.wav">&quot;You wrote it? There was no one on
  1007. earth outside the Joint who knew the secret of the dancing men. How came
  1008. you to write it?&quot; </A></P>
  1009. <P><A HREF="../dancingwav/d341.wav">&quot;What one man can invent another can
  1010. discover,&quot; said Holmes. There is a cab coming to convey you to Norwich,
  1011. Mr. Slaney. But, meanwhile, you have time to make some small reparation
  1012. for the injury you have wrought. </A><A HREF="../dancingwav/d342.wav">Are you
  1013. aware that Mrs. Hilton Cubitt has herself lain under grave suspicion of
  1014. the murder of her husband, and that it was only my presence here and the
  1015. knowledge which I happened to possess which has saved her from the accusation?
  1016. </A><A HREF="../dancingwav/d343.wav">The least that you owe her is to make
  1017. it clear to the whole world that she was in no way, directly or indirectly,
  1018. responsible for his tragic end.&quot; </A></P>
  1019. <P><A HREF="../dancingwav/d344.wav">&quot;I ask nothing better,&quot; said
  1020. the American. &quot;I guess the very best case I can make for myself is
  1021. the absolute naked truth.&quot; </A></P>
  1022. <P><A HREF="../dancingwav/d345.wav">&quot;It is my duty to warn you that it
  1023. will be used against you,&quot; cried the inspector, with the magnificent
  1024. fair-play of the British criminal law. </A></P>
  1025. <P><A HREF="../dancingwav/d346.wav">Slaney shrugged his shoulders. </A></P>
  1026. <P><A HREF="../dancingwav/d347.wav">&quot;I'll chance that,&quot; said he.
  1027. &quot;First of all, I want you gentlemen to understand that I have known
  1028. this lady since she was a child. There were seven of us in a gang in Chicago,
  1029. and Elsie's father was the boss of the Joint. </A><A HREF="../dancingwav/d348.wav">He
  1030. was a clever man, was old Patrick. It was he who invented that writing,
  1031. which would pass as a child's scrawl unless you just happened to have the
  1032. key to it. </A><A HREF="../dancingwav/d349.wav">Well, Elsie learned some of
  1033. our ways; but she couldn't stand the business, and she had a bit of honest
  1034. money of her own, so she gave us all the slip and got away to London. </A><A HREF="../dancingwav/d350.wav">She
  1035. had been engaged to me, and she would have married me, I believe, if I
  1036. had taken over another profession; but she would have nothing to do with
  1037. anything on the cross. </A><A HREF="../dancingwav/d351.wav">It was only after
  1038. her marriage to this Englishman that I was able to find out where she was.
  1039. I wrote to her, but got no answer. </A><A HREF="../dancingwav/d352.wav">After
  1040. that I came over, and, as letters were no use, I put my messages where
  1041. she could read them. </A></P>
  1042. <P><A HREF="../dancingwav/d353.wav">&quot;Well, I have been here a month now.
  1043. I lived in that farm, where I had a room down below, and could get in and
  1044. out every night, and no one the wiser. I tried all I could to coax Elsie
  1045. away. </A><A HREF="../dancingwav/d354.wav">I knew that she read the messages,
  1046. for once she wrote an answer under one of them. Then my temper got the
  1047. better of me, and I began to threaten her. </A><A HREF="../dancingwav/d355.wav">She
  1048. sent me a letter then, imploring me to go away and saying that it would
  1049. break her heart if any scandal should come upon her husband. </A><A HREF="../dancingwav/d356.wav">She
  1050. said that she would come down when her husband was asleep at three in the
  1051. morning, and speak with me through the end window, if I would go away afterwards
  1052. and leave her in peace. </A><A HREF="../dancingwav/d357.wav">She came down
  1053. and brought money with her, trying to bribe me to go. This made me mad,
  1054. and I caught her arm and tried to pull her through the window. At that
  1055. moment in rushed the husband with his revolver in his hand. </A><A HREF="../dancingwav/d358.wav">Elsie
  1056. had sunk down upon the floor, and we were face to face. I was heeled also,
  1057. and I held up my gun to scare him off and let me get away. He fired and
  1058. missed me. </A><A HREF="../dancingwav/d359.wav">I pulled off almost at the
  1059. same instant, and down he dropped. I made away across the garden, and as
  1060. I went I heard the window shut behind me. </A><A HREF="../dancingwav/d360.wav">That's
  1061. God's truth, gentlemen, every word of it, and I heard no more about it
  1062. until that lad came riding up with a note which made me walk in here, like
  1063. a jay, and give myself into your hands.&quot; </A></P>
  1064. <P><A HREF="../dancingwav/d361.wav">A cab had driven up whilst the American
  1065. had been talking. Two uniformed policemen sat inside. Inspector Martin
  1066. rose and touched his prisoner on the shoulder. </A></P>
  1067. <P><A HREF="../dancingwav/d362.wav">&quot;It is time for us to go.&quot; </A></P>
  1068. <P><A HREF="../dancingwav/d363.wav">&quot;Can I see her first?&quot; </A></P>
  1069. <P><A HREF="../dancingwav/d364.wav">&quot;No, she is not conscious. Mr. Sherlock
  1070. Holmes, I only hope that if ever again I have an important case I shall
  1071. have the good fortune to have you by my side.&quot; </A></P>
  1072. <P><A HREF="../dancingwav/d365.wav">We stood at the window and watched the
  1073. cab drive away. As I turned back my eye caught the pellet of paper which
  1074. the prisoner had tossed upon the table. It was the note with which Holmes
  1075. had decoyed him. </A></P>
  1076. <P><A HREF="../dancingwav/d366.wav">&quot;See if you can read it, Watson,&quot;
  1077. said he, with a smile. </A></P>
  1078. <P><A HREF="../dancingwav/d367.wav">It contained no word, but this little line
  1079. of dancing men:-- </A></P>
  1080. <P><center><IMG SRC="d368.jpg" ALT="Graphic" border="0" height=47 width=328></center></P>
  1081. <P><FONT SIZE=+1><A HREF="../dancingwav/13ldance.wav"><img border="0" src="../tingsmbl.gif">Section
  1082. XIII</A></FONT></P>
  1083. <P><A HREF="../dancingwav/d369.wav">&quot;If you use the code which I have
  1084. explained,&quot; said Holmes, &quot;you will find that it simply means
  1085. `Come here at once.' I was convinced that it was an invitation which he
  1086. would not refuse, since he could never imagine that it could come from
  1087. anyone but the lady. <A/></A><A HREF="../dancingwav/d370.wav">And so, my dear
  1088. Watson, we have ended by turning the dancing men to good when they have
  1089. so often been the agents of evil, and I think that I have fulfilled my
  1090. promise of giving you something unusual for your note-book. </A><A HREF="../dancingwav/d371.wav">Three-forty
  1091. is our train, and I fancy we should be back in Baker Street for dinner.
  1092. </A></P>
  1093. <P><A HREF="../dancingwav/d372.wav">Only one word of epilogue. The American,
  1094. Abe Slaney, was condemned to death at the winter assizes at Norwich; but
  1095. his penalty was changed to penal servitude in consideration of mitigating
  1096. circumstances, and the certainty that Hilton Cubitt had fired the first
  1097. shot. </A><A HREF="../dancingwav/d373.wav">Of Mrs. Hilton Cubitt I only know
  1098. that I have heard she recovered entirely, and that she still remains a
  1099. widow, devoting her whole life to the care of the poor and to the administration
  1100. of her husband's estate. </A></P>
  1101. <P><A HREF="../dancingwav/d373.wav">
  1102. </A></P>
  1103. </blockquote></font></font>
  1104. <center><a href="#Top" onMouseOver="img4top.src='arrowin.jpg'" onMouseOut="img4top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img4top" BORDER=0 ></a></center>
  1105. <HR WIDTH="30%">
  1106. <HR WIDTH="60%"></P>
  1107. <HR><P><FONT face = "Verdana,Arial,Helvetica,sans serif" SIZE=-2>http://hua.umf.maine.edu/Chinese/stories/holmes/dancing/dancing.html<BR>Last update: September 2001<BR>Marilyn Shea, 2001</FONT></P><HR>
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