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  55. <CENTER><P><font face="Verdana"><font size=1><A HREF="../norwoodwav/n1.wav">THE STRAND MAGAZINE<BR>
  56. Vol. 26 NOVEMBER, 1903 </A></FONT></P>
  57. <FONT SIZE=+1><A HREF="../norwoodwav/n2.wav">THE RETURN OF SHERLOCK HOLMES </A></font>
  58. <P><FONT SIZE=+1><A HREF="../norwoodwav/n3.wav">By ARTHUR CONAN DOYLE </A></FONT></P>
  59. <P><FONT SIZE=+1><A HREF="../norwoodwav/n4.wav">II. -- The Adventure of the Norwood
  60. Builder </A></FONT></P></CENTER>
  61. <blockquote>
  62. <P><FONT COLOR="#FF0080"><FONT SIZE=+1><A HREF="../norwoodwav/1normula.wav"><img border="0" src="../tingsmbl.gif">Section I</A></FONT></FONT></P>
  63. <FONT SIZE=-1>
  64. <P><A HREF="../norwoodwav/n5.wav">&quot;FROM the point of view of the criminal expert,&quot;
  65. said Mr. Sherlock Holmes, &quot;London has become a singularly uninteresting
  66. city since the death of the late lamented Professor Moriarty.&quot; </A></P>
  67. <P><A HREF="../norwoodwav/n6.wav">&quot;I can hardly think that you would find many decent
  68. citizens to agree with you,&quot; I answered. </A></P>
  69. <P><A HREF="../norwoodwav/n7.wav">&quot;Well, well, I must not be selfish,&quot; said
  70. he, with a smile, as he pushed back his chair from the breakfast-table.
  71. </A><A HREF="../norwoodwav/n8.wav">The community is certainly the gainer, and no one the
  72. loser, save the poor out-of-work specialist, whose occupation has gone.
  73. </A><A HREF="../norwoodwav/n9.wav">With that man in the field one's morning paper presented
  74. infinite possibilities. </A><A HREF="../norwoodwav/n10.wav">Often it was only the smallest
  75. trace, Watson, the faintest indication, and yet it was enough to tell me
  76. that the great malignant brain was there, </A><A HREF="../norwoodwav/n11.wav">as the gentlest
  77. tremors of the edges of the web remind one of the foul spider which lurks
  78. in the centre. </A><A HREF="../norwoodwav/n12.wav">Petty thefts, wanton assaults, purposeless
  79. outrage -- to the man who held the clue all could be worked into one connected
  80. whole. </A><A HREF="../norwoodwav/n13.wav">To the scientific student of the higher criminal
  81. world no capital in Europe offered the advantages which London then possessed.
  82. But now ----&quot; </A><A HREF="../norwoodwav/n14.wav">He shrugged his shoulders in humorous
  83. deprecation of the state of things which he had himself done so much to
  84. produce. </A></P>
  85. <P><A HREF="../norwoodwav/n15.wav">At the time of which I speak Holmes had been back for
  86. some months, and I, at his request, had sold my practice and returned to
  87. share the old quarters in Baker Street. </A><A HREF="../norwoodwav/n16.wav">A young doctor,
  88. named Verner, had purchased my small Kensington practice, </A><A HREF="../norwoodwav/n17.wav">and
  89. given with astonishingly little demur the highest price that I ventured
  90. to ask </A><A HREF="../norwoodwav/n18.wav">-- an incident which only explained itself
  91. some years later when I found that Verner was a distant relation of Holmes's,
  92. </A><A HREF="../norwoodwav/n19.wav">and that it was my friend who had really found the
  93. money. </A></P>
  94. <P><A HREF="../norwoodwav/n20.wav">Our months of partnership had not been so uneventful
  95. as he had stated, </A><A HREF="../norwoodwav/n21.wav">for I find, on looking over my notes,
  96. that this period includes the case of the papers of Ex-President Murillo,
  97. </A><A HREF="../norwoodwav/n22.wav">and also the shocking affair of the Dutch steamship
  98. FRIESLAND, which so nearly cost us both our lives. </A><A HREF="../norwoodwav/n23.wav">His
  99. cold and proud nature was always averse, however, to anything in the shape
  100. of public applause, </A><A HREF="../norwoodwav/n24.wav">and he bound me in the most stringent
  101. terms to say no further word of himself, his methods, or his successes
  102. </A><A HREF="../norwoodwav/n25.wav">-- a prohibition which, as I have explained, has only
  103. now been removed. </A></P>
  104. <P><A HREF="../norwoodwav/n26.wav">Mr. Sherlock Holmes was leaning back in his chair after
  105. his whimsical protest, and was unfolding his morning paper in a leisurely
  106. fashion, </A><A HREF="../norwoodwav/n27.wav">when our attention was arrested by a tremendous
  107. ring at the bell, followed immediately by a hollow drumming sound, </A><A HREF="../norwoodwav/n28.wav">as
  108. if someone were beating on the outer door with his fist. </A><A HREF="../norwoodwav/n29.wav">As
  109. it opened there came a tumultuous rush into the hall, rapid feet clattered
  110. up the stair, </A><A HREF="../norwoodwav/n30.wav">and an instant later a wild-eyed and
  111. frantic young man, pale, dishevelled, and palpitating, burst into the room.
  112. </A><A HREF="../norwoodwav/n31.wav">He looked from one to the other of us, and under our
  113. gaze of inquiry he became conscious that some apology was needed for this
  114. unceremonious entry. </A></P>
  115. <P><A HREF="../norwoodwav/n32.wav">&quot;I'm sorry, Mr. Holmes,&quot; he cried. &quot;You
  116. mustn't blame me. </A><A HREF="../norwoodwav/n33.wav">I am nearly mad. Mr. Holmes, I am
  117. the unhappy John Hector McFarlane.&quot; </A></P>
  118. <P><A HREF="../norwoodwav/n34.wav">He made the announcement as if the name alone would
  119. explain both his visit and its manner; </A><A HREF="../norwoodwav/n35.wav">but I could
  120. see by my companion's unresponsive face that it meant no more to him than
  121. to me. </A></P>
  122. <P><A HREF="../norwoodwav/n36.wav">&quot;Have a cigarette, Mr. McFarlane,&quot; said he,
  123. pushing his case across. </A><A HREF="../norwoodwav/n37.wav">&quot;I am sure that with
  124. your symptoms my friend Dr. Watson here would prescribe a sedative. </A><A HREF="../norwoodwav/n38.wav">The
  125. weather has been so very warm these last few days. </A><A HREF="../norwoodwav/n39.wav">Now,
  126. if you feel a little more composed, I should be glad if you would sit down
  127. in that chair </A><A HREF="../norwoodwav/n40.wav">and tell us very slowly and quietly
  128. who you are and what it is that you want. </A><A HREF="../norwoodwav/n41.wav">You mentioned
  129. your name as if I should recognise it, but I assure you that, </A><A HREF="../norwoodwav/n42.wav">beyond
  130. the obvious facts that you are a bachelor, a solicitor, a Freemason, and
  131. an asthmatic, I know nothing whatever about you.&quot; </A></P>
  132. <P><A HREF="../norwoodwav/n43.wav">Familiar as I was with my friend's methods, it was
  133. not difficult for me to follow his deductions, </A><A HREF="../norwoodwav/n44.wav">and
  134. to observe the untidiness of attire, the sheaf of legal papers, the watch-charm,
  135. and the breathing which had prompted them. </A><A HREF="../norwoodwav/n45.wav">Our client,
  136. however, stared in amazement. </A></P>
  137. <center><a href="#Top" onMouseOver="img11top.src='arrowin.jpg'" onMouseOut="img11top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img11top" BORDER=0 ></a></center>
  138. <P><FONT SIZE=+1><A HREF="../norwoodwav/2normula.wav"><img border="0" src="../tingsmbl.gif">Section II</A></FONT></P>
  139. <P><A HREF="../norwoodwav/n46.wav">&quot;Yes, I am all that, Mr. Holmes, and in addition
  140. I am the most unfortunate man at this moment in London. </A><A HREF="../norwoodwav/n47.wav">For
  141. Heaven's sake don't abandon me, Mr. Holmes! </A><A HREF="../norwoodwav/n48.wav">If they
  142. come to arrest me before I have finished my story, make them give me time
  143. so that I may tell you the whole truth. </A><A HREF="../norwoodwav/n49.wav">I could go
  144. to gaol happy if I knew that you were working for me outside.&quot; </A></P>
  145. <P><A HREF="../norwoodwav/n50.wav">&quot;Arrest you!&quot; said Holmes. &quot;This is
  146. really most grati -- most interesting. </A><A HREF="../norwoodwav/n51.wav">On what charge
  147. do you expect to be arrested?&quot; </A></P>
  148. <P><A HREF="../norwoodwav/n52.wav">&quot;Upon the charge of murdering Mr. Jonas Oldacre,
  149. of Lower Norwood.&quot; </A></P>
  150. <P><A HREF="../norwoodwav/n53.wav">My companion's expressive face showed a sympathy which
  151. was not, I am afraid, entirely unmixed with satisfaction. </A></P>
  152. <P><A HREF="../norwoodwav/n54.wav">&quot;Dear me,&quot; said he; &quot;it was only this
  153. moment at breakfast that I was saying to my friend, Dr. Watson, that sensational
  154. cases had disappeared out of our papers.&quot; </A></P>
  155. <P><A HREF="../norwoodwav/n55.wav">Our visitor stretched forward a quivering hand and
  156. picked up the DAILY TELEGRAPH, which still lay upon Holmes's knee. </A></P>
  157. <P><A HREF="../norwoodwav/n56.wav">&quot;If you had looked at it, sir, you would have
  158. seen at a glance what the errand is on which I have come to you this morning.
  159. </A><A HREF="../norwoodwav/n57.wav">I feel as if my name and my misfortune must be in
  160. every man's mouth.&quot; </A><A HREF="../norwoodwav/n58.wav">He turned it over to expose
  161. the central page. &quot;Here it is, and with your permission I will read
  162. it to you. </A><A HREF="../norwoodwav/n59.wav">Listen to this, Mr. Holmes. The head-lines
  163. are: `Mysterious Affair at Lower Norwood. Disappearance of a Well-known
  164. Builder. </A><A HREF="../norwoodwav/n60.wav">Suspicion of Murder and Arson. A Clue to
  165. the Criminal.' That is the clue which they are already following, Mr. Holmes,
  166. and I know that it leads infallibly to me. </A><A HREF="../norwoodwav/n61.wav">I have
  167. been followed from London Bridge Station, and I am sure that they are only
  168. waiting for the warrant to arrest me. </A><A HREF="../norwoodwav/n62.wav">It will break
  169. my mother's heart -- it will break her heart!&quot; </A><A HREF="../norwoodwav/n63.wav">He
  170. wrung his hands in an agony of apprehension, and swayed backwards and forwards
  171. in his chair. </A></P>
  172. <P><A HREF="../norwoodwav/n64.wav">I looked with interest upon this man, who was accused
  173. of being the perpetrator of a crime of violence. </A><A HREF="../norwoodwav/n65.wav">He
  174. was flaxen-haired and handsome in a washed-out negative fashion, </A><A HREF="../norwoodwav/n66.wav">with
  175. frightened blue eyes and a clean-shaven face, with a weak, sensitive mouth.
  176. </A><A HREF="../norwoodwav/n67.wav">His age may have been about twenty-seven; his dress
  177. and bearing that of a gentleman. </A><A HREF="../norwoodwav/n68.wav">From the pocket of
  178. his light summer overcoat protruded the bundle of endorsed papers which
  179. proclaimed his profession. </A></P>
  180. <P><A HREF="../norwoodwav/n69.wav">&quot;We must use what time we have,&quot; said Holmes.
  181. &quot;Watson, would you have the kindness to take the paper and to read
  182. me the paragraph in question?&quot; </A></P>
  183. <P><A HREF="../norwoodwav/n70.wav">Underneath the vigorous head-lines which our client
  184. had quoted I read the following suggestive narrative:--- </A></P>
  185. <P><A HREF="../norwoodwav/n71.wav">Late last night, or early this morning, an incident
  186. occurred at Lower Norwood which points, it is feared, to a serious crime.
  187. </A><A HREF="../norwoodwav/n72.wav">Mr. Jonas Oldacre is a well-known resident of that
  188. suburb, where he has carried on his business as a builder for many years.
  189. </A><A HREF="../norwoodwav/n73.wav">Mr. Oldacre is a bachelor, fifty-two years of age,
  190. and lives in Deep Dene House, at the Sydenham end of the road of that name.
  191. </A><A HREF="../norwoodwav/n74.wav">He has had the reputation of being a man of eccentric
  192. habits, secretive and retiring. </A><A HREF="../norwoodwav/n75.wav">For some years he
  193. has practically withdrawn from the business, in which he is said to have
  194. amassed considerable wealth. </A><A HREF="../norwoodwav/n76.wav">A small timber-yard still
  195. exists, however, at the back of the house, and last night, about twelve
  196. o'clock, </A><A HREF="../norwoodwav/n77.wav">an alarm was given that one of the stacks
  197. was on fire. </A><A HREF="../norwoodwav/n78.wav">The engines were soon upon the spot,
  198. but the dry wood burned with great fury, and it was impossible to arrest
  199. the conflagration until the stack had been entirely consumed. </A><A HREF="../norwoodwav/n79.wav">Up
  200. to this point the incident bore the appearance of an ordinary accident,
  201. but fresh indications seem to point to serious crime. </A><A HREF="../norwoodwav/n80.wav">Surprise
  202. was expressed at the absence of the master of the establishment from the
  203. scene of the fire, and an inquiry followed, which showed that he had disappeared
  204. from the house. </A><A HREF="../norwoodwav/n81.wav">An examination of his room revealed
  205. that the bed had not been slept in, </A><A HREF="../norwoodwav/n82.wav">that a safe which
  206. stood in it was open, that a number of important papers were scattered
  207. about the room, and, finally, </A><A HREF="../norwoodwav/n83.wav">that there were signs
  208. of a murderous struggle, slight traces of blood being found within the
  209. room, and an oaken walking-stick, which also showed stains of blood upon
  210. the handle. </A><A HREF="../norwoodwav/n84.wav">It is known that Mr. Jonas Oldacre had
  211. received a late visitor in his bedroom upon that night, </A><A HREF="../norwoodwav/n85.wav">and
  212. the stick found has been identified as the property of this person, </A><A HREF="../norwoodwav/n86.wav">who
  213. is a young London solicitor named John Hector McFarlane, junior partner
  214. of Graham and McFarlane, of 426, Gresham Buildings, E.C. </A><A HREF="../norwoodwav/n87.wav">The
  215. police believe that they have evidence in their possession which supplies
  216. a very convincing motive for the crime, and altogether it cannot be doubted
  217. that sensational developments will follow. </A></P>
  218. <center><a href="#Top" onMouseOver="img10top.src='arrowin.jpg'" onMouseOut="img10top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img10top" BORDER=0 ></a></center>
  219. <P><FONT SIZE=+1><A HREF="../norwoodwav/3normula.wav"><img border="0" src="../tingsmbl.gif">Section III</A></FONT></P>
  220. <P><A HREF="../norwoodwav/n88.wav">LATER. -- It is rumoured as we go to press that Mr.
  221. John Hector McFarlane has actually been arrested on the charge of the murder
  222. of Mr. Jonas Oldacre. </A><A HREF="../norwoodwav/n89.wav">It is at least certain that
  223. a warrant has been issued. There have been further and sinister developments
  224. in the investigation at Norwood. </A><A HREF="../norwoodwav/n90.wav">Besides the signs
  225. of a struggle in the room of the unfortunate builder it is now known that
  226. the French windows of his bedroom </A><A HREF="../norwoodwav/n91.wav">(which is on the
  227. ground floor) were found to be open, that there were marks as if some bulky
  228. object had been dragged across to the wood-pile, </A><A HREF="../norwoodwav/n92.wav">and,
  229. finally, it is asserted that charred remains have been found among the
  230. charcoal ashes of the fire. </A><A HREF="../norwoodwav/n93.wav">The police theory is that
  231. a most sensational crime has been committed, that the victim was clubbed
  232. to death in his own bedroom, his papers rifled, </A><A HREF="../norwoodwav/n94.wav">and
  233. his dead body dragged across to the wood-stack, which was then ignited
  234. so as to hide all traces of the crime. </A><A HREF="../norwoodwav/n95.wav">The conduct
  235. of the criminal investigation has been left in the experienced hands of
  236. Inspector Lestrade, of Scotland Yard, </A><A HREF="../norwoodwav/n96.wav">who is following
  237. up the clues with his accustomed energy and sagacity. </A></P>
  238. <P><A HREF="../norwoodwav/n97.wav">Sherlock Holmes listened with closed eyes and finger-tips
  239. together to this remarkable account. </A><A HREF="../norwoodwav/n98.wav">&quot;The case
  240. has certainly some points of interest,&quot; said he, in his languid fashion.
  241. &quot;May I ask, in the first place, Mr. McFarlane, how it is that you
  242. are still at liberty, </A><A HREF="../norwoodwav/n99.wav">since there appears to be enough
  243. evidence to justify your arrest?&quot; </A></P>
  244. <P><A HREF="../norwoodwav/n100.wav">&quot;I live at Torrington Lodge, Blackheath, with
  245. my parents, Mr. Holmes; </A><A HREF="../norwoodwav/n101.wav">but last night, having to
  246. do business very late with Mr. Jonas Oldacre, I stayed at an hotel in Norwood,
  247. and came to my business from there. </A><A HREF="../norwoodwav/n102.wav">I knew nothing
  248. of this affair until I was in the train, when I read what you have just
  249. heard. </A><A HREF="../norwoodwav/n103.wav">I at once saw the horrible danger of my position,
  250. and I hurried to put the case into your hands. </A><A HREF="../norwoodwav/n104.wav">I
  251. have no doubt that I should have been arrested either at my City office
  252. or at my home. </A><A HREF="../norwoodwav/n105.wav">A man followed me from London Bridge
  253. Station, and I have no doubt --- Great Heaven, what is that?&quot; </A></P>
  254. <P><A HREF="../norwoodwav/n106.wav">It was a clang of the bell, followed instantly by
  255. heavy steps upon the stair. A moment later our old friend Lestrade appeared
  256. in the doorway. Over his shoulder I caught a glimpse of one or two uniformed
  257. policemen outside. </A></P>
  258. <P><A HREF="../norwoodwav/n107.wav">&quot;Mr. John Hector McFarlane?&quot; said Lestrade.
  259. </A></P>
  260. <P><A HREF="../norwoodwav/n108.wav">Our unfortunate client rose with a ghastly face. </A></P>
  261. <P><A HREF="../norwoodwav/n109.wav">&quot;I arrest you for the wilful murder of Mr. Jonas
  262. Oldacre, of Lower Norwood.&quot; </A></P>
  263. <P><A HREF="../norwoodwav/n110.wav">McFarlane turned to us with a gesture of despair,
  264. and sank into his chair once more like one who is crushed. </A></P>
  265. <P><A HREF="../norwoodwav/n111.wav">&quot;One moment, Lestrade,&quot; said Holmes. &quot;Half
  266. an hour more or less can make no difference to you, </A><A HREF="../norwoodwav/n112.wav">and
  267. the gentleman was about to give us an account of this very interesting
  268. affair, which might aid us in clearing it up.&quot; </A></P>
  269. <P><A HREF="../norwoodwav/n113.wav">&quot;I think there will be no difficulty in clearing
  270. it up,&quot; said Lestrade, grimly. </A></P>
  271. <P><A HREF="../norwoodwav/n114.wav">&quot;None the less, with your permission, I should
  272. be much interested to hear his account.&quot; </A></P>
  273. <P><A HREF="../norwoodwav/n115.wav">&quot;Well, Mr. Holmes, it is difficult for me to
  274. refuse you anything, for you have been of use to the force once or twice
  275. in the past, and we owe you a good turn at Scotland Yard,&quot; said Lestrade.
  276. </A><A HREF="../norwoodwav/n116.wav">At the same time I must remain with my prisoner,
  277. and I am bound to warn him that anything he may say will appear in evidence
  278. against him.&quot; </A></P>
  279. <P><A HREF="../norwoodwav/n117.wav">&quot;I wish nothing better,&quot; said our client.
  280. &quot;All I ask is that you should hear and recognise the absolute truth.&quot;
  281. </A></P>
  282. <P><A HREF="../norwoodwav/n118.wav">Lestrade looked at his watch. &quot;I'll give you
  283. half an hour,&quot; said he. </A></P>
  284. <P><A HREF="../norwoodwav/n119.wav">&quot;I must explain first,&quot; said McFarlane,
  285. &quot;that I knew nothing of Mr. Jonas Oldacre. His name was familiar to
  286. me, for many years ago my parents were acquainted with him, but they drifted
  287. apart. </A><A HREF="../norwoodwav/n120.wav">I was very much surprised, therefore, when
  288. yesterday, about three o'clock in the afternoon, he walked into my office
  289. in the City. </A><A HREF="../norwoodwav/n121.wav">But I was still more astonished when
  290. he told me the object of his visit. </A><A HREF="../norwoodwav/n122.wav">He had in his
  291. hand several sheets of a note-book, covered with scribbled writing -- here
  292. they are -- and he laid them on my table. </A></P>
  293. <P><A HREF="../norwoodwav/n123.wav">`Here is my will,' said he. `I want you, Mr. McFarlane,
  294. to cast it into proper legal shape. I will sit here while you do so.' </A></P>
  295. <center><a href="#Top" onMouseOver="img9top.src='arrowin.jpg'" onMouseOut="img9top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img9top" BORDER=0 ></a></center>
  296. <P><FONT SIZE=+1><A HREF="../norwoodwav/4normula.wav"><img border="0" src="../tingsmbl.gif">Section IV</A></FONT></P>
  297. <P><A HREF="../norwoodwav/n124.wav">&quot;I set myself to copy it, and you can imagine
  298. my astonishment when I found that, with some reservations, he had left
  299. all his property to me. </A><A HREF="../norwoodwav/n125.wav">He was a strange little,
  300. ferret-like man, with white eyelashes, and when I looked up at him I found
  301. his keen grey eyes fixed upon me with an amused expression. </A><A HREF="../norwoodwav/n126.wav">I
  302. could hardly believe my own senses as I read the terms of the will; </A><A HREF="../norwoodwav/n127.wav">but
  303. he explained that he was a bachelor with hardly any living relation, that
  304. he had known my parents in his youth, </A><A HREF="../norwoodwav/n128.wav">and that he
  305. had always heard of me as a very deserving young man, and was assured that
  306. his money would be in worthy hands. </A><A HREF="../norwoodwav/n129.wav">Of course, I
  307. could only stammer out my thanks. The will was duly finished, signed, and
  308. witnessed by my clerk. </A><A HREF="../norwoodwav/n130.wav">This is it on the blue paper,
  309. and these slips, as I have explained, are the rough draft. </A><A HREF="../norwoodwav/n131.wav">Mr.
  310. Jonas Oldacre then informed me that there were a number of documents --
  311. building leases, title-deeds, mortgages, scrip, and so forth -- which it
  312. was necessary that I should see and understand. </A><A HREF="../norwoodwav/n132.wav">He
  313. said that his mind would not be easy until the whole thing was settled,
  314. and he begged me to come out to his house at Norwood that night, bringing
  315. the will with me, and to arrange matters. `Remember, my boy, not one word
  316. to your parents about the affair until everything is settled. We will keep
  317. it as a little surprise for them.' </A><A HREF="../norwoodwav/n133.wav">He was very insistent
  318. upon this point, and made me promise it faithfully. </A></P>
  319. <P><A HREF="../norwoodwav/n134.wav">&quot;You can imagine, Mr. Holmes, that I was not
  320. in a humour to refuse him anything that he might ask. </A><A HREF="../norwoodwav/n135.wav">He
  321. was my benefactor, and all my desire was to carry out his wishes in every
  322. particular. </A><A HREF="../norwoodwav/n136.wav">I sent a telegram home, therefore, to
  323. say that I had important business on hand, and that it was impossible for
  324. me to say how late I might be. </A><A HREF="../norwoodwav/n137.wav">Mr. Oldacre had told
  325. me that he would like me to have supper with him at nine, as he might not
  326. be home before that hour. </A><A HREF="../norwoodwav/n138.wav">I had some difficulty in
  327. finding his house, however, and it was nearly half-past before I reached
  328. it. I found him ---&quot; </A></P>
  329. <P><A HREF="../norwoodwav/n139.wav">&quot;One moment!&quot; said Holmes. &quot;Who opened
  330. the door?&quot; </A></P>
  331. <P><A HREF="../norwoodwav/n140.wav">&quot;A middle-aged woman, who was, I suppose, his
  332. housekeeper.&quot; </A></P>
  333. <P><A HREF="../norwoodwav/n141.wav">&quot;And it was she, I presume, who mentioned your
  334. name?&quot; </A></P>
  335. <P><A HREF="../norwoodwav/n142.wav">&quot;Exactly,&quot; said McFarlane. </A></P>
  336. <P><A HREF="../norwoodwav/n143.wav">&quot;Pray proceed.&quot; </A></P>
  337. <P><A HREF="../norwoodwav/n144.wav">McFarlane wiped his damp brow and then continued his
  338. narrative:-- </A></P>
  339. <P><A HREF="../norwoodwav/n145.wav">&quot;I was shown by this woman into a sitting-room,
  340. where a frugal supper was laid out. Afterwards Mr. Jonas Oldacre led me
  341. into his bedroom, in which there stood a heavy safe. </A><A HREF="../norwoodwav/n146.wav">This
  342. he opened and took out a mass of documents, which we went over together.
  343. It was between eleven and twelve when we finished. </A><A HREF="../norwoodwav/n147.wav">He
  344. remarked that we must not disturb the housekeeper. He showed me out through
  345. his own French window, which had been open all this time.&quot; </A></P>
  346. <P><A HREF="../norwoodwav/n148.wav">&quot;Was the blind down?&quot; asked Holmes. </A></P>
  347. <P><A HREF="../norwoodwav/n149.wav">&quot;I will not be sure, but I believe that it was
  348. only half down. Yes, I remember how he pulled it up in order to swing open
  349. the window. </A><A HREF="../norwoodwav/n150.wav">I could not find my stick, and he said,
  350. `Never mind, my boy; I shall see a good deal of you now, I hope, and I
  351. will keep your stick until you come back to claim it.' </A><A HREF="../norwoodwav/n151.wav">I
  352. left him there, the safe open, and the papers made up in packets upon the
  353. table. </A><A HREF="../norwoodwav/n152.wav">It was so late that I could not get back to
  354. Blackheath, so I spent the night at the Anerley Arms, and I knew nothing
  355. more until I read of this horrible affair in the morning.&quot; </A></P>
  356. <P><A HREF="../norwoodwav/n153.wav">&quot;Anything more that you would like to ask, Mr.
  357. Holmes?&quot; said Lestrade, whose eyebrows had gone up once or twice during
  358. this remarkable explanation. </A></P>
  359. <P><A HREF="../norwoodwav/n154.wav">&quot;Not until I have been to Blackheath.&quot; </A></P>
  360. <P><A HREF="../norwoodwav/n155.wav">&quot;You mean to Norwood,&quot; said Lestrade. </A></P>
  361. <P><A HREF="../norwoodwav/n156.wav">&quot;Oh, yes; no doubt that is what I must have meant,&quot;
  362. said Holmes, with his enigmatical smile. </A><A HREF="../norwoodwav/n157.wav">Lestrade
  363. had learned by more experiences than he would care to acknowledge that
  364. that razor-like brain could cut through that which was impenetrable to
  365. him. </A><A HREF="../norwoodwav/n158.wav">I saw him look curiously at my companion. </A></P>
  366. <P><A HREF="../norwoodwav/n159.wav">&quot;I think I should like to have a word with you
  367. presently, Mr. Sherlock Holmes,&quot; said he. &quot;Now, Mr. McFarlane,
  368. two of my constables are at the door and there is a four-wheeler waiting.&quot;
  369. The wretched young man arose, and with a last beseeching glance at us walked
  370. from the room. The officers conducted him to the cab, but Lestrade remained.
  371. </A></P>
  372. <P><A HREF="../norwoodwav/n160.wav">Holmes had picked up the pages which formed the rough
  373. draft of the will, and was looking at them with the keenest interest upon
  374. his face. </A></P>
  375. <P><A HREF="../norwoodwav/n161.wav">&quot;There are some points about that document, Lestrade,
  376. are there not?&quot; said he, pushing them over. </A></P>
  377. <P><A HREF="../norwoodwav/n162.wav">The official looked at them with a puzzled expression.
  378. </A></P>
  379. <P><A HREF="../norwoodwav/n163.wav">&quot;I can read the first few lines, and these in
  380. the middle of the second page, and one or two at the end. </A><A HREF="../norwoodwav/n164.wav">Those
  381. are as clear as print,&quot; said he; &quot;but the writing in between
  382. is very bad, and there are three places where I cannot read it at all.&quot;
  383. </A></P>
  384. <P><A HREF="../norwoodwav/n165.wav">&quot;What do you make of that?&quot; said Holmes.
  385. </A></P>
  386. <P><A HREF="../norwoodwav/n166.wav">&quot;Well, what do YOU make of it?&quot; </A></P>
  387. <P><A HREF="../norwoodwav/n167.wav">&quot;That it was written in a train; the good writing
  388. represents stations, the bad writing movement, and the very bad writing
  389. passing over points. </A><A HREF="../norwoodwav/n168.wav">A scientific expert would pronounce
  390. at once that this was drawn up on a suburban line, since nowhere save in
  391. the immediate vicinity of a great city could there be so quick a succession
  392. of points. Granting that his whole journey was occupied in drawing up the
  393. will, then the train was an express, only stopping once between Norwood
  394. and London Bridge.&quot; </A></P>
  395. <P><A HREF="../norwoodwav/n169.wav">Lestrade began to laugh. </A></P>
  396. <P><A HREF="../norwoodwav/n170.wav">&quot;You are too many for me when you begin to get
  397. on your theories, Mr. Holmes,&quot; said he. &quot;How does this bear on
  398. the case?&quot; </A></P>
  399. <P><A HREF="../norwoodwav/n171.wav">&quot;Well, it corroborates the young man's story
  400. to the extent that the will was drawn up by Jonas Oldacre in his journey
  401. yesterday. </A><A HREF="../norwoodwav/n172.wav">It is curious -- is it not? -- that a
  402. man should draw up so important a document in so haphazard a fashion. It
  403. suggests that he did not think it was going to be of much practical importance.
  404. </A><A HREF="../norwoodwav/n173.wav">If a man drew up a will which he did not intend ever
  405. to be effective he might do it so.&quot; </A></P>
  406. <P><A HREF="../norwoodwav/n174.wav">&quot;Well, he drew up his own death-warrant at the
  407. same time,&quot; said Lestrade. </A></P>
  408. <P><A HREF="../norwoodwav/n175.wav">&quot;Oh, you think so?&quot; </A></P>
  409. <P><A HREF="../norwoodwav/n176.wav">&quot;Don't you?&quot; </A></P>
  410. <P><A HREF="../norwoodwav/n177.wav">&quot;Well, it is quite possible; but the case is
  411. not clear to me yet.&quot; </A></P>
  412. <center><a href="#Top" onMouseOver="img8top.src='arrowin.jpg'" onMouseOut="img8top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img8top" BORDER=0 ></a></center>
  413. <P><FONT SIZE=+1><A HREF="../norwoodwav/5normula.wav"><img border="0" src="../tingsmbl.gif">Section V</A></FONT></P>
  414. <P><A HREF="../norwoodwav/n178.wav">&quot;Not clear? Well, if that isn't clear, what COULD
  415. be clear? Here is a young man who learns suddenly that if a certain older
  416. man dies he will succeed to a fortune. </A><A HREF="../norwoodwav/n179.wav">What does
  417. he do? He says nothing to anyone, but he arranges that he shall go out
  418. on some pretext to see his client that night; </A><A HREF="../norwoodwav/n180.wav">he
  419. waits until the only other person in the house is in bed, and then in the
  420. solitude of a man's room he murders him, burns his body in the wood-pile,
  421. and departs to a neighbouring hotel. </A><A HREF="../norwoodwav/n181.wav">The blood-stains
  422. in the room and also on the stick are very slight. It is probable that
  423. he imagined his crime to be a bloodless one, </A><A HREF="../norwoodwav/n182.wav">and
  424. hoped that if the body were consumed it would hide all traces of the method
  425. of his death -- </A><A HREF="../norwoodwav/n183.wav">traces which for some reason must
  426. have pointed to him. Is all this not obvious?&quot; </A></P>
  427. <P><A HREF="../norwoodwav/n184.wav">&quot;It strikes me, my good Lestrade, as being just
  428. a trifle too obvious,&quot; said Holmes. &quot;You do not add imagination
  429. to your other great qualities; </A><A HREF="../norwoodwav/n185.wav">but if you could for
  430. one moment put yourself in the place of this young man, would you choose
  431. the very night after the will had been made to commit your crime? </A><A HREF="../norwoodwav/n186.wav">Would
  432. it not seem dangerous to you to make so very close a relation between the
  433. two incidents? </A><A HREF="../norwoodwav/n187.wav">Again, would you choose an occasion
  434. when you are known to be in the house, when a servant has let you in? </A><A HREF="../norwoodwav/n188.wav">And,
  435. finally, would you take the great pains to conceal the body and yet leave
  436. your own stick as a sign that you were the criminal? Confess, Lestrade,
  437. that all this is very unlikely.&quot; </A></P>
  438. <P><A HREF="../norwoodwav/n189.wav">&quot;As to the stick, Mr. Holmes, you know as well
  439. as I do that a criminal is often flurried and does things which a cool
  440. man would avoid. </A><A HREF="../norwoodwav/n190.wav">He was very likely afraid to go
  441. back to the room. Give me another theory that would fit the facts.&quot;
  442. </A></P>
  443. <P><A HREF="../norwoodwav/n191.wav">&quot;I could very easily give you half-a-dozen,&quot;
  444. said Holmes. &quot;Here, for example, is a very possible and even probable
  445. one. I make you a free present of it. </A><A HREF="../norwoodwav/n192.wav">The older man
  446. is showing documents which are of evident value. A passing tramp sees them
  447. through the window, the blind of which is only half down. </A><A HREF="../norwoodwav/n193.wav">Exit
  448. the solicitor. Enter the tramp! He seizes a stick, which he observes there,
  449. kills Oldacre, and departs after burning the body.&quot; </A></P>
  450. <P><A HREF="../norwoodwav/n194.wav">&quot;Why should the tramp burn the body?&quot; </A></P>
  451. <P><A HREF="../norwoodwav/n195.wav">&quot;For the matter of that why should McFarlane?&quot;
  452. </A></P>
  453. <P><A HREF="../norwoodwav/n196.wav">&quot;To hide some evidence.&quot; </A></P>
  454. <P><A HREF="../norwoodwav/n197.wav">&quot;Possibly the tramp wanted to hide that any murder
  455. at all had been committed.&quot; </A></P>
  456. <P><A HREF="../norwoodwav/n198.wav">&quot;And why did the tramp take nothing?&quot; </A></P>
  457. <P><A HREF="../norwoodwav/n199.wav">&quot;Because they were papers that he could not negotiate.&quot;
  458. </A></P>
  459. <P><A HREF="../norwoodwav/n200.wav">Lestrade shook his head, though it seemed to me that
  460. his manner was less absolutely assured than before. </A></P>
  461. <P><A HREF="../norwoodwav/n201.wav">&quot;Well, Mr. Sherlock Holmes, you may look for
  462. your tramp, and while you are finding him we will hold on to our man. </A><A HREF="../norwoodwav/n202.wav">The
  463. future will show which is right. Just notice this point, Mr. Holmes: that
  464. so far as we know none of the papers were removed, </A><A HREF="../norwoodwav/n203.wav">and
  465. that the prisoner is the one man in the world who had no reason for removing
  466. them, since he was heir-at-law and would come into them in any case.&quot;
  467. </A></P>
  468. <P><A HREF="../norwoodwav/n204.wav">My friend seemed struck by this remark. </A></P>
  469. <P><A HREF="../norwoodwav/n205.wav">&quot;I don't mean to deny that the evidence is in
  470. some ways very strongly in favour of your theory,&quot; said he. &quot;I
  471. only wish to point out that there are other theories possible. </A><A HREF="../norwoodwav/n206.wav">As
  472. you say, the future will decide. Good morning! I dare say that in the course
  473. of the day I shall drop in at Norwood and see how you are getting on.&quot;
  474. </A></P>
  475. <P><A HREF="../norwoodwav/n207.wav">When the detective departed my friend rose and made
  476. his preparations for the day's work with the alert air of a man who has
  477. a congenial task before him. </A></P>
  478. <P><A HREF="../norwoodwav/n208.wav">&quot;My first movement, Watson,&quot; said he, as
  479. he bustled into his frock-coat, &quot;must, as I said, be in the direction
  480. of Blackheath.&quot; </A></P>
  481. <P><A HREF="../norwoodwav/n209.wav">&quot;And why not Norwood?&quot; </A></P>
  482. <P><A HREF="../norwoodwav/n210.wav">&quot;Because we have in this case one singular incident
  483. coming close to the heels of another singular incident. </A><A HREF="../norwoodwav/n211.wav">The
  484. police are making the mistake of concentrating their attention upon the
  485. second, because it happens to be the one which is actually criminal. </A><A HREF="../norwoodwav/n212.wav">But
  486. it is evident to me that the logical way to approach the case is to begin
  487. by trying to throw some light upon the first incident -- the curious will,
  488. so suddenly made, </A><A HREF="../norwoodwav/n213.wav">and to so unexpected an heir. It
  489. may do something to simplify what followed. No, my dear fellow, I don't
  490. think you can help me. </A><A HREF="../norwoodwav/n214.wav">There is no prospect of danger,
  491. or I should not dream of stirring out without you. </A><A HREF="../norwoodwav/n215.wav">I
  492. trust that when I see you in the evening I will be able to report that
  493. I have been able to do something for this unfortunate youngster who has
  494. thrown himself upon my protection.&quot; </A></P>
  495. <center><a href="#Top" onMouseOver="img7top.src='arrowin.jpg'" onMouseOut="img7top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img7top" BORDER=0 ></a></center>
  496. <P><FONT SIZE=+1><A HREF="../norwoodwav/6normula.wav"><img border="0" src="../tingsmbl.gif">Section VI</A></FONT></P>
  497. <P><A HREF="../norwoodwav/n216.wav">It was late when my friend returned, and I could see
  498. by a glance at his haggard and anxious face that the high hopes with which
  499. he had started had not been fulfilled. </A><A HREF="../norwoodwav/n217.wav">For an hour
  500. he droned away upon his violin, endeavouring to soothe his own ruffled
  501. spirits. At last he flung down the instrument and plunged into a detailed
  502. account of his misadventures. </A></P>
  503. <P><A HREF="../norwoodwav/n218.wav">&quot;It's all going wrong, Watson -- all as wrong
  504. as it can go. I kept a bold face before Lestrade, but, upon my soul, I
  505. believe that for once the fellow is on the right track and we are on the
  506. wrong. All my instincts are one way and all the facts are the other, </A><A HREF="../norwoodwav/n219.wav">and
  507. I much fear that British juries have not yet attained that pitch of intelligence
  508. when they will give the preference to my theories over Lestrade's facts.&quot;
  509. </A></P>
  510. <P><A HREF="../norwoodwav/n220.wav">&quot;Did you go to Blackheath?&quot; </A></P>
  511. <P><A HREF="../norwoodwav/n221.wav">&quot;Yes, Watson, I went there, and I found very
  512. quickly that the late lamented Oldacre was a pretty considerable black-guard.
  513. </A><A HREF="../norwoodwav/n222.wav">The father was away in search of his son. The mother
  514. was at home -- a little, fluffy, blue-eyed person, in a tremor of fear
  515. and indignation. </A><A HREF="../norwoodwav/n223.wav">Of course, she would not admit even
  516. the possibility of his guilt. But she would not express either surprise
  517. or regret over the fate of Oldacre. </A><A HREF="../norwoodwav/n224.wav">On the contrary,
  518. she spoke of him with such bitterness that she was unconsciously considerably
  519. strengthening the case of the police, for, of course, </A><A HREF="../norwoodwav/n225.wav">if
  520. her son had heard her speak of the man in this fashion it would predispose
  521. him towards hatred and violence. `He was more like a malignant and cunning
  522. ape than a human being,' said she, </A><A HREF="../norwoodwav/n226.wav">`and he always
  523. was, ever since he was a young man.' </A></P>
  524. <P><A HREF="../norwoodwav/n227.wav">`You knew him at that time?' said I. </A></P>
  525. <P><A HREF="../norwoodwav/n228.wav">`Yes, I knew him well; in fact, he was an old suitor
  526. of mine. Thank Heaven that I had the sense to turn away from him and to
  527. marry a better, if a poorer, man. </A><A HREF="../norwoodwav/n229.wav">I was engaged to
  528. him, Mr. Holmes, when I heard a shocking story of how he had turned a cat
  529. loose in an aviary, </A><A HREF="../norwoodwav/n230.wav">and I was so horrified at his
  530. brutal cruelty that I would have nothing more to do with him.' </A><A HREF="../norwoodwav/n231.wav">She
  531. rummaged in a bureau, and presently she produced a photograph of a woman,
  532. shamefully defaced and mutilated with a knife. </A><A HREF="../norwoodwav/n232.wav">`That
  533. is my own photograph,' she said. `He sent it to me in that state, with
  534. his curse, upon my wedding morning.' </A></P>
  535. <P><A HREF="../norwoodwav/n233.wav">`Well,' said I, `at least he has forgiven you now,
  536. since he has left all his property to your son.' </A></P>
  537. <P><A HREF="../norwoodwav/n234.wav">`Neither my son nor I want anything from Jonas Oldacre,
  538. dead or alive,' she cried, with a proper spirit. `There is a God in Heaven,
  539. Mr. Holmes, </A><A HREF="../norwoodwav/n235.wav">and that same God who has punished that
  540. wicked man will show in His own good time that my son's hands are guiltless
  541. of his blood.' </A></P>
  542. <P><A HREF="../norwoodwav/n236.wav">&quot;Well, I tried one or two leads, but could get
  543. at nothing which would help our hypothesis, and several points which would
  544. make against it. </A><A HREF="../norwoodwav/n237.wav">I gave it up at last and off I went
  545. to Norwood. </A></P>
  546. <P><A HREF="../norwoodwav/n238.wav">&quot;This place, Deep Dene House, is a big modern
  547. villa of staring brick, standing back in its own grounds, with a laurel-clumped
  548. lawn in front of it. </A><A HREF="../norwoodwav/n239.wav">To the right and some distance
  549. back from the road was the timber-yard which had been the scene of the
  550. fire. Here's a rough plan on a leaf of my note-book. </A><A HREF="../norwoodwav/n240.wav">This
  551. window on the left is the one which opens into Oldacre's room. You can
  552. look into it from the road, you see. </A><A HREF="../norwoodwav/n241.wav">That is about
  553. the only bit of consolation I have had to-day. Lestrade was not there,
  554. but his head constable did the honours. They had just made a great treasure-trove.
  555. </A><A HREF="../norwoodwav/n242.wav">They had spent the morning raking among the ashes
  556. of the burned wood-pile, and besides the charred organic remains they had
  557. secured several discoloured metal discs. </A><A HREF="../norwoodwav/n243.wav">I examined
  558. them with care, and there was no doubt that they were trouser buttons.
  559. I even distinguished that one of them was marked with the name of `Hyams,'
  560. who was Oldacre's tailor. </A><A HREF="../norwoodwav/n244.wav">I then worked the lawn
  561. very carefully for signs and traces, but this drought has made everything
  562. as hard as iron. </A><A HREF="../norwoodwav/n245.wav">Nothing was to be seen save that
  563. some body or bundle had been dragged through a low privet hedge which is
  564. in a line with the wood-pile. </A><A HREF="../norwoodwav/n246.wav">All that, of course,
  565. fits in with the official theory. I crawled about the lawn with an August
  566. sun on my back, but I got up at the end of an hour no wiser than before.
  567. </A></P>
  568. <center><a href="#Top" onMouseOver="img6top.src='arrowin.jpg'" onMouseOut="img6top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img6top" BORDER=0 ></a></center>
  569. <P><FONT SIZE=+1><A HREF="../norwoodwav/7normula.wav"><img border="0" src="../tingsmbl.gif">Section VII</A></FONT></P>
  570. <P><A HREF="../norwoodwav/n247.wav">&quot;Well, after this fiasco I went into the bedroom
  571. and examined that also. The blood-stains were very slight, mere smears
  572. and discolorations, but undoubtedly fresh. </A><A HREF="../norwoodwav/n248.wav">The stick
  573. had been removed, but there also the marks were slight. There is no doubt
  574. about the stick belonging to our client. He admits it. </A><A HREF="../norwoodwav/n249.wav">Footmarks
  575. of both men could be made out on the carpet, but none of any third person,
  576. which again is a trick for the other side. </A><A HREF="../norwoodwav/n250.wav">They were
  577. piling up their score all the time and we were at a standstill. </A></P>
  578. <P><A HREF="../norwoodwav/n251.wav">&quot;Only one little gleam of hope did I get -- and
  579. yet it amounted to nothing. I examined the contents of the safe, most of
  580. which had been taken out and left on the table. </A><A HREF="../norwoodwav/n252.wav">The
  581. papers had been made up into sealed envelopes, one or two of which had
  582. been opened by the police. </A><A HREF="../norwoodwav/n253.wav">They were not, so far
  583. as I could judge, of any great value, nor did the bank-book show that Mr.
  584. Oldacre was in such very affluent circumstances. </A><A HREF="../norwoodwav/n254.wav">But
  585. it seemed to me that all the papers were not there. There were allusions
  586. to some deeds -- possibly the more valuable -- which I could not find.
  587. </A><A HREF="../norwoodwav/n255.wav">This, of course, if we could definitely prove it,
  588. would turn Lestrade's argument against himself, for who would steal a thing
  589. if he knew that he would shortly inherit it? </A></P>
  590. <P><A HREF="../norwoodwav/n256.wav">&quot;Finally, having drawn every other cover and
  591. picked up no scent, I tried my luck with the housekeeper. Mrs. Lexington
  592. is her name, a little, dark, silent person, with suspicious and sidelong
  593. eyes. She could tell us something if she would -- I am convinced of it.
  594. But she was as close as wax. Yes, she had let Mr. McFarlane in at half-past
  595. nine. </A><A HREF="../norwoodwav/n257.wav">She wished her hand had withered before she
  596. had done so. She had gone to bed at half-past ten. Her room was at the
  597. other end of the house, and she could hear nothing of what passed. </A><A HREF="../norwoodwav/n258.wav">Mr.
  598. McFarlane had left his hat, and to the best of her belief his stick, in
  599. the hall. She had been awakened by the alarm of fire. Her poor, dear master
  600. had certainly been murdered. </A><A HREF="../norwoodwav/n259.wav">Had he any enemies?
  601. Well, every man had enemies, but Mr. Oldacre kept himself very much to
  602. himself, and only met people in the way of business. </A><A HREF="../norwoodwav/n260.wav">She
  603. had seen the buttons, and was sure that they belonged to the clothes which
  604. he had worn last night. The wood-pile was very dry, for it had not rained
  605. for a month. </A><A HREF="../norwoodwav/n261.wav">It burned like tinder, and by the time
  606. she reached the spot nothing could be seen but flames. She and all the
  607. firemen smelled the burned flesh from inside it. </A><A HREF="../norwoodwav/n262.wav">She
  608. knew nothing of the papers, nor of Mr. Oldacre's private affairs. </A></P>
  609. <P><A HREF="../norwoodwav/n263.wav">&quot;So, my dear Watson, there's my report of a failure.
  610. And yet -- and yet ---&quot; -- he clenched his thin hands in a paroxysm
  611. of conviction -- &quot;I KNOW it's all wrong. I feel it in my bones. </A><A HREF="../norwoodwav/n264.wav">There
  612. is something that has not come out, and that housekeeper knows it. There
  613. was a sort of sulky defiance in her eyes, which only goes with guilty knowledge.
  614. </A><A HREF="../norwoodwav/n265.wav">However, there's no good talking any more about it,
  615. Watson; but unless some lucky chance comes our way </A><A HREF="../norwoodwav/n266.wav">I
  616. fear that the Norwood Disappearance Case will not figure in that chronicle
  617. of our successes which I foresee that a patient public will sooner or later
  618. have to endure.&quot; </A></P>
  619. <P><A HREF="../norwoodwav/n267.wav">&quot;Surely,&quot; said I, &quot;the man's appearance
  620. would go far with any jury?&quot; </A></P>
  621. <P><A HREF="../norwoodwav/n268.wav">&quot;That is a dangerous argument, my dear Watson.
  622. You remember that terrible murderer, Bert Stevens, who wanted us to get
  623. him off in '87? </A><A HREF="../norwoodwav/n269.wav">Was there ever a more mild-mannered,
  624. Sunday-school young man?&quot; </A></P>
  625. <P><A HREF="../norwoodwav/n270.wav">&quot;It is true.&quot; </A></P>
  626. <P><A HREF="../norwoodwav/n271.wav">&quot;Unless we succeed in establishing an alternative
  627. theory this man is lost. You can hardly find a flaw in the case which can
  628. now be presented against him, </A><A HREF="../norwoodwav/n272.wav">and all further investigation
  629. has served to strengthen it. By the way, there is one curious little point
  630. about those papers which may serve us as the starting-point for an inquiry.
  631. </A><A HREF="../norwoodwav/n273.wav">On looking over the bank-book I found that the low
  632. state of the balance was principally due to large cheques which have been
  633. made out during the last year to Mr. Cornelius. </A><A HREF="../norwoodwav/n274.wav">I
  634. confess that I should be interested to know who this Mr. Cornelius may
  635. be with whom a retired builder has such very large transactions. Is it
  636. possible that he has had a hand in the affair? Cornelius might be a broker,
  637. but we have found no scrip to correspond with these large payments. </A><A HREF="../norwoodwav/n275.wav">Failing
  638. any other indication my researches must now take the direction of an inquiry
  639. at the bank for the gentleman who has cashed these cheques. </A><A HREF="../norwoodwav/n276.wav">But
  640. I fear, my dear fellow, that our case will end ingloriously by Lestrade
  641. hanging our client, which will certainly be a triumph for Scotland Yard.&quot;
  642. </A></P>
  643. <center><a href="#Top" onMouseOver="img5top.src='arrowin.jpg'" onMouseOut="img5top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img5top" BORDER=0 ></a></center>
  644. <P><FONT SIZE=+1><A HREF="../norwoodwav/8normula.wav"><img border="0" src="../tingsmbl.gif">Section VIII</A></FONT></P>
  645. <P><A HREF="../norwoodwav/n277.wav">I do not know how far Sherlock Holmes took any sleep
  646. that night, but when I came down to breakfast I found him pale and harassed,
  647. his bright eyes the brighter for the dark shadows round them. </A><A HREF="../norwoodwav/n278.wav">The
  648. carpet round his chair was littered with cigarette-ends and with the early
  649. editions of the morning papers. An open telegram lay upon the table. </A></P>
  650. <P><A HREF="../norwoodwav/n279.wav">&quot;What do you think of this, Watson?&quot; he
  651. asked, tossing it across. </A></P>
  652. <P><A HREF="../norwoodwav/n280.wav">It was from Norwood, and ran as follows:-- </A></P>
  653. <P><A HREF="../norwoodwav/n281.wav">&quot;IMPORTANT FRESH EVIDENCE TO HAND. MCFARLANE'S
  654. GUILT DEFINITELY ESTABLISHED. ADVISE YOU TO ABANDON CASE. -- LESTRADE.&quot;
  655. </A></P>
  656. <P><A HREF="../norwoodwav/n282.wav">&quot;This sounds serious,&quot; said I. </A></P>
  657. <P><A HREF="../norwoodwav/n283.wav">&quot;It is Lestrade's little cock-a-doodle of victory,&quot;
  658. Holmes answered, with a bitter smile. &quot;And yet it may be premature
  659. to abandon the case. </A><A HREF="../norwoodwav/n284.wav">After all, important fresh evidence
  660. is a two-edged thing, and may possibly cut in a very different direction
  661. to that which Lestrade imagines. </A><A HREF="../norwoodwav/n285.wav">Take your breakfast,
  662. Watson, and we will go out together and see what we can do. I feel as if
  663. I shall need your company and your moral support to-day.&quot; </A></P>
  664. <P><A HREF="../norwoodwav/n286.wav">My friend had no breakfast himself, for it was one
  665. of his peculiarities that in his more intense moments he would permit himself
  666. no food, </A><A HREF="../norwoodwav/n287.wav">and I have known him presume upon his iron
  667. strength until he has fainted from pure inanition. </A><A HREF="../norwoodwav/n288.wav">At
  668. present I cannot spare energy and nerve force for digestion,&quot; he would
  669. say in answer to my medical remonstrances. </A><A HREF="../norwoodwav/n289.wav">I was
  670. not surprised, therefore, when this morning he left his untouched meal
  671. behind him and started with me for Norwood. A crowd of morbid sightseers
  672. were still gathered round Deep Dene House, which was just such a suburban
  673. villa as I had pictured. Within the gates Lestrade met us, his face flushed
  674. with victory, his manner grossly triumphant. </A></P>
  675. <P><A HREF="../norwoodwav/n290.wav">&quot;Well, Mr. Holmes, have you proved us to be wrong
  676. yet? Have you found your tramp?&quot; he cried. </A></P>
  677. <P><A HREF="../norwoodwav/n291.wav">&quot;I have formed no conclusion whatever,&quot;
  678. my companion answered. </A></P>
  679. <P><A HREF="../norwoodwav/n292.wav">&quot;But we formed ours yesterday, and now it proves
  680. to be correct; so you must acknowledge that we have been a little in front
  681. of you this time, Mr. Holmes.&quot; </A></P>
  682. <P><A HREF="../norwoodwav/n293.wav">&quot;You certainly have the air of something unusual
  683. having occurred,&quot; said Holmes. </A></P>
  684. <P><A HREF="../norwoodwav/n294.wav">Lestrade laughed loudly. </A></P>
  685. <P><A HREF="../norwoodwav/n295.wav">&quot;You don't like being beaten any more than the
  686. rest of us do,&quot; said he. &quot;A man can't expect always to have it
  687. his own way, can he, Dr. Watson? </A><A HREF="../norwoodwav/n296.wav">Step this way, if
  688. you please, gentlemen, and I think I can convince you once for all that
  689. it was John McFarlane who did this crime.&quot; </A></P>
  690. <P><A HREF="../norwoodwav/n297.wav">He led us through the passage and out into a dark
  691. hall beyond. </A></P>
  692. <P><A HREF="../norwoodwav/n298.wav">&quot;This is where young McFarlane must have come
  693. out to get his hat after the crime was done,&quot; said he. &quot;Now,
  694. look at this.&quot; </A><A HREF="../norwoodwav/n299.wav">With dramatic suddenness he struck
  695. a match and by its light exposed a stain of blood upon the whitewashed
  696. wall. As he held the match nearer I saw that it was more than a stain.
  697. </A><A HREF="../norwoodwav/n300.wav">It was the well-marked print of a thumb. </A></P>
  698. <P><A HREF="../norwoodwav/n301.wav">&quot;Look at that with your magnifying glass, Mr.
  699. Holmes.&quot; </A></P>
  700. <P><A HREF="../norwoodwav/n302.wav">&quot;Yes, I am doing so.&quot; </A></P>
  701. <P><A HREF="../norwoodwav/n303.wav">&quot;You are aware that no two thumb marks are alike?&quot;
  702. </A></P>
  703. <P><A HREF="../norwoodwav/n304.wav">&quot;I have heard something of the kind.&quot; </A></P>
  704. <P><A HREF="../norwoodwav/n305.wav">&quot;Well, then, will you please compare that print
  705. with this wax impression of young McFarlane's right thumb, taken by my
  706. orders this morning?&quot; </A></P>
  707. <P><A HREF="../norwoodwav/n306.wav">As he held the waxen print close to the blood-stain
  708. it did not take a magnifying glass to see that the two were undoubtedly
  709. from the same thumb. </A><A HREF="../norwoodwav/n307.wav">It was evident to me that our
  710. unfortunate client was lost. </A></P>
  711. <P><A HREF="../norwoodwav/n308.wav">&quot;That is final,&quot; said Lestrade. </A></P>
  712. <P><A HREF="../norwoodwav/n309.wav">&quot;Yes, that is final,&quot; I involuntarily echoed.
  713. </A></P>
  714. <P><A HREF="../norwoodwav/n310.wav">&quot;It is final,&quot; said Holmes. </A></P>
  715. <P><A HREF="../norwoodwav/n311.wav">Something in his tone caught my ear, and I turned
  716. to look at him. An extraordinary change had come over his face. It was
  717. writhing with inward merriment. His two eyes were shining like stars. </A><A HREF="../norwoodwav/n312.wav">It
  718. seemed to me that he was making desperate efforts to restrain a convulsive
  719. attack of laughter. </A></P>
  720. <P><A HREF="../norwoodwav/n313.wav">&quot;Dear me! Dear me!&quot; he said at last. &quot;Well,
  721. now, who would have thought it? And how deceptive appearances may be, to
  722. be sure! Such a nice young man to look at! </A><A HREF="../norwoodwav/n314.wav">It is
  723. a lesson to us not to trust our own judgment, is it not, Lestrade?&quot;
  724. </A></P>
  725. <P><A HREF="../norwoodwav/n315.wav">&quot;Yes, some of us are a little too much inclined
  726. to be cocksure, Mr. Holmes,&quot; said Lestrade. The man's insolence was
  727. maddening, but we could not resent it. </A></P>
  728. <P><A HREF="../norwoodwav/n316.wav">&quot;What a providential thing that this young man
  729. should press his right thumb against the wall in taking his hat from the
  730. peg! Such a very natural action, too, if you come to think of it.&quot;
  731. </A><A HREF="../norwoodwav/n317.wav">Holmes was outwardly calm, but his whole body gave
  732. a wriggle of suppressed excitement as he spoke. &quot;By the way, Lestrade,
  733. who made this remarkable discovery?&quot; </A></P>
  734. <P><A HREF="../norwoodwav/n318.wav">&quot;It was the housekeeper, Mrs. Lexington, who
  735. drew the night constable's attention to it.&quot; </A></P>
  736. <P><A HREF="../norwoodwav/n319.wav">&quot;Where was the night constable?&quot; </A></P>
  737. <P><A HREF="../norwoodwav/n320.wav">&quot;He remained on guard in the bedroom where the
  738. crime was committed, so as to see that nothing was touched.&quot; </A></P>
  739. <P><A HREF="../norwoodwav/n321.wav">&quot;But why didn't the police see this mark yesterday?&quot;
  740. </A></P>
  741. <P><A HREF="../norwoodwav/n322.wav">&quot;Well, we had no particular reason to make a
  742. careful examination of the hall. Besides, it's not in a very prominent
  743. place, as you see.&quot; </A></P>
  744. <P><A HREF="../norwoodwav/n323.wav">&quot;No, no, of course not. I suppose there is no
  745. doubt that the mark was there yesterday?&quot; </A></P>
  746. <P><A HREF="../norwoodwav/n324.wav">Lestrade looked at Holmes as if he thought he was
  747. going out of his mind. I confess that I was myself surprised both at his
  748. hilarious manner and at his rather wild observation. </A></P>
  749. <P><A HREF="../norwoodwav/n325.wav">&quot;I don't know whether you think that McFarlane
  750. came out of gaol in the dead of the night in order to strengthen the evidence
  751. against himself,&quot; said Lestrade. </A><A HREF="../norwoodwav/n326.wav">I leave it
  752. to any expert in the world whether that is not the mark of his thumb.&quot;
  753. </A></P>
  754. <P><A HREF="../norwoodwav/n327.wav">&quot;It is unquestionably the mark of his thumb.&quot;
  755. </A></P>
  756. <P><A HREF="../norwoodwav/n328.wav">&quot;There, that's enough,&quot; said Lestrade. &quot;I
  757. am a practical man, Mr. Holmes, and when I have got my evidence I come
  758. to my conclusions. </A><A HREF="../norwoodwav/n329.wav">If you have anything to say you
  759. will find me writing my report in the sitting-room.&quot; </A></P>
  760. <P><A HREF="../norwoodwav/n330.wav">Holmes had recovered his equanimity, though I still
  761. seemed to detect gleams of amusement in his expression. </A></P>
  762. <P><A HREF="../norwoodwav/n331.wav">&quot;Dear me, this is a very sad development, Watson,
  763. is it not?&quot; said he. &quot;And yet there are singular points about
  764. it which hold out some hopes for our client.&quot; </A></P>
  765. <P><A HREF="../norwoodwav/n332.wav">&quot;I am delighted to hear it,&quot; said I, heartily.
  766. &quot;I was afraid it was all up with him.&quot; </A></P>
  767. <center><a href="#Top" onMouseOver="img4top.src='arrowin.jpg'" onMouseOut="img4top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img4top" BORDER=0 ></a></center>
  768. <P><FONT SIZE=+1><A HREF="../norwoodwav/9normula.wav"><img border="0" src="../tingsmbl.gif">Section IV</A></FONT></P>
  769. <P><A HREF="../norwoodwav/n333.wav">&quot;I would hardly go so far as to say that, my
  770. dear Watson. The fact is that there is one really serious flaw in this
  771. evidence to which our friend attaches so much importance.&quot; </A></P>
  772. <P><A HREF="../norwoodwav/n334.wav">&quot;Indeed, Holmes! What is it?&quot; </A></P>
  773. <P><A HREF="../norwoodwav/n335.wav">&quot;Only this: that I KNOW that that mark was not
  774. there when I examined the hall yesterday. And now, Watson, let us have
  775. a little stroll round in the sunshine.&quot; </A></P>
  776. <P><A HREF="../norwoodwav/n336.wav">With a confused brain, but with a heart into which
  777. some warmth of hope was returning, I accompanied my friend in a walk round
  778. the garden. </A><A HREF="../norwoodwav/n337.wav">Holmes took each face of the house in
  779. turn and examined it with great interest. He then led the way inside and
  780. went over the whole building from basement to attics. </A><A HREF="../norwoodwav/n338.wav">Most
  781. of the rooms were unfurnished, but none the less Holmes inspected them
  782. all minutely. </A><A HREF="../norwoodwav/n339.wav">Finally, on the top corridor, which
  783. ran outside three untenanted bedrooms, he again was seized with a spasm
  784. of merriment. </A></P>
  785. <P><A HREF="../norwoodwav/n340.wav">&quot;There are really some very unique features about
  786. this case, Watson,&quot; said he. &quot;I think it is time now that we
  787. took our friend Lestrade into our confidence. </A><A HREF="../norwoodwav/n341.wav">He
  788. has had his little smile at our expense, and perhaps we may do as much
  789. by him if my reading of this problem proves to be correct. Yes, yes; I
  790. think I see how we should approach it.&quot; </A></P>
  791. <P><A HREF="../norwoodwav/n342.wav">The Scotland Yard inspector was still writing in the
  792. parlour when Holmes interrupted him. </A></P>
  793. <P><A HREF="../norwoodwav/n343.wav">&quot;I understood that you were writing a report
  794. of this case,&quot; said he. </A></P>
  795. <P><A HREF="../norwoodwav/n344.wav">&quot;So I am.&quot; </A></P>
  796. <P><A HREF="../norwoodwav/n345.wav">&quot;Don't you think it may be a little premature?
  797. I can't help thinking that your evidence is not complete.&quot; </A></P>
  798. <P><A HREF="../norwoodwav/n346.wav">Lestrade knew my friend too well to disregard his
  799. words. He laid down his pen and looked curiously at him. </A></P>
  800. <P><A HREF="../norwoodwav/n347.wav">&quot;What do you mean, Mr. Holmes?&quot; </A></P>
  801. <P><A HREF="../norwoodwav/n348.wav">&quot;Only that there is an important witness whom
  802. you have not seen.&quot; </A></P>
  803. <P><A HREF="../norwoodwav/n349.wav">&quot;Can you produce him?&quot; </A></P>
  804. <P><A HREF="../norwoodwav/n350.wav">&quot;I think I can.&quot; </A></P>
  805. <P><A HREF="../norwoodwav/n351.wav">&quot;Then do so.&quot; </A></P>
  806. <P><A HREF="../norwoodwav/n352.wav">&quot;I will do my best. How many constables have
  807. you?&quot; </A></P>
  808. <P><A HREF="../norwoodwav/n353.wav">&quot;There are three within call.&quot; </A></P>
  809. <P><A HREF="../norwoodwav/n354.wav">&quot;Excellent!&quot; said Holmes. &quot;May I ask
  810. if they are all large, able-bodied men with powerful voices?&quot; </A></P>
  811. <P><A HREF="../norwoodwav/n355.wav">&quot;I have no doubt they are, though I fail to see
  812. what their voices have to do with it.&quot; </A></P>
  813. <P><A HREF="../norwoodwav/n356.wav">&quot;Perhaps I can help you to see that and one or
  814. two other things as well,&quot; said Holmes. &quot;Kindly summon your men,
  815. and I will try.&quot; </A></P>
  816. <P><A HREF="../norwoodwav/n357.wav">Five minutes later three policemen had assembled in
  817. the hall. </A></P>
  818. <P><A HREF="../norwoodwav/n358.wav">&quot;In the outhouse you will find a considerable
  819. quantity of straw,&quot; said Holmes. &quot;I will ask you to carry in
  820. two bundles of it. </A><A HREF="../norwoodwav/n359.wav">I think it will be of the greatest
  821. assistance in producing the witness whom I require. Thank you very much.
  822. I believe you have some matches in your pocket, Watson. </A><A HREF="../norwoodwav/n360.wav">Now,
  823. Mr. Lestrade, I will ask you all to accompany me to the top landing.&quot;
  824. </A></P>
  825. <P><A HREF="../norwoodwav/n361.wav">As I have said, there was a broad corridor there,
  826. which ran outside three empty bedrooms. </A><A HREF="../norwoodwav/n362.wav">At one end
  827. of the corridor we were all marshalled by Sherlock Holmes, </A><A HREF="../norwoodwav/n363.wav">the
  828. constables grinning and Lestrade staring at my friend with amazement, expectation,
  829. and derision chasing each other across his features. </A><A HREF="../norwoodwav/n364.wav">Holmes
  830. stood before us with the air of a conjurer who is performing a trick. </A></P>
  831. <P><A HREF="../norwoodwav/n365.wav">&quot;Would you kindly send one of your constables
  832. for two buckets of water? Put the straw on the floor here, free from the
  833. wall on either side. Now I think that we are all ready.&quot; </A></P>
  834. <P><A HREF="../norwoodwav/n366.wav">Lestrade's face had begun to grow red and angry. </A></P>
  835. <P><A HREF="../norwoodwav/n367.wav">&quot;I don't know whether you are playing a game
  836. with us, Mr. Sherlock Holmes,&quot; said he. &quot;If you know anything,
  837. you can surely say it without all this tomfoolery.&quot; </A></P>
  838. <P><A HREF="../norwoodwav/n368.wav">&quot;I assure you, my good Lestrade, that I have
  839. an excellent reason for everything that I do. </A><A HREF="../norwoodwav/n369.wav">You
  840. may possibly remember that you chaffed me a little some hours ago, when
  841. the sun seemed on your side of the hedge, so you must not grudge me a little
  842. pomp and ceremony now. </A><A HREF="../norwoodwav/n370.wav">Might I ask you, Watson, to
  843. open that window, and then to put a match to the edge of the straw?&quot;
  844. </A></P>
  845. <P><A HREF="../norwoodwav/n371.wav">I did so, and, driven by the draught, a coil of grey
  846. smoke swirled down the corridor, while the dry straw crackled and flamed.
  847. </A></P>
  848. <P><A HREF="../norwoodwav/n372.wav">&quot;Now we must see if we can find this witness
  849. for you, Lestrade. Might I ask you all to join in the cry of `Fire!'? Now,
  850. then; one, two, three ---&quot; </A></P>
  851. <P><A HREF="../norwoodwav/n373.wav">&quot;Fire!&quot; we all yelled. </A></P>
  852. <P><A HREF="../norwoodwav/n374.wav">&quot;Thank you. I will trouble you once again.&quot;
  853. </A></P>
  854. <P><A HREF="../norwoodwav/n375.wav">&quot;Fire!&quot; </A></P>
  855. <P><A HREF="../norwoodwav/n376.wav">&quot;Just once more, gentlemen, and all together.&quot;
  856. </A></P>
  857. <P><A HREF="../norwoodwav/n377.wav">&quot;Fire!&quot; The shout must have rung over Norwood.
  858. </A></P>
  859. <P><A HREF="../norwoodwav/n378.wav">It had hardly died away when an amazing thing happened.
  860. A door suddenly flew open out of what appeared to be solid wall at the
  861. end of the corridor, </A><A HREF="../norwoodwav/n379.wav">and a little, wizened man darted
  862. out of it, like a rabbit out of its burrow. </A></P>
  863. <center><a href="#Top" onMouseOver="img3top.src='arrowin.jpg'" onMouseOut="img3top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img3top" BORDER=0 ></a></center>
  864. <P><FONT SIZE=+1><A HREF="../norwoodwav/10normul.wav"><img border="0" src="../tingsmbl.gif">Section X</A></FONT></P>
  865. <P><A HREF="../norwoodwav/n380.wav">&quot;Capital!&quot; said Holmes, calmly. &quot;Watson,
  866. a bucket of water over the straw. That will do! Lestrade, allow me to present
  867. you with your principal missing witness, Mr. Jonas Oldacre.&quot; </A></P>
  868. <P><A HREF="../norwoodwav/n381.wav">The detective stared at the new-comer with blank amazement.
  869. The latter was blinking in the bright light of the corridor, and peering
  870. at us and at the smouldering fire. </A><A HREF="../norwoodwav/n382.wav">It was an odious
  871. face -- crafty, vicious, malignant, with shifty, light-grey eyes and white
  872. eyelashes. </A></P>
  873. <P><A HREF="../norwoodwav/n383.wav">&quot;What's this, then?&quot; said Lestrade at last.
  874. &quot;What have you been doing all this time, eh?&quot; </A></P>
  875. <P><A HREF="../norwoodwav/n384.wav">Oldacre gave an uneasy laugh, shrinking back from
  876. the furious red face of the angry detective. </A></P>
  877. <P><A HREF="../norwoodwav/n385.wav">&quot;I have done no harm.&quot; </A></P>
  878. <P><A HREF="../norwoodwav/n386.wav">&quot;No harm? You have done your best to get an innocent
  879. man hanged. If it wasn't for this gentleman here, I am not sure that you
  880. would not have succeeded.&quot; </A></P>
  881. <P><A HREF="../norwoodwav/n387.wav">The wretched creature began to whimper. </A></P>
  882. <P><A HREF="../norwoodwav/n388.wav">&quot;I am sure, sir, it was only my practical joke.&quot;
  883. </A></P>
  884. <P><A HREF="../norwoodwav/n389.wav">&quot;Oh! a joke, was it? You won't find the laugh
  885. on your side, I promise you. Take him down and keep him in the sitting-room
  886. until I come. </A><A HREF="../norwoodwav/n390.wav">Mr. Holmes,&quot; he continued, when
  887. they had gone, &quot;I could not speak before the constables, but I don't
  888. mind saying, in the presence of Dr. Watson, </A><A HREF="../norwoodwav/n391.wav">that
  889. this is the brightest thing that you have done yet, though it is a mystery
  890. to me how you did it. </A><A HREF="../norwoodwav/n392.wav">You have saved an innocent
  891. man's life, and you have prevented a very grave scandal, which would have
  892. ruined my reputation in the Force.&quot; </A></P>
  893. <P><A HREF="../norwoodwav/n393.wav">Holmes smiled and clapped Lestrade upon the shoulder.
  894. </A></P>
  895. <P><A HREF="../norwoodwav/n394.wav">&quot;Instead of being ruined, my good sir, you will
  896. find that your reputation has been enormously enhanced. </A><A HREF="../norwoodwav/n395.wav">Just
  897. make a few alterations in that report which you were writing, and they
  898. will understand how hard it is to throw dust in the eyes of Inspector Lestrade.&quot;
  899. </A></P>
  900. <P><A HREF="../norwoodwav/n396.wav">&quot;And you don't want your name to appear?&quot;
  901. </A></P>
  902. <P><A HREF="../norwoodwav/n397.wav">&quot;Not at all. The work is its own reward. Perhaps
  903. I shall get the credit also at some distant day when I permit my zealous
  904. historian to lay out his foolscap once more -- eh, Watson? </A><A HREF="../norwoodwav/n398.wav">Well,
  905. now, let us see where this rat has been lurking.&quot; </A></P>
  906. <P><A HREF="../norwoodwav/n399.wav">A lath-and-plaster partition had been run across the
  907. passage six feet from the end, with a door cunningly concealed in it. It
  908. was lit within by slits under the eaves. </A><A HREF="../norwoodwav/n400.wav">A few articles
  909. of furniture and a supply of food and water were within, together with
  910. a number of books and papers. </A></P>
  911. <P><A HREF="../norwoodwav/n401.wav">&quot;There's the advantage of being a builder,&quot;
  912. said Holmes, as we came out. &quot;He was able to fix up his own little
  913. hiding-place without any confederate -- </A><A HREF="../norwoodwav/n402.wav">save, of
  914. course, that precious housekeeper of his, whom I should lose no time in
  915. adding to your bag, Lestrade.&quot; </A></P>
  916. <P><A HREF="../norwoodwav/n403.wav">&quot;I'll take your advice. But how did you know
  917. of this place, Mr. Holmes?&quot; </A></P>
  918. <P><A HREF="../norwoodwav/n404.wav">&quot;I made up my mind that the fellow was in hiding
  919. in the house. When I paced one corridor and found it six feet shorter than
  920. the corresponding one below, it was pretty clear where he was. </A><A HREF="../norwoodwav/n405.wav">I
  921. thought he had not the nerve to lie quiet before an alarm of fire. We could,
  922. of course, have gone in and taken him, but it amused me to make him reveal
  923. himself; </A><A HREF="../norwoodwav/n406.wav">besides, I owed you a little mystification,
  924. Lestrade, for your chaff in the morning.&quot; </A></P>
  925. <P><A HREF="../norwoodwav/n407.wav">&quot;Well, sir, you certainly got equal with me on
  926. that. But how in the world did you know that he was in the house at all?&quot;
  927. </A></P>
  928. <P><A HREF="../norwoodwav/n408.wav">&quot;The thumb-mark, Lestrade. You said it was final;
  929. and so it was, in a very different sense. I knew it had not been there
  930. the day before. </A><A HREF="../norwoodwav/n409.wav">I pay a good deal of attention to
  931. matters of detail, as you may have observed, and I had examined the hall
  932. and was sure that the wall was clear. Therefore, it had been put on during
  933. the night.&quot; </A></P>
  934. <P><A HREF="../norwoodwav/n410.wav">&quot;But how?&quot; </A></P>
  935. <P><A HREF="../norwoodwav/n411.wav">&quot;Very simply. When those packets were sealed
  936. up, Jonas Oldacre got McFarlane to secure one of the seals by putting his
  937. thumb upon the soft wax. </A><A HREF="../norwoodwav/n412.wav">It would be done so quickly
  938. and so naturally that I dare say the young man himself has no recollection
  939. of it. </A><A HREF="../norwoodwav/n413.wav">Very likely it just so happened, and Oldacre
  940. had himself no notion of the use he would put it to. Brooding over the
  941. case in that den of his, </A><A HREF="../norwoodwav/n414.wav">it suddenly struck him what
  942. absolutely damning evidence he could make against McFarlane by using that
  943. thumb-mark. </A><A HREF="../norwoodwav/n415.wav">It was the simplest thing in the world
  944. for him to take a wax impression from the seal, to moisten it in as much
  945. blood as he could get from a pin-prick, </A><A HREF="../norwoodwav/n416.wav">and to put
  946. the mark upon the wall during the night, either with his own hand or with
  947. that of his housekeeper. </A><A HREF="../norwoodwav/n417.wav">If you examine among those
  948. documents which he took with him into his retreat I will lay you a wager
  949. that you find the seal with the thumb-mark upon it.&quot; </A></P>
  950. <P><A HREF="../norwoodwav/n418.wav">&quot;Wonderful!&quot; said Lestrade. &quot;Wonderful!
  951. It's all as clear as crystal, as you put it. But what is the object of
  952. this deep deception, Mr. Holmes?&quot; </A></P>
  953. <P><A HREF="../norwoodwav/n419.wav">It was amusing to me to see how the detective's overbearing
  954. manner had changed suddenly to that of a child asking questions of its
  955. teacher. </A></P>
  956. <center><a href="#Top" onMouseOver="img2top.src='arrowin.jpg'" onMouseOut="img2top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img2top" BORDER=0 ></a></center>
  957. <P><FONT SIZE=+1><A HREF="../norwoodwav/11normul.wav"><img border="0" src="../tingsmbl.gif">Section XI</A></FONT></P>
  958. <P><A HREF="../norwoodwav/n420.wav">&quot;Well, I don't think that is very hard to explain.
  959. A very deep, malicious, vindictive person is the gentleman who is now awaiting
  960. us downstairs. </A><A HREF="../norwoodwav/n421.wav">You know that he was once refused
  961. by McFarlane's mother? You don't! I told you that you should go to Blackheath
  962. first and Norwood afterwards. </A><A HREF="../norwoodwav/n422.wav">Well, this injury,
  963. as he would consider it, has rankled in his wicked, scheming brain, and
  964. all his life he has longed for vengeance, but never seen his chance. </A><A HREF="../norwoodwav/n423.wav">During
  965. the last year or two things have gone against him -- secret speculation,
  966. I think -- and he finds himself in a bad way. </A><A HREF="../norwoodwav/n424.wav">He
  967. determines to swindle his creditors, and for this purpose he pays large
  968. cheques to a certain Mr. Cornelius, who is, I imagine, himself under another
  969. name. </A><A HREF="../norwoodwav/n425.wav">I have not traced these cheques yet, but I
  970. have no doubt that they were banked under that name at some provincial
  971. town where Oldacre from time to time led a double existence. </A><A HREF="../norwoodwav/n426.wav">He
  972. intended to change his name altogether, draw this money, and vanish, starting
  973. life again elsewhere.&quot; </A></P>
  974. <P><A HREF="../norwoodwav/n427.wav">&quot;Well, that's likely enough.&quot; </A></P>
  975. <P><A HREF="../norwoodwav/n428.wav">&quot;It would strike him that in disappearing he
  976. might throw all pursuit off his track, and at the same time have an ample
  977. and crushing revenge upon his old sweetheart, </A><A HREF="../norwoodwav/n429.wav">if
  978. he could give the impression that he had been murdered by her only child.
  979. It was a masterpiece of villainy, and he carried it out like a master.
  980. </A><A HREF="../norwoodwav/n430.wav">The idea of the will, which would give an obvious
  981. motive for the crime, the secret visit unknown to his own parents, </A><A HREF="../norwoodwav/n431.wav">the
  982. retention of the stick, the blood, and the animal remains and buttons in
  983. the wood-pile, all were admirable. </A><A HREF="../norwoodwav/n432.wav">It was a net from
  984. which it seemed to me a few hours ago that there was no possible escape.
  985. But he had not that supreme gift of the artist, the knowledge of when to
  986. stop. </A><A HREF="../norwoodwav/n433.wav">He wished to improve that which was already
  987. perfect -- to draw the rope tighter yet round the neck of his unfortunate
  988. victim -- and so he ruined all. Let us descend, Lestrade. </A><A HREF="../norwoodwav/n434.wav">There
  989. are just one or two questions that I would ask him.&quot; </A></P>
  990. <P><A HREF="../norwoodwav/n435.wav">The malignant creature was seated in his own parlour
  991. with a policeman upon each side of him. </A></P>
  992. <P><A HREF="../norwoodwav/n436.wav">&quot;It was a joke, my good sir, a practical joke,
  993. nothing more,&quot; he whined incessantly. &quot;I assure you, sir, that
  994. I simply concealed myself in order to see the effect of my disappearance,
  995. </A><A HREF="../norwoodwav/n437.wav">and I am sure that you would not be so unjust as
  996. to imagine that I would have allowed any harm to befall poor young Mr.
  997. McFarlane.&quot; </A></P>
  998. <P><A HREF="../norwoodwav/n438.wav">&quot;That's for a jury to decide,&quot; said Lestrade.
  999. &quot;Anyhow, we shall have you on a charge of conspiracy, if not for attempted
  1000. murder.&quot; </A></P>
  1001. <P><A HREF="../norwoodwav/n439.wav">&quot;And you'll probably find that your creditors
  1002. will impound the banking account of Mr. Cornelius,&quot; said Holmes. </A></P>
  1003. <P><A HREF="../norwoodwav/n440.wav">The little man started and turned his malignant eyes
  1004. upon my friend. </A></P>
  1005. <P><A HREF="../norwoodwav/n441.wav">&quot;I have to thank you for a good deal,&quot; said
  1006. he. &quot;Perhaps I'll pay my debt some day.&quot; </A></P>
  1007. <P><A HREF="../norwoodwav/n442.wav">Holmes smiled indulgently. </A></P>
  1008. <P><A HREF="../norwoodwav/n443.wav">&quot;I fancy that for some few years you will find
  1009. your time very fully occupied,&quot; said he. &quot;By the way, what was
  1010. it you put into the wood-pile besides your old trousers? </A><A HREF="../norwoodwav/n444.wav">A
  1011. dead dog, or rabbits, or what? You won't tell? Dear me, how very unkind
  1012. of you! Well, well, I dare say that a couple of rabbits would account both
  1013. for the blood and for the charred ashes. </A><A HREF="../norwoodwav/n445.wav">If ever
  1014. you write an account, Watson, you can make rabbits serve your turn.&quot;
  1015. </A></P>
  1016. </blockquote>
  1017. <P>
  1018. <center><a href="#Top" onMouseOver="img1top.src='arrowin.jpg'" onMouseOut="img1top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img1top" BORDER=0 ></a></center>
  1019. <HR WIDTH="30%">
  1020. <HR WIDTH="60%"></P>
  1021. <HR><P><FONT
  1022. SIZE=-2>http://hua.umf.maine.edu/Chinese/stories/holmes/norwood/norwood.html<BR>Last
  1023. update: September 2001<BR>Marilyn Shea, 2001</FONT></P><HR>
  1024. </BODY>
  1025. </HTML>