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  38. <CENTER><P><font face="Verdana"><font size=1><A HREF="../norwoodwav/n1.wav">THE STRAND MAGAZINE<BR>
  39. Vol. 26 NOVEMBER, 1903 </A></FONT></P>
  40. <FONT SIZE=+1><A HREF="../norwoodwav/n2.wav">THE RETURN OF SHERLOCK HOLMES </A></font>
  41. <P><FONT SIZE=+1><A HREF="../norwoodwav/n3.wav">By ARTHUR CONAN DOYLE </A></FONT></P>
  42. <P><FONT SIZE=+1><A HREF="../norwoodwav/n4.wav">II. -- The Adventure of the Norwood
  43. Builder </A></FONT></P></CENTER>
  44. <blockquote>
  45. <P><FONT COLOR="#FF0080"><FONT SIZE=+1><A HREF="../norwoodwav/1normula.wav"><img border="0" src="../tingsmbl.gif">Section I</A></FONT></FONT></P>
  46. <FONT SIZE=-1>
  47. <P><A HREF="../norwoodwav/n5.wav">&quot;FROM the point of view of the criminal expert,&quot;
  48. said Mr. Sherlock Holmes, &quot;London has become a singularly uninteresting
  49. city since the death of the late lamented Professor Moriarty.&quot; </A></P>
  50. <P><A HREF="../norwoodwav/n6.wav">&quot;I can hardly think that you would find many decent
  51. citizens to agree with you,&quot; I answered. </A></P>
  52. <P><A HREF="../norwoodwav/n7.wav">&quot;Well, well, I must not be selfish,&quot; said
  53. he, with a smile, as he pushed back his chair from the breakfast-table.
  54. </A><A HREF="../norwoodwav/n8.wav">The community is certainly the gainer, and no one the
  55. loser, save the poor out-of-work specialist, whose occupation has gone.
  56. </A><A HREF="../norwoodwav/n9.wav">With that man in the field one's morning paper presented
  57. infinite possibilities. </A><A HREF="../norwoodwav/n10.wav">Often it was only the smallest
  58. trace, Watson, the faintest indication, and yet it was enough to tell me
  59. that the great malignant brain was there, </A><A HREF="../norwoodwav/n11.wav">as the gentlest
  60. tremors of the edges of the web remind one of the foul spider which lurks
  61. in the centre. </A><A HREF="../norwoodwav/n12.wav">Petty thefts, wanton assaults, purposeless
  62. outrage -- to the man who held the clue all could be worked into one connected
  63. whole. </A><A HREF="../norwoodwav/n13.wav">To the scientific student of the higher criminal
  64. world no capital in Europe offered the advantages which London then possessed.
  65. But now ----&quot; </A><A HREF="../norwoodwav/n14.wav">He shrugged his shoulders in humorous
  66. deprecation of the state of things which he had himself done so much to
  67. produce. </A></P>
  68. <P><A HREF="../norwoodwav/n15.wav">At the time of which I speak Holmes had been back for
  69. some months, and I, at his request, had sold my practice and returned to
  70. share the old quarters in Baker Street. </A><A HREF="../norwoodwav/n16.wav">A young doctor,
  71. named Verner, had purchased my small Kensington practice, </A><A HREF="../norwoodwav/n17.wav">and
  72. given with astonishingly little demur the highest price that I ventured
  73. to ask </A><A HREF="../norwoodwav/n18.wav">-- an incident which only explained itself
  74. some years later when I found that Verner was a distant relation of Holmes's,
  75. </A><A HREF="../norwoodwav/n19.wav">and that it was my friend who had really found the
  76. money. </A></P>
  77. <P><A HREF="../norwoodwav/n20.wav">Our months of partnership had not been so uneventful
  78. as he had stated, </A><A HREF="../norwoodwav/n21.wav">for I find, on looking over my notes,
  79. that this period includes the case of the papers of Ex-President Murillo,
  80. </A><A HREF="../norwoodwav/n22.wav">and also the shocking affair of the Dutch steamship
  81. FRIESLAND, which so nearly cost us both our lives. </A><A HREF="../norwoodwav/n23.wav">His
  82. cold and proud nature was always averse, however, to anything in the shape
  83. of public applause, </A><A HREF="../norwoodwav/n24.wav">and he bound me in the most stringent
  84. terms to say no further word of himself, his methods, or his successes
  85. </A><A HREF="../norwoodwav/n25.wav">-- a prohibition which, as I have explained, has only
  86. now been removed. </A></P>
  87. <P><A HREF="../norwoodwav/n26.wav">Mr. Sherlock Holmes was leaning back in his chair after
  88. his whimsical protest, and was unfolding his morning paper in a leisurely
  89. fashion, </A><A HREF="../norwoodwav/n27.wav">when our attention was arrested by a tremendous
  90. ring at the bell, followed immediately by a hollow drumming sound, </A><A HREF="../norwoodwav/n28.wav">as
  91. if someone were beating on the outer door with his fist. </A><A HREF="../norwoodwav/n29.wav">As
  92. it opened there came a tumultuous rush into the hall, rapid feet clattered
  93. up the stair, </A><A HREF="../norwoodwav/n30.wav">and an instant later a wild-eyed and
  94. frantic young man, pale, dishevelled, and palpitating, burst into the room.
  95. </A><A HREF="../norwoodwav/n31.wav">He looked from one to the other of us, and under our
  96. gaze of inquiry he became conscious that some apology was needed for this
  97. unceremonious entry. </A></P>
  98. <P><A HREF="../norwoodwav/n32.wav">&quot;I'm sorry, Mr. Holmes,&quot; he cried. &quot;You
  99. mustn't blame me. </A><A HREF="../norwoodwav/n33.wav">I am nearly mad. Mr. Holmes, I am
  100. the unhappy John Hector McFarlane.&quot; </A></P>
  101. <P><A HREF="../norwoodwav/n34.wav">He made the announcement as if the name alone would
  102. explain both his visit and its manner; </A><A HREF="../norwoodwav/n35.wav">but I could
  103. see by my companion's unresponsive face that it meant no more to him than
  104. to me. </A></P>
  105. <P><A HREF="../norwoodwav/n36.wav">&quot;Have a cigarette, Mr. McFarlane,&quot; said he,
  106. pushing his case across. </A><A HREF="../norwoodwav/n37.wav">&quot;I am sure that with
  107. your symptoms my friend Dr. Watson here would prescribe a sedative. </A><A HREF="../norwoodwav/n38.wav">The
  108. weather has been so very warm these last few days. </A><A HREF="../norwoodwav/n39.wav">Now,
  109. if you feel a little more composed, I should be glad if you would sit down
  110. in that chair </A><A HREF="../norwoodwav/n40.wav">and tell us very slowly and quietly
  111. who you are and what it is that you want. </A><A HREF="../norwoodwav/n41.wav">You mentioned
  112. your name as if I should recognise it, but I assure you that, </A><A HREF="../norwoodwav/n42.wav">beyond
  113. the obvious facts that you are a bachelor, a solicitor, a Freemason, and
  114. an asthmatic, I know nothing whatever about you.&quot; </A></P>
  115. <P><A HREF="../norwoodwav/n43.wav">Familiar as I was with my friend's methods, it was
  116. not difficult for me to follow his deductions, </A><A HREF="../norwoodwav/n44.wav">and
  117. to observe the untidiness of attire, the sheaf of legal papers, the watch-charm,
  118. and the breathing which had prompted them. </A><A HREF="../norwoodwav/n45.wav">Our client,
  119. however, stared in amazement. </A></P>
  120. <center><a href="#Top" onMouseOver="img11top.src='arrowin.jpg'" onMouseOut="img11top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img11top" BORDER=0 ></a></center>
  121. <P><FONT SIZE=+1><A HREF="../norwoodwav/2normula.wav"><img border="0" src="../tingsmbl.gif">Section II</A></FONT></P>
  122. <P><A HREF="../norwoodwav/n46.wav">&quot;Yes, I am all that, Mr. Holmes, and in addition
  123. I am the most unfortunate man at this moment in London. </A><A HREF="../norwoodwav/n47.wav">For
  124. Heaven's sake don't abandon me, Mr. Holmes! </A><A HREF="../norwoodwav/n48.wav">If they
  125. come to arrest me before I have finished my story, make them give me time
  126. so that I may tell you the whole truth. </A><A HREF="../norwoodwav/n49.wav">I could go
  127. to gaol happy if I knew that you were working for me outside.&quot; </A></P>
  128. <P><A HREF="../norwoodwav/n50.wav">&quot;Arrest you!&quot; said Holmes. &quot;This is
  129. really most grati -- most interesting. </A><A HREF="../norwoodwav/n51.wav">On what charge
  130. do you expect to be arrested?&quot; </A></P>
  131. <P><A HREF="../norwoodwav/n52.wav">&quot;Upon the charge of murdering Mr. Jonas Oldacre,
  132. of Lower Norwood.&quot; </A></P>
  133. <P><A HREF="../norwoodwav/n53.wav">My companion's expressive face showed a sympathy which
  134. was not, I am afraid, entirely unmixed with satisfaction. </A></P>
  135. <P><A HREF="../norwoodwav/n54.wav">&quot;Dear me,&quot; said he; &quot;it was only this
  136. moment at breakfast that I was saying to my friend, Dr. Watson, that sensational
  137. cases had disappeared out of our papers.&quot; </A></P>
  138. <P><A HREF="../norwoodwav/n55.wav">Our visitor stretched forward a quivering hand and
  139. picked up the DAILY TELEGRAPH, which still lay upon Holmes's knee. </A></P>
  140. <P><A HREF="../norwoodwav/n56.wav">&quot;If you had looked at it, sir, you would have
  141. seen at a glance what the errand is on which I have come to you this morning.
  142. </A><A HREF="../norwoodwav/n57.wav">I feel as if my name and my misfortune must be in
  143. every man's mouth.&quot; </A><A HREF="../norwoodwav/n58.wav">He turned it over to expose
  144. the central page. &quot;Here it is, and with your permission I will read
  145. it to you. </A><A HREF="../norwoodwav/n59.wav">Listen to this, Mr. Holmes. The head-lines
  146. are: `Mysterious Affair at Lower Norwood. Disappearance of a Well-known
  147. Builder. </A><A HREF="../norwoodwav/n60.wav">Suspicion of Murder and Arson. A Clue to
  148. the Criminal.' That is the clue which they are already following, Mr. Holmes,
  149. and I know that it leads infallibly to me. </A><A HREF="../norwoodwav/n61.wav">I have
  150. been followed from London Bridge Station, and I am sure that they are only
  151. waiting for the warrant to arrest me. </A><A HREF="../norwoodwav/n62.wav">It will break
  152. my mother's heart -- it will break her heart!&quot; </A><A HREF="../norwoodwav/n63.wav">He
  153. wrung his hands in an agony of apprehension, and swayed backwards and forwards
  154. in his chair. </A></P>
  155. <P><A HREF="../norwoodwav/n64.wav">I looked with interest upon this man, who was accused
  156. of being the perpetrator of a crime of violence. </A><A HREF="../norwoodwav/n65.wav">He
  157. was flaxen-haired and handsome in a washed-out negative fashion, </A><A HREF="../norwoodwav/n66.wav">with
  158. frightened blue eyes and a clean-shaven face, with a weak, sensitive mouth.
  159. </A><A HREF="../norwoodwav/n67.wav">His age may have been about twenty-seven; his dress
  160. and bearing that of a gentleman. </A><A HREF="../norwoodwav/n68.wav">From the pocket of
  161. his light summer overcoat protruded the bundle of endorsed papers which
  162. proclaimed his profession. </A></P>
  163. <P><A HREF="../norwoodwav/n69.wav">&quot;We must use what time we have,&quot; said Holmes.
  164. &quot;Watson, would you have the kindness to take the paper and to read
  165. me the paragraph in question?&quot; </A></P>
  166. <P><A HREF="../norwoodwav/n70.wav">Underneath the vigorous head-lines which our client
  167. had quoted I read the following suggestive narrative:--- </A></P>
  168. <P><A HREF="../norwoodwav/n71.wav">Late last night, or early this morning, an incident
  169. occurred at Lower Norwood which points, it is feared, to a serious crime.
  170. </A><A HREF="../norwoodwav/n72.wav">Mr. Jonas Oldacre is a well-known resident of that
  171. suburb, where he has carried on his business as a builder for many years.
  172. </A><A HREF="../norwoodwav/n73.wav">Mr. Oldacre is a bachelor, fifty-two years of age,
  173. and lives in Deep Dene House, at the Sydenham end of the road of that name.
  174. </A><A HREF="../norwoodwav/n74.wav">He has had the reputation of being a man of eccentric
  175. habits, secretive and retiring. </A><A HREF="../norwoodwav/n75.wav">For some years he
  176. has practically withdrawn from the business, in which he is said to have
  177. amassed considerable wealth. </A><A HREF="../norwoodwav/n76.wav">A small timber-yard still
  178. exists, however, at the back of the house, and last night, about twelve
  179. o'clock, </A><A HREF="../norwoodwav/n77.wav">an alarm was given that one of the stacks
  180. was on fire. </A><A HREF="../norwoodwav/n78.wav">The engines were soon upon the spot,
  181. but the dry wood burned with great fury, and it was impossible to arrest
  182. the conflagration until the stack had been entirely consumed. </A><A HREF="../norwoodwav/n79.wav">Up
  183. to this point the incident bore the appearance of an ordinary accident,
  184. but fresh indications seem to point to serious crime. </A><A HREF="../norwoodwav/n80.wav">Surprise
  185. was expressed at the absence of the master of the establishment from the
  186. scene of the fire, and an inquiry followed, which showed that he had disappeared
  187. from the house. </A><A HREF="../norwoodwav/n81.wav">An examination of his room revealed
  188. that the bed had not been slept in, </A><A HREF="../norwoodwav/n82.wav">that a safe which
  189. stood in it was open, that a number of important papers were scattered
  190. about the room, and, finally, </A><A HREF="../norwoodwav/n83.wav">that there were signs
  191. of a murderous struggle, slight traces of blood being found within the
  192. room, and an oaken walking-stick, which also showed stains of blood upon
  193. the handle. </A><A HREF="../norwoodwav/n84.wav">It is known that Mr. Jonas Oldacre had
  194. received a late visitor in his bedroom upon that night, </A><A HREF="../norwoodwav/n85.wav">and
  195. the stick found has been identified as the property of this person, </A><A HREF="../norwoodwav/n86.wav">who
  196. is a young London solicitor named John Hector McFarlane, junior partner
  197. of Graham and McFarlane, of 426, Gresham Buildings, E.C. </A><A HREF="../norwoodwav/n87.wav">The
  198. police believe that they have evidence in their possession which supplies
  199. a very convincing motive for the crime, and altogether it cannot be doubted
  200. that sensational developments will follow. </A></P>
  201. <center><a href="#Top" onMouseOver="img10top.src='arrowin.jpg'" onMouseOut="img10top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img10top" BORDER=0 ></a></center>
  202. <P><FONT SIZE=+1><A HREF="../norwoodwav/3normula.wav"><img border="0" src="../tingsmbl.gif">Section III</A></FONT></P>
  203. <P><A HREF="../norwoodwav/n88.wav">LATER. -- It is rumoured as we go to press that Mr.
  204. John Hector McFarlane has actually been arrested on the charge of the murder
  205. of Mr. Jonas Oldacre. </A><A HREF="../norwoodwav/n89.wav">It is at least certain that
  206. a warrant has been issued. There have been further and sinister developments
  207. in the investigation at Norwood. </A><A HREF="../norwoodwav/n90.wav">Besides the signs
  208. of a struggle in the room of the unfortunate builder it is now known that
  209. the French windows of his bedroom </A><A HREF="../norwoodwav/n91.wav">(which is on the
  210. ground floor) were found to be open, that there were marks as if some bulky
  211. object had been dragged across to the wood-pile, </A><A HREF="../norwoodwav/n92.wav">and,
  212. finally, it is asserted that charred remains have been found among the
  213. charcoal ashes of the fire. </A><A HREF="../norwoodwav/n93.wav">The police theory is that
  214. a most sensational crime has been committed, that the victim was clubbed
  215. to death in his own bedroom, his papers rifled, </A><A HREF="../norwoodwav/n94.wav">and
  216. his dead body dragged across to the wood-stack, which was then ignited
  217. so as to hide all traces of the crime. </A><A HREF="../norwoodwav/n95.wav">The conduct
  218. of the criminal investigation has been left in the experienced hands of
  219. Inspector Lestrade, of Scotland Yard, </A><A HREF="../norwoodwav/n96.wav">who is following
  220. up the clues with his accustomed energy and sagacity. </A></P>
  221. <P><A HREF="../norwoodwav/n97.wav">Sherlock Holmes listened with closed eyes and finger-tips
  222. together to this remarkable account. </A><A HREF="../norwoodwav/n98.wav">&quot;The case
  223. has certainly some points of interest,&quot; said he, in his languid fashion.
  224. &quot;May I ask, in the first place, Mr. McFarlane, how it is that you
  225. are still at liberty, </A><A HREF="../norwoodwav/n99.wav">since there appears to be enough
  226. evidence to justify your arrest?&quot; </A></P>
  227. <P><A HREF="../norwoodwav/n100.wav">&quot;I live at Torrington Lodge, Blackheath, with
  228. my parents, Mr. Holmes; </A><A HREF="../norwoodwav/n101.wav">but last night, having to
  229. do business very late with Mr. Jonas Oldacre, I stayed at an hotel in Norwood,
  230. and came to my business from there. </A><A HREF="../norwoodwav/n102.wav">I knew nothing
  231. of this affair until I was in the train, when I read what you have just
  232. heard. </A><A HREF="../norwoodwav/n103.wav">I at once saw the horrible danger of my position,
  233. and I hurried to put the case into your hands. </A><A HREF="../norwoodwav/n104.wav">I
  234. have no doubt that I should have been arrested either at my City office
  235. or at my home. </A><A HREF="../norwoodwav/n105.wav">A man followed me from London Bridge
  236. Station, and I have no doubt --- Great Heaven, what is that?&quot; </A></P>
  237. <P><A HREF="../norwoodwav/n106.wav">It was a clang of the bell, followed instantly by
  238. heavy steps upon the stair. A moment later our old friend Lestrade appeared
  239. in the doorway. Over his shoulder I caught a glimpse of one or two uniformed
  240. policemen outside. </A></P>
  241. <P><A HREF="../norwoodwav/n107.wav">&quot;Mr. John Hector McFarlane?&quot; said Lestrade.
  242. </A></P>
  243. <P><A HREF="../norwoodwav/n108.wav">Our unfortunate client rose with a ghastly face. </A></P>
  244. <P><A HREF="../norwoodwav/n109.wav">&quot;I arrest you for the wilful murder of Mr. Jonas
  245. Oldacre, of Lower Norwood.&quot; </A></P>
  246. <P><A HREF="../norwoodwav/n110.wav">McFarlane turned to us with a gesture of despair,
  247. and sank into his chair once more like one who is crushed. </A></P>
  248. <P><A HREF="../norwoodwav/n111.wav">&quot;One moment, Lestrade,&quot; said Holmes. &quot;Half
  249. an hour more or less can make no difference to you, </A><A HREF="../norwoodwav/n112.wav">and
  250. the gentleman was about to give us an account of this very interesting
  251. affair, which might aid us in clearing it up.&quot; </A></P>
  252. <P><A HREF="../norwoodwav/n113.wav">&quot;I think there will be no difficulty in clearing
  253. it up,&quot; said Lestrade, grimly. </A></P>
  254. <P><A HREF="../norwoodwav/n114.wav">&quot;None the less, with your permission, I should
  255. be much interested to hear his account.&quot; </A></P>
  256. <P><A HREF="../norwoodwav/n115.wav">&quot;Well, Mr. Holmes, it is difficult for me to
  257. refuse you anything, for you have been of use to the force once or twice
  258. in the past, and we owe you a good turn at Scotland Yard,&quot; said Lestrade.
  259. </A><A HREF="../norwoodwav/n116.wav">At the same time I must remain with my prisoner,
  260. and I am bound to warn him that anything he may say will appear in evidence
  261. against him.&quot; </A></P>
  262. <P><A HREF="../norwoodwav/n117.wav">&quot;I wish nothing better,&quot; said our client.
  263. &quot;All I ask is that you should hear and recognise the absolute truth.&quot;
  264. </A></P>
  265. <P><A HREF="../norwoodwav/n118.wav">Lestrade looked at his watch. &quot;I'll give you
  266. half an hour,&quot; said he. </A></P>
  267. <P><A HREF="../norwoodwav/n119.wav">&quot;I must explain first,&quot; said McFarlane,
  268. &quot;that I knew nothing of Mr. Jonas Oldacre. His name was familiar to
  269. me, for many years ago my parents were acquainted with him, but they drifted
  270. apart. </A><A HREF="../norwoodwav/n120.wav">I was very much surprised, therefore, when
  271. yesterday, about three o'clock in the afternoon, he walked into my office
  272. in the City. </A><A HREF="../norwoodwav/n121.wav">But I was still more astonished when
  273. he told me the object of his visit. </A><A HREF="../norwoodwav/n122.wav">He had in his
  274. hand several sheets of a note-book, covered with scribbled writing -- here
  275. they are -- and he laid them on my table. </A></P>
  276. <P><A HREF="../norwoodwav/n123.wav">`Here is my will,' said he. `I want you, Mr. McFarlane,
  277. to cast it into proper legal shape. I will sit here while you do so.' </A></P>
  278. <center><a href="#Top" onMouseOver="img9top.src='arrowin.jpg'" onMouseOut="img9top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img9top" BORDER=0 ></a></center>
  279. <P><FONT SIZE=+1><A HREF="../norwoodwav/4normula.wav"><img border="0" src="../tingsmbl.gif">Section IV</A></FONT></P>
  280. <P><A HREF="../norwoodwav/n124.wav">&quot;I set myself to copy it, and you can imagine
  281. my astonishment when I found that, with some reservations, he had left
  282. all his property to me. </A><A HREF="../norwoodwav/n125.wav">He was a strange little,
  283. ferret-like man, with white eyelashes, and when I looked up at him I found
  284. his keen grey eyes fixed upon me with an amused expression. </A><A HREF="../norwoodwav/n126.wav">I
  285. could hardly believe my own senses as I read the terms of the will; </A><A HREF="../norwoodwav/n127.wav">but
  286. he explained that he was a bachelor with hardly any living relation, that
  287. he had known my parents in his youth, </A><A HREF="../norwoodwav/n128.wav">and that he
  288. had always heard of me as a very deserving young man, and was assured that
  289. his money would be in worthy hands. </A><A HREF="../norwoodwav/n129.wav">Of course, I
  290. could only stammer out my thanks. The will was duly finished, signed, and
  291. witnessed by my clerk. </A><A HREF="../norwoodwav/n130.wav">This is it on the blue paper,
  292. and these slips, as I have explained, are the rough draft. </A><A HREF="../norwoodwav/n131.wav">Mr.
  293. Jonas Oldacre then informed me that there were a number of documents --
  294. building leases, title-deeds, mortgages, scrip, and so forth -- which it
  295. was necessary that I should see and understand. </A><A HREF="../norwoodwav/n132.wav">He
  296. said that his mind would not be easy until the whole thing was settled,
  297. and he begged me to come out to his house at Norwood that night, bringing
  298. the will with me, and to arrange matters. `Remember, my boy, not one word
  299. to your parents about the affair until everything is settled. We will keep
  300. it as a little surprise for them.' </A><A HREF="../norwoodwav/n133.wav">He was very insistent
  301. upon this point, and made me promise it faithfully. </A></P>
  302. <P><A HREF="../norwoodwav/n134.wav">&quot;You can imagine, Mr. Holmes, that I was not
  303. in a humour to refuse him anything that he might ask. </A><A HREF="../norwoodwav/n135.wav">He
  304. was my benefactor, and all my desire was to carry out his wishes in every
  305. particular. </A><A HREF="../norwoodwav/n136.wav">I sent a telegram home, therefore, to
  306. say that I had important business on hand, and that it was impossible for
  307. me to say how late I might be. </A><A HREF="../norwoodwav/n137.wav">Mr. Oldacre had told
  308. me that he would like me to have supper with him at nine, as he might not
  309. be home before that hour. </A><A HREF="../norwoodwav/n138.wav">I had some difficulty in
  310. finding his house, however, and it was nearly half-past before I reached
  311. it. I found him ---&quot; </A></P>
  312. <P><A HREF="../norwoodwav/n139.wav">&quot;One moment!&quot; said Holmes. &quot;Who opened
  313. the door?&quot; </A></P>
  314. <P><A HREF="../norwoodwav/n140.wav">&quot;A middle-aged woman, who was, I suppose, his
  315. housekeeper.&quot; </A></P>
  316. <P><A HREF="../norwoodwav/n141.wav">&quot;And it was she, I presume, who mentioned your
  317. name?&quot; </A></P>
  318. <P><A HREF="../norwoodwav/n142.wav">&quot;Exactly,&quot; said McFarlane. </A></P>
  319. <P><A HREF="../norwoodwav/n143.wav">&quot;Pray proceed.&quot; </A></P>
  320. <P><A HREF="../norwoodwav/n144.wav">McFarlane wiped his damp brow and then continued his
  321. narrative:-- </A></P>
  322. <P><A HREF="../norwoodwav/n145.wav">&quot;I was shown by this woman into a sitting-room,
  323. where a frugal supper was laid out. Afterwards Mr. Jonas Oldacre led me
  324. into his bedroom, in which there stood a heavy safe. </A><A HREF="../norwoodwav/n146.wav">This
  325. he opened and took out a mass of documents, which we went over together.
  326. It was between eleven and twelve when we finished. </A><A HREF="../norwoodwav/n147.wav">He
  327. remarked that we must not disturb the housekeeper. He showed me out through
  328. his own French window, which had been open all this time.&quot; </A></P>
  329. <P><A HREF="../norwoodwav/n148.wav">&quot;Was the blind down?&quot; asked Holmes. </A></P>
  330. <P><A HREF="../norwoodwav/n149.wav">&quot;I will not be sure, but I believe that it was
  331. only half down. Yes, I remember how he pulled it up in order to swing open
  332. the window. </A><A HREF="../norwoodwav/n150.wav">I could not find my stick, and he said,
  333. `Never mind, my boy; I shall see a good deal of you now, I hope, and I
  334. will keep your stick until you come back to claim it.' </A><A HREF="../norwoodwav/n151.wav">I
  335. left him there, the safe open, and the papers made up in packets upon the
  336. table. </A><A HREF="../norwoodwav/n152.wav">It was so late that I could not get back to
  337. Blackheath, so I spent the night at the Anerley Arms, and I knew nothing
  338. more until I read of this horrible affair in the morning.&quot; </A></P>
  339. <P><A HREF="../norwoodwav/n153.wav">&quot;Anything more that you would like to ask, Mr.
  340. Holmes?&quot; said Lestrade, whose eyebrows had gone up once or twice during
  341. this remarkable explanation. </A></P>
  342. <P><A HREF="../norwoodwav/n154.wav">&quot;Not until I have been to Blackheath.&quot; </A></P>
  343. <P><A HREF="../norwoodwav/n155.wav">&quot;You mean to Norwood,&quot; said Lestrade. </A></P>
  344. <P><A HREF="../norwoodwav/n156.wav">&quot;Oh, yes; no doubt that is what I must have meant,&quot;
  345. said Holmes, with his enigmatical smile. </A><A HREF="../norwoodwav/n157.wav">Lestrade
  346. had learned by more experiences than he would care to acknowledge that
  347. that razor-like brain could cut through that which was impenetrable to
  348. him. </A><A HREF="../norwoodwav/n158.wav">I saw him look curiously at my companion. </A></P>
  349. <P><A HREF="../norwoodwav/n159.wav">&quot;I think I should like to have a word with you
  350. presently, Mr. Sherlock Holmes,&quot; said he. &quot;Now, Mr. McFarlane,
  351. two of my constables are at the door and there is a four-wheeler waiting.&quot;
  352. The wretched young man arose, and with a last beseeching glance at us walked
  353. from the room. The officers conducted him to the cab, but Lestrade remained.
  354. </A></P>
  355. <P><A HREF="../norwoodwav/n160.wav">Holmes had picked up the pages which formed the rough
  356. draft of the will, and was looking at them with the keenest interest upon
  357. his face. </A></P>
  358. <P><A HREF="../norwoodwav/n161.wav">&quot;There are some points about that document, Lestrade,
  359. are there not?&quot; said he, pushing them over. </A></P>
  360. <P><A HREF="../norwoodwav/n162.wav">The official looked at them with a puzzled expression.
  361. </A></P>
  362. <P><A HREF="../norwoodwav/n163.wav">&quot;I can read the first few lines, and these in
  363. the middle of the second page, and one or two at the end. </A><A HREF="../norwoodwav/n164.wav">Those
  364. are as clear as print,&quot; said he; &quot;but the writing in between
  365. is very bad, and there are three places where I cannot read it at all.&quot;
  366. </A></P>
  367. <P><A HREF="../norwoodwav/n165.wav">&quot;What do you make of that?&quot; said Holmes.
  368. </A></P>
  369. <P><A HREF="../norwoodwav/n166.wav">&quot;Well, what do YOU make of it?&quot; </A></P>
  370. <P><A HREF="../norwoodwav/n167.wav">&quot;That it was written in a train; the good writing
  371. represents stations, the bad writing movement, and the very bad writing
  372. passing over points. </A><A HREF="../norwoodwav/n168.wav">A scientific expert would pronounce
  373. at once that this was drawn up on a suburban line, since nowhere save in
  374. the immediate vicinity of a great city could there be so quick a succession
  375. of points. Granting that his whole journey was occupied in drawing up the
  376. will, then the train was an express, only stopping once between Norwood
  377. and London Bridge.&quot; </A></P>
  378. <P><A HREF="../norwoodwav/n169.wav">Lestrade began to laugh. </A></P>
  379. <P><A HREF="../norwoodwav/n170.wav">&quot;You are too many for me when you begin to get
  380. on your theories, Mr. Holmes,&quot; said he. &quot;How does this bear on
  381. the case?&quot; </A></P>
  382. <P><A HREF="../norwoodwav/n171.wav">&quot;Well, it corroborates the young man's story
  383. to the extent that the will was drawn up by Jonas Oldacre in his journey
  384. yesterday. </A><A HREF="../norwoodwav/n172.wav">It is curious -- is it not? -- that a
  385. man should draw up so important a document in so haphazard a fashion. It
  386. suggests that he did not think it was going to be of much practical importance.
  387. </A><A HREF="../norwoodwav/n173.wav">If a man drew up a will which he did not intend ever
  388. to be effective he might do it so.&quot; </A></P>
  389. <P><A HREF="../norwoodwav/n174.wav">&quot;Well, he drew up his own death-warrant at the
  390. same time,&quot; said Lestrade. </A></P>
  391. <P><A HREF="../norwoodwav/n175.wav">&quot;Oh, you think so?&quot; </A></P>
  392. <P><A HREF="../norwoodwav/n176.wav">&quot;Don't you?&quot; </A></P>
  393. <P><A HREF="../norwoodwav/n177.wav">&quot;Well, it is quite possible; but the case is
  394. not clear to me yet.&quot; </A></P>
  395. <center><a href="#Top" onMouseOver="img8top.src='arrowin.jpg'" onMouseOut="img8top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img8top" BORDER=0 ></a></center>
  396. <P><FONT SIZE=+1><A HREF="../norwoodwav/5normula.wav"><img border="0" src="../tingsmbl.gif">Section V</A></FONT></P>
  397. <P><A HREF="../norwoodwav/n178.wav">&quot;Not clear? Well, if that isn't clear, what COULD
  398. be clear? Here is a young man who learns suddenly that if a certain older
  399. man dies he will succeed to a fortune. </A><A HREF="../norwoodwav/n179.wav">What does
  400. he do? He says nothing to anyone, but he arranges that he shall go out
  401. on some pretext to see his client that night; </A><A HREF="../norwoodwav/n180.wav">he
  402. waits until the only other person in the house is in bed, and then in the
  403. solitude of a man's room he murders him, burns his body in the wood-pile,
  404. and departs to a neighbouring hotel. </A><A HREF="../norwoodwav/n181.wav">The blood-stains
  405. in the room and also on the stick are very slight. It is probable that
  406. he imagined his crime to be a bloodless one, </A><A HREF="../norwoodwav/n182.wav">and
  407. hoped that if the body were consumed it would hide all traces of the method
  408. of his death -- </A><A HREF="../norwoodwav/n183.wav">traces which for some reason must
  409. have pointed to him. Is all this not obvious?&quot; </A></P>
  410. <P><A HREF="../norwoodwav/n184.wav">&quot;It strikes me, my good Lestrade, as being just
  411. a trifle too obvious,&quot; said Holmes. &quot;You do not add imagination
  412. to your other great qualities; </A><A HREF="../norwoodwav/n185.wav">but if you could for
  413. one moment put yourself in the place of this young man, would you choose
  414. the very night after the will had been made to commit your crime? </A><A HREF="../norwoodwav/n186.wav">Would
  415. it not seem dangerous to you to make so very close a relation between the
  416. two incidents? </A><A HREF="../norwoodwav/n187.wav">Again, would you choose an occasion
  417. when you are known to be in the house, when a servant has let you in? </A><A HREF="../norwoodwav/n188.wav">And,
  418. finally, would you take the great pains to conceal the body and yet leave
  419. your own stick as a sign that you were the criminal? Confess, Lestrade,
  420. that all this is very unlikely.&quot; </A></P>
  421. <P><A HREF="../norwoodwav/n189.wav">&quot;As to the stick, Mr. Holmes, you know as well
  422. as I do that a criminal is often flurried and does things which a cool
  423. man would avoid. </A><A HREF="../norwoodwav/n190.wav">He was very likely afraid to go
  424. back to the room. Give me another theory that would fit the facts.&quot;
  425. </A></P>
  426. <P><A HREF="../norwoodwav/n191.wav">&quot;I could very easily give you half-a-dozen,&quot;
  427. said Holmes. &quot;Here, for example, is a very possible and even probable
  428. one. I make you a free present of it. </A><A HREF="../norwoodwav/n192.wav">The older man
  429. is showing documents which are of evident value. A passing tramp sees them
  430. through the window, the blind of which is only half down. </A><A HREF="../norwoodwav/n193.wav">Exit
  431. the solicitor. Enter the tramp! He seizes a stick, which he observes there,
  432. kills Oldacre, and departs after burning the body.&quot; </A></P>
  433. <P><A HREF="../norwoodwav/n194.wav">&quot;Why should the tramp burn the body?&quot; </A></P>
  434. <P><A HREF="../norwoodwav/n195.wav">&quot;For the matter of that why should McFarlane?&quot;
  435. </A></P>
  436. <P><A HREF="../norwoodwav/n196.wav">&quot;To hide some evidence.&quot; </A></P>
  437. <P><A HREF="../norwoodwav/n197.wav">&quot;Possibly the tramp wanted to hide that any murder
  438. at all had been committed.&quot; </A></P>
  439. <P><A HREF="../norwoodwav/n198.wav">&quot;And why did the tramp take nothing?&quot; </A></P>
  440. <P><A HREF="../norwoodwav/n199.wav">&quot;Because they were papers that he could not negotiate.&quot;
  441. </A></P>
  442. <P><A HREF="../norwoodwav/n200.wav">Lestrade shook his head, though it seemed to me that
  443. his manner was less absolutely assured than before. </A></P>
  444. <P><A HREF="../norwoodwav/n201.wav">&quot;Well, Mr. Sherlock Holmes, you may look for
  445. your tramp, and while you are finding him we will hold on to our man. </A><A HREF="../norwoodwav/n202.wav">The
  446. future will show which is right. Just notice this point, Mr. Holmes: that
  447. so far as we know none of the papers were removed, </A><A HREF="../norwoodwav/n203.wav">and
  448. that the prisoner is the one man in the world who had no reason for removing
  449. them, since he was heir-at-law and would come into them in any case.&quot;
  450. </A></P>
  451. <P><A HREF="../norwoodwav/n204.wav">My friend seemed struck by this remark. </A></P>
  452. <P><A HREF="../norwoodwav/n205.wav">&quot;I don't mean to deny that the evidence is in
  453. some ways very strongly in favour of your theory,&quot; said he. &quot;I
  454. only wish to point out that there are other theories possible. </A><A HREF="../norwoodwav/n206.wav">As
  455. you say, the future will decide. Good morning! I dare say that in the course
  456. of the day I shall drop in at Norwood and see how you are getting on.&quot;
  457. </A></P>
  458. <P><A HREF="../norwoodwav/n207.wav">When the detective departed my friend rose and made
  459. his preparations for the day's work with the alert air of a man who has
  460. a congenial task before him. </A></P>
  461. <P><A HREF="../norwoodwav/n208.wav">&quot;My first movement, Watson,&quot; said he, as
  462. he bustled into his frock-coat, &quot;must, as I said, be in the direction
  463. of Blackheath.&quot; </A></P>
  464. <P><A HREF="../norwoodwav/n209.wav">&quot;And why not Norwood?&quot; </A></P>
  465. <P><A HREF="../norwoodwav/n210.wav">&quot;Because we have in this case one singular incident
  466. coming close to the heels of another singular incident. </A><A HREF="../norwoodwav/n211.wav">The
  467. police are making the mistake of concentrating their attention upon the
  468. second, because it happens to be the one which is actually criminal. </A><A HREF="../norwoodwav/n212.wav">But
  469. it is evident to me that the logical way to approach the case is to begin
  470. by trying to throw some light upon the first incident -- the curious will,
  471. so suddenly made, </A><A HREF="../norwoodwav/n213.wav">and to so unexpected an heir. It
  472. may do something to simplify what followed. No, my dear fellow, I don't
  473. think you can help me. </A><A HREF="../norwoodwav/n214.wav">There is no prospect of danger,
  474. or I should not dream of stirring out without you. </A><A HREF="../norwoodwav/n215.wav">I
  475. trust that when I see you in the evening I will be able to report that
  476. I have been able to do something for this unfortunate youngster who has
  477. thrown himself upon my protection.&quot; </A></P>
  478. <center><a href="#Top" onMouseOver="img7top.src='arrowin.jpg'" onMouseOut="img7top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img7top" BORDER=0 ></a></center>
  479. <P><FONT SIZE=+1><A HREF="../norwoodwav/6normula.wav"><img border="0" src="../tingsmbl.gif">Section VI</A></FONT></P>
  480. <P><A HREF="../norwoodwav/n216.wav">It was late when my friend returned, and I could see
  481. by a glance at his haggard and anxious face that the high hopes with which
  482. he had started had not been fulfilled. </A><A HREF="../norwoodwav/n217.wav">For an hour
  483. he droned away upon his violin, endeavouring to soothe his own ruffled
  484. spirits. At last he flung down the instrument and plunged into a detailed
  485. account of his misadventures. </A></P>
  486. <P><A HREF="../norwoodwav/n218.wav">&quot;It's all going wrong, Watson -- all as wrong
  487. as it can go. I kept a bold face before Lestrade, but, upon my soul, I
  488. believe that for once the fellow is on the right track and we are on the
  489. wrong. All my instincts are one way and all the facts are the other, </A><A HREF="../norwoodwav/n219.wav">and
  490. I much fear that British juries have not yet attained that pitch of intelligence
  491. when they will give the preference to my theories over Lestrade's facts.&quot;
  492. </A></P>
  493. <P><A HREF="../norwoodwav/n220.wav">&quot;Did you go to Blackheath?&quot; </A></P>
  494. <P><A HREF="../norwoodwav/n221.wav">&quot;Yes, Watson, I went there, and I found very
  495. quickly that the late lamented Oldacre was a pretty considerable black-guard.
  496. </A><A HREF="../norwoodwav/n222.wav">The father was away in search of his son. The mother
  497. was at home -- a little, fluffy, blue-eyed person, in a tremor of fear
  498. and indignation. </A><A HREF="../norwoodwav/n223.wav">Of course, she would not admit even
  499. the possibility of his guilt. But she would not express either surprise
  500. or regret over the fate of Oldacre. </A><A HREF="../norwoodwav/n224.wav">On the contrary,
  501. she spoke of him with such bitterness that she was unconsciously considerably
  502. strengthening the case of the police, for, of course, </A><A HREF="../norwoodwav/n225.wav">if
  503. her son had heard her speak of the man in this fashion it would predispose
  504. him towards hatred and violence. `He was more like a malignant and cunning
  505. ape than a human being,' said she, </A><A HREF="../norwoodwav/n226.wav">`and he always
  506. was, ever since he was a young man.' </A></P>
  507. <P><A HREF="../norwoodwav/n227.wav">`You knew him at that time?' said I. </A></P>
  508. <P><A HREF="../norwoodwav/n228.wav">`Yes, I knew him well; in fact, he was an old suitor
  509. of mine. Thank Heaven that I had the sense to turn away from him and to
  510. marry a better, if a poorer, man. </A><A HREF="../norwoodwav/n229.wav">I was engaged to
  511. him, Mr. Holmes, when I heard a shocking story of how he had turned a cat
  512. loose in an aviary, </A><A HREF="../norwoodwav/n230.wav">and I was so horrified at his
  513. brutal cruelty that I would have nothing more to do with him.' </A><A HREF="../norwoodwav/n231.wav">She
  514. rummaged in a bureau, and presently she produced a photograph of a woman,
  515. shamefully defaced and mutilated with a knife. </A><A HREF="../norwoodwav/n232.wav">`That
  516. is my own photograph,' she said. `He sent it to me in that state, with
  517. his curse, upon my wedding morning.' </A></P>
  518. <P><A HREF="../norwoodwav/n233.wav">`Well,' said I, `at least he has forgiven you now,
  519. since he has left all his property to your son.' </A></P>
  520. <P><A HREF="../norwoodwav/n234.wav">`Neither my son nor I want anything from Jonas Oldacre,
  521. dead or alive,' she cried, with a proper spirit. `There is a God in Heaven,
  522. Mr. Holmes, </A><A HREF="../norwoodwav/n235.wav">and that same God who has punished that
  523. wicked man will show in His own good time that my son's hands are guiltless
  524. of his blood.' </A></P>
  525. <P><A HREF="../norwoodwav/n236.wav">&quot;Well, I tried one or two leads, but could get
  526. at nothing which would help our hypothesis, and several points which would
  527. make against it. </A><A HREF="../norwoodwav/n237.wav">I gave it up at last and off I went
  528. to Norwood. </A></P>
  529. <P><A HREF="../norwoodwav/n238.wav">&quot;This place, Deep Dene House, is a big modern
  530. villa of staring brick, standing back in its own grounds, with a laurel-clumped
  531. lawn in front of it. </A><A HREF="../norwoodwav/n239.wav">To the right and some distance
  532. back from the road was the timber-yard which had been the scene of the
  533. fire. Here's a rough plan on a leaf of my note-book. </A><A HREF="../norwoodwav/n240.wav">This
  534. window on the left is the one which opens into Oldacre's room. You can
  535. look into it from the road, you see. </A><A HREF="../norwoodwav/n241.wav">That is about
  536. the only bit of consolation I have had to-day. Lestrade was not there,
  537. but his head constable did the honours. They had just made a great treasure-trove.
  538. </A><A HREF="../norwoodwav/n242.wav">They had spent the morning raking among the ashes
  539. of the burned wood-pile, and besides the charred organic remains they had
  540. secured several discoloured metal discs. </A><A HREF="../norwoodwav/n243.wav">I examined
  541. them with care, and there was no doubt that they were trouser buttons.
  542. I even distinguished that one of them was marked with the name of `Hyams,'
  543. who was Oldacre's tailor. </A><A HREF="../norwoodwav/n244.wav">I then worked the lawn
  544. very carefully for signs and traces, but this drought has made everything
  545. as hard as iron. </A><A HREF="../norwoodwav/n245.wav">Nothing was to be seen save that
  546. some body or bundle had been dragged through a low privet hedge which is
  547. in a line with the wood-pile. </A><A HREF="../norwoodwav/n246.wav">All that, of course,
  548. fits in with the official theory. I crawled about the lawn with an August
  549. sun on my back, but I got up at the end of an hour no wiser than before.
  550. </A></P>
  551. <center><a href="#Top" onMouseOver="img6top.src='arrowin.jpg'" onMouseOut="img6top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img6top" BORDER=0 ></a></center>
  552. <P><FONT SIZE=+1><A HREF="../norwoodwav/7normula.wav"><img border="0" src="../tingsmbl.gif">Section VII</A></FONT></P>
  553. <P><A HREF="../norwoodwav/n247.wav">&quot;Well, after this fiasco I went into the bedroom
  554. and examined that also. The blood-stains were very slight, mere smears
  555. and discolorations, but undoubtedly fresh. </A><A HREF="../norwoodwav/n248.wav">The stick
  556. had been removed, but there also the marks were slight. There is no doubt
  557. about the stick belonging to our client. He admits it. </A><A HREF="../norwoodwav/n249.wav">Footmarks
  558. of both men could be made out on the carpet, but none of any third person,
  559. which again is a trick for the other side. </A><A HREF="../norwoodwav/n250.wav">They were
  560. piling up their score all the time and we were at a standstill. </A></P>
  561. <P><A HREF="../norwoodwav/n251.wav">&quot;Only one little gleam of hope did I get -- and
  562. yet it amounted to nothing. I examined the contents of the safe, most of
  563. which had been taken out and left on the table. </A><A HREF="../norwoodwav/n252.wav">The
  564. papers had been made up into sealed envelopes, one or two of which had
  565. been opened by the police. </A><A HREF="../norwoodwav/n253.wav">They were not, so far
  566. as I could judge, of any great value, nor did the bank-book show that Mr.
  567. Oldacre was in such very affluent circumstances. </A><A HREF="../norwoodwav/n254.wav">But
  568. it seemed to me that all the papers were not there. There were allusions
  569. to some deeds -- possibly the more valuable -- which I could not find.
  570. </A><A HREF="../norwoodwav/n255.wav">This, of course, if we could definitely prove it,
  571. would turn Lestrade's argument against himself, for who would steal a thing
  572. if he knew that he would shortly inherit it? </A></P>
  573. <P><A HREF="../norwoodwav/n256.wav">&quot;Finally, having drawn every other cover and
  574. picked up no scent, I tried my luck with the housekeeper. Mrs. Lexington
  575. is her name, a little, dark, silent person, with suspicious and sidelong
  576. eyes. She could tell us something if she would -- I am convinced of it.
  577. But she was as close as wax. Yes, she had let Mr. McFarlane in at half-past
  578. nine. </A><A HREF="../norwoodwav/n257.wav">She wished her hand had withered before she
  579. had done so. She had gone to bed at half-past ten. Her room was at the
  580. other end of the house, and she could hear nothing of what passed. </A><A HREF="../norwoodwav/n258.wav">Mr.
  581. McFarlane had left his hat, and to the best of her belief his stick, in
  582. the hall. She had been awakened by the alarm of fire. Her poor, dear master
  583. had certainly been murdered. </A><A HREF="../norwoodwav/n259.wav">Had he any enemies?
  584. Well, every man had enemies, but Mr. Oldacre kept himself very much to
  585. himself, and only met people in the way of business. </A><A HREF="../norwoodwav/n260.wav">She
  586. had seen the buttons, and was sure that they belonged to the clothes which
  587. he had worn last night. The wood-pile was very dry, for it had not rained
  588. for a month. </A><A HREF="../norwoodwav/n261.wav">It burned like tinder, and by the time
  589. she reached the spot nothing could be seen but flames. She and all the
  590. firemen smelled the burned flesh from inside it. </A><A HREF="../norwoodwav/n262.wav">She
  591. knew nothing of the papers, nor of Mr. Oldacre's private affairs. </A></P>
  592. <P><A HREF="../norwoodwav/n263.wav">&quot;So, my dear Watson, there's my report of a failure.
  593. And yet -- and yet ---&quot; -- he clenched his thin hands in a paroxysm
  594. of conviction -- &quot;I KNOW it's all wrong. I feel it in my bones. </A><A HREF="../norwoodwav/n264.wav">There
  595. is something that has not come out, and that housekeeper knows it. There
  596. was a sort of sulky defiance in her eyes, which only goes with guilty knowledge.
  597. </A><A HREF="../norwoodwav/n265.wav">However, there's no good talking any more about it,
  598. Watson; but unless some lucky chance comes our way </A><A HREF="../norwoodwav/n266.wav">I
  599. fear that the Norwood Disappearance Case will not figure in that chronicle
  600. of our successes which I foresee that a patient public will sooner or later
  601. have to endure.&quot; </A></P>
  602. <P><A HREF="../norwoodwav/n267.wav">&quot;Surely,&quot; said I, &quot;the man's appearance
  603. would go far with any jury?&quot; </A></P>
  604. <P><A HREF="../norwoodwav/n268.wav">&quot;That is a dangerous argument, my dear Watson.
  605. You remember that terrible murderer, Bert Stevens, who wanted us to get
  606. him off in '87? </A><A HREF="../norwoodwav/n269.wav">Was there ever a more mild-mannered,
  607. Sunday-school young man?&quot; </A></P>
  608. <P><A HREF="../norwoodwav/n270.wav">&quot;It is true.&quot; </A></P>
  609. <P><A HREF="../norwoodwav/n271.wav">&quot;Unless we succeed in establishing an alternative
  610. theory this man is lost. You can hardly find a flaw in the case which can
  611. now be presented against him, </A><A HREF="../norwoodwav/n272.wav">and all further investigation
  612. has served to strengthen it. By the way, there is one curious little point
  613. about those papers which may serve us as the starting-point for an inquiry.
  614. </A><A HREF="../norwoodwav/n273.wav">On looking over the bank-book I found that the low
  615. state of the balance was principally due to large cheques which have been
  616. made out during the last year to Mr. Cornelius. </A><A HREF="../norwoodwav/n274.wav">I
  617. confess that I should be interested to know who this Mr. Cornelius may
  618. be with whom a retired builder has such very large transactions. Is it
  619. possible that he has had a hand in the affair? Cornelius might be a broker,
  620. but we have found no scrip to correspond with these large payments. </A><A HREF="../norwoodwav/n275.wav">Failing
  621. any other indication my researches must now take the direction of an inquiry
  622. at the bank for the gentleman who has cashed these cheques. </A><A HREF="../norwoodwav/n276.wav">But
  623. I fear, my dear fellow, that our case will end ingloriously by Lestrade
  624. hanging our client, which will certainly be a triumph for Scotland Yard.&quot;
  625. </A></P>
  626. <center><a href="#Top" onMouseOver="img5top.src='arrowin.jpg'" onMouseOut="img5top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img5top" BORDER=0 ></a></center>
  627. <P><FONT SIZE=+1><A HREF="../norwoodwav/8normula.wav"><img border="0" src="../tingsmbl.gif">Section VIII</A></FONT></P>
  628. <P><A HREF="../norwoodwav/n277.wav">I do not know how far Sherlock Holmes took any sleep
  629. that night, but when I came down to breakfast I found him pale and harassed,
  630. his bright eyes the brighter for the dark shadows round them. </A><A HREF="../norwoodwav/n278.wav">The
  631. carpet round his chair was littered with cigarette-ends and with the early
  632. editions of the morning papers. An open telegram lay upon the table. </A></P>
  633. <P><A HREF="../norwoodwav/n279.wav">&quot;What do you think of this, Watson?&quot; he
  634. asked, tossing it across. </A></P>
  635. <P><A HREF="../norwoodwav/n280.wav">It was from Norwood, and ran as follows:-- </A></P>
  636. <P><A HREF="../norwoodwav/n281.wav">&quot;IMPORTANT FRESH EVIDENCE TO HAND. MCFARLANE'S
  637. GUILT DEFINITELY ESTABLISHED. ADVISE YOU TO ABANDON CASE. -- LESTRADE.&quot;
  638. </A></P>
  639. <P><A HREF="../norwoodwav/n282.wav">&quot;This sounds serious,&quot; said I. </A></P>
  640. <P><A HREF="../norwoodwav/n283.wav">&quot;It is Lestrade's little cock-a-doodle of victory,&quot;
  641. Holmes answered, with a bitter smile. &quot;And yet it may be premature
  642. to abandon the case. </A><A HREF="../norwoodwav/n284.wav">After all, important fresh evidence
  643. is a two-edged thing, and may possibly cut in a very different direction
  644. to that which Lestrade imagines. </A><A HREF="../norwoodwav/n285.wav">Take your breakfast,
  645. Watson, and we will go out together and see what we can do. I feel as if
  646. I shall need your company and your moral support to-day.&quot; </A></P>
  647. <P><A HREF="../norwoodwav/n286.wav">My friend had no breakfast himself, for it was one
  648. of his peculiarities that in his more intense moments he would permit himself
  649. no food, </A><A HREF="../norwoodwav/n287.wav">and I have known him presume upon his iron
  650. strength until he has fainted from pure inanition. </A><A HREF="../norwoodwav/n288.wav">At
  651. present I cannot spare energy and nerve force for digestion,&quot; he would
  652. say in answer to my medical remonstrances. </A><A HREF="../norwoodwav/n289.wav">I was
  653. not surprised, therefore, when this morning he left his untouched meal
  654. behind him and started with me for Norwood. A crowd of morbid sightseers
  655. were still gathered round Deep Dene House, which was just such a suburban
  656. villa as I had pictured. Within the gates Lestrade met us, his face flushed
  657. with victory, his manner grossly triumphant. </A></P>
  658. <P><A HREF="../norwoodwav/n290.wav">&quot;Well, Mr. Holmes, have you proved us to be wrong
  659. yet? Have you found your tramp?&quot; he cried. </A></P>
  660. <P><A HREF="../norwoodwav/n291.wav">&quot;I have formed no conclusion whatever,&quot;
  661. my companion answered. </A></P>
  662. <P><A HREF="../norwoodwav/n292.wav">&quot;But we formed ours yesterday, and now it proves
  663. to be correct; so you must acknowledge that we have been a little in front
  664. of you this time, Mr. Holmes.&quot; </A></P>
  665. <P><A HREF="../norwoodwav/n293.wav">&quot;You certainly have the air of something unusual
  666. having occurred,&quot; said Holmes. </A></P>
  667. <P><A HREF="../norwoodwav/n294.wav">Lestrade laughed loudly. </A></P>
  668. <P><A HREF="../norwoodwav/n295.wav">&quot;You don't like being beaten any more than the
  669. rest of us do,&quot; said he. &quot;A man can't expect always to have it
  670. his own way, can he, Dr. Watson? </A><A HREF="../norwoodwav/n296.wav">Step this way, if
  671. you please, gentlemen, and I think I can convince you once for all that
  672. it was John McFarlane who did this crime.&quot; </A></P>
  673. <P><A HREF="../norwoodwav/n297.wav">He led us through the passage and out into a dark
  674. hall beyond. </A></P>
  675. <P><A HREF="../norwoodwav/n298.wav">&quot;This is where young McFarlane must have come
  676. out to get his hat after the crime was done,&quot; said he. &quot;Now,
  677. look at this.&quot; </A><A HREF="../norwoodwav/n299.wav">With dramatic suddenness he struck
  678. a match and by its light exposed a stain of blood upon the whitewashed
  679. wall. As he held the match nearer I saw that it was more than a stain.
  680. </A><A HREF="../norwoodwav/n300.wav">It was the well-marked print of a thumb. </A></P>
  681. <P><A HREF="../norwoodwav/n301.wav">&quot;Look at that with your magnifying glass, Mr.
  682. Holmes.&quot; </A></P>
  683. <P><A HREF="../norwoodwav/n302.wav">&quot;Yes, I am doing so.&quot; </A></P>
  684. <P><A HREF="../norwoodwav/n303.wav">&quot;You are aware that no two thumb marks are alike?&quot;
  685. </A></P>
  686. <P><A HREF="../norwoodwav/n304.wav">&quot;I have heard something of the kind.&quot; </A></P>
  687. <P><A HREF="../norwoodwav/n305.wav">&quot;Well, then, will you please compare that print
  688. with this wax impression of young McFarlane's right thumb, taken by my
  689. orders this morning?&quot; </A></P>
  690. <P><A HREF="../norwoodwav/n306.wav">As he held the waxen print close to the blood-stain
  691. it did not take a magnifying glass to see that the two were undoubtedly
  692. from the same thumb. </A><A HREF="../norwoodwav/n307.wav">It was evident to me that our
  693. unfortunate client was lost. </A></P>
  694. <P><A HREF="../norwoodwav/n308.wav">&quot;That is final,&quot; said Lestrade. </A></P>
  695. <P><A HREF="../norwoodwav/n309.wav">&quot;Yes, that is final,&quot; I involuntarily echoed.
  696. </A></P>
  697. <P><A HREF="../norwoodwav/n310.wav">&quot;It is final,&quot; said Holmes. </A></P>
  698. <P><A HREF="../norwoodwav/n311.wav">Something in his tone caught my ear, and I turned
  699. to look at him. An extraordinary change had come over his face. It was
  700. writhing with inward merriment. His two eyes were shining like stars. </A><A HREF="../norwoodwav/n312.wav">It
  701. seemed to me that he was making desperate efforts to restrain a convulsive
  702. attack of laughter. </A></P>
  703. <P><A HREF="../norwoodwav/n313.wav">&quot;Dear me! Dear me!&quot; he said at last. &quot;Well,
  704. now, who would have thought it? And how deceptive appearances may be, to
  705. be sure! Such a nice young man to look at! </A><A HREF="../norwoodwav/n314.wav">It is
  706. a lesson to us not to trust our own judgment, is it not, Lestrade?&quot;
  707. </A></P>
  708. <P><A HREF="../norwoodwav/n315.wav">&quot;Yes, some of us are a little too much inclined
  709. to be cocksure, Mr. Holmes,&quot; said Lestrade. The man's insolence was
  710. maddening, but we could not resent it. </A></P>
  711. <P><A HREF="../norwoodwav/n316.wav">&quot;What a providential thing that this young man
  712. should press his right thumb against the wall in taking his hat from the
  713. peg! Such a very natural action, too, if you come to think of it.&quot;
  714. </A><A HREF="../norwoodwav/n317.wav">Holmes was outwardly calm, but his whole body gave
  715. a wriggle of suppressed excitement as he spoke. &quot;By the way, Lestrade,
  716. who made this remarkable discovery?&quot; </A></P>
  717. <P><A HREF="../norwoodwav/n318.wav">&quot;It was the housekeeper, Mrs. Lexington, who
  718. drew the night constable's attention to it.&quot; </A></P>
  719. <P><A HREF="../norwoodwav/n319.wav">&quot;Where was the night constable?&quot; </A></P>
  720. <P><A HREF="../norwoodwav/n320.wav">&quot;He remained on guard in the bedroom where the
  721. crime was committed, so as to see that nothing was touched.&quot; </A></P>
  722. <P><A HREF="../norwoodwav/n321.wav">&quot;But why didn't the police see this mark yesterday?&quot;
  723. </A></P>
  724. <P><A HREF="../norwoodwav/n322.wav">&quot;Well, we had no particular reason to make a
  725. careful examination of the hall. Besides, it's not in a very prominent
  726. place, as you see.&quot; </A></P>
  727. <P><A HREF="../norwoodwav/n323.wav">&quot;No, no, of course not. I suppose there is no
  728. doubt that the mark was there yesterday?&quot; </A></P>
  729. <P><A HREF="../norwoodwav/n324.wav">Lestrade looked at Holmes as if he thought he was
  730. going out of his mind. I confess that I was myself surprised both at his
  731. hilarious manner and at his rather wild observation. </A></P>
  732. <P><A HREF="../norwoodwav/n325.wav">&quot;I don't know whether you think that McFarlane
  733. came out of gaol in the dead of the night in order to strengthen the evidence
  734. against himself,&quot; said Lestrade. </A><A HREF="../norwoodwav/n326.wav">I leave it
  735. to any expert in the world whether that is not the mark of his thumb.&quot;
  736. </A></P>
  737. <P><A HREF="../norwoodwav/n327.wav">&quot;It is unquestionably the mark of his thumb.&quot;
  738. </A></P>
  739. <P><A HREF="../norwoodwav/n328.wav">&quot;There, that's enough,&quot; said Lestrade. &quot;I
  740. am a practical man, Mr. Holmes, and when I have got my evidence I come
  741. to my conclusions. </A><A HREF="../norwoodwav/n329.wav">If you have anything to say you
  742. will find me writing my report in the sitting-room.&quot; </A></P>
  743. <P><A HREF="../norwoodwav/n330.wav">Holmes had recovered his equanimity, though I still
  744. seemed to detect gleams of amusement in his expression. </A></P>
  745. <P><A HREF="../norwoodwav/n331.wav">&quot;Dear me, this is a very sad development, Watson,
  746. is it not?&quot; said he. &quot;And yet there are singular points about
  747. it which hold out some hopes for our client.&quot; </A></P>
  748. <P><A HREF="../norwoodwav/n332.wav">&quot;I am delighted to hear it,&quot; said I, heartily.
  749. &quot;I was afraid it was all up with him.&quot; </A></P>
  750. <center><a href="#Top" onMouseOver="img4top.src='arrowin.jpg'" onMouseOut="img4top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img4top" BORDER=0 ></a></center>
  751. <P><FONT SIZE=+1><A HREF="../norwoodwav/9normula.wav"><img border="0" src="../tingsmbl.gif">Section IV</A></FONT></P>
  752. <P><A HREF="../norwoodwav/n333.wav">&quot;I would hardly go so far as to say that, my
  753. dear Watson. The fact is that there is one really serious flaw in this
  754. evidence to which our friend attaches so much importance.&quot; </A></P>
  755. <P><A HREF="../norwoodwav/n334.wav">&quot;Indeed, Holmes! What is it?&quot; </A></P>
  756. <P><A HREF="../norwoodwav/n335.wav">&quot;Only this: that I KNOW that that mark was not
  757. there when I examined the hall yesterday. And now, Watson, let us have
  758. a little stroll round in the sunshine.&quot; </A></P>
  759. <P><A HREF="../norwoodwav/n336.wav">With a confused brain, but with a heart into which
  760. some warmth of hope was returning, I accompanied my friend in a walk round
  761. the garden. </A><A HREF="../norwoodwav/n337.wav">Holmes took each face of the house in
  762. turn and examined it with great interest. He then led the way inside and
  763. went over the whole building from basement to attics. </A><A HREF="../norwoodwav/n338.wav">Most
  764. of the rooms were unfurnished, but none the less Holmes inspected them
  765. all minutely. </A><A HREF="../norwoodwav/n339.wav">Finally, on the top corridor, which
  766. ran outside three untenanted bedrooms, he again was seized with a spasm
  767. of merriment. </A></P>
  768. <P><A HREF="../norwoodwav/n340.wav">&quot;There are really some very unique features about
  769. this case, Watson,&quot; said he. &quot;I think it is time now that we
  770. took our friend Lestrade into our confidence. </A><A HREF="../norwoodwav/n341.wav">He
  771. has had his little smile at our expense, and perhaps we may do as much
  772. by him if my reading of this problem proves to be correct. Yes, yes; I
  773. think I see how we should approach it.&quot; </A></P>
  774. <P><A HREF="../norwoodwav/n342.wav">The Scotland Yard inspector was still writing in the
  775. parlour when Holmes interrupted him. </A></P>
  776. <P><A HREF="../norwoodwav/n343.wav">&quot;I understood that you were writing a report
  777. of this case,&quot; said he. </A></P>
  778. <P><A HREF="../norwoodwav/n344.wav">&quot;So I am.&quot; </A></P>
  779. <P><A HREF="../norwoodwav/n345.wav">&quot;Don't you think it may be a little premature?
  780. I can't help thinking that your evidence is not complete.&quot; </A></P>
  781. <P><A HREF="../norwoodwav/n346.wav">Lestrade knew my friend too well to disregard his
  782. words. He laid down his pen and looked curiously at him. </A></P>
  783. <P><A HREF="../norwoodwav/n347.wav">&quot;What do you mean, Mr. Holmes?&quot; </A></P>
  784. <P><A HREF="../norwoodwav/n348.wav">&quot;Only that there is an important witness whom
  785. you have not seen.&quot; </A></P>
  786. <P><A HREF="../norwoodwav/n349.wav">&quot;Can you produce him?&quot; </A></P>
  787. <P><A HREF="../norwoodwav/n350.wav">&quot;I think I can.&quot; </A></P>
  788. <P><A HREF="../norwoodwav/n351.wav">&quot;Then do so.&quot; </A></P>
  789. <P><A HREF="../norwoodwav/n352.wav">&quot;I will do my best. How many constables have
  790. you?&quot; </A></P>
  791. <P><A HREF="../norwoodwav/n353.wav">&quot;There are three within call.&quot; </A></P>
  792. <P><A HREF="../norwoodwav/n354.wav">&quot;Excellent!&quot; said Holmes. &quot;May I ask
  793. if they are all large, able-bodied men with powerful voices?&quot; </A></P>
  794. <P><A HREF="../norwoodwav/n355.wav">&quot;I have no doubt they are, though I fail to see
  795. what their voices have to do with it.&quot; </A></P>
  796. <P><A HREF="../norwoodwav/n356.wav">&quot;Perhaps I can help you to see that and one or
  797. two other things as well,&quot; said Holmes. &quot;Kindly summon your men,
  798. and I will try.&quot; </A></P>
  799. <P><A HREF="../norwoodwav/n357.wav">Five minutes later three policemen had assembled in
  800. the hall. </A></P>
  801. <P><A HREF="../norwoodwav/n358.wav">&quot;In the outhouse you will find a considerable
  802. quantity of straw,&quot; said Holmes. &quot;I will ask you to carry in
  803. two bundles of it. </A><A HREF="../norwoodwav/n359.wav">I think it will be of the greatest
  804. assistance in producing the witness whom I require. Thank you very much.
  805. I believe you have some matches in your pocket, Watson. </A><A HREF="../norwoodwav/n360.wav">Now,
  806. Mr. Lestrade, I will ask you all to accompany me to the top landing.&quot;
  807. </A></P>
  808. <P><A HREF="../norwoodwav/n361.wav">As I have said, there was a broad corridor there,
  809. which ran outside three empty bedrooms. </A><A HREF="../norwoodwav/n362.wav">At one end
  810. of the corridor we were all marshalled by Sherlock Holmes, </A><A HREF="../norwoodwav/n363.wav">the
  811. constables grinning and Lestrade staring at my friend with amazement, expectation,
  812. and derision chasing each other across his features. </A><A HREF="../norwoodwav/n364.wav">Holmes
  813. stood before us with the air of a conjurer who is performing a trick. </A></P>
  814. <P><A HREF="../norwoodwav/n365.wav">&quot;Would you kindly send one of your constables
  815. for two buckets of water? Put the straw on the floor here, free from the
  816. wall on either side. Now I think that we are all ready.&quot; </A></P>
  817. <P><A HREF="../norwoodwav/n366.wav">Lestrade's face had begun to grow red and angry. </A></P>
  818. <P><A HREF="../norwoodwav/n367.wav">&quot;I don't know whether you are playing a game
  819. with us, Mr. Sherlock Holmes,&quot; said he. &quot;If you know anything,
  820. you can surely say it without all this tomfoolery.&quot; </A></P>
  821. <P><A HREF="../norwoodwav/n368.wav">&quot;I assure you, my good Lestrade, that I have
  822. an excellent reason for everything that I do. </A><A HREF="../norwoodwav/n369.wav">You
  823. may possibly remember that you chaffed me a little some hours ago, when
  824. the sun seemed on your side of the hedge, so you must not grudge me a little
  825. pomp and ceremony now. </A><A HREF="../norwoodwav/n370.wav">Might I ask you, Watson, to
  826. open that window, and then to put a match to the edge of the straw?&quot;
  827. </A></P>
  828. <P><A HREF="../norwoodwav/n371.wav">I did so, and, driven by the draught, a coil of grey
  829. smoke swirled down the corridor, while the dry straw crackled and flamed.
  830. </A></P>
  831. <P><A HREF="../norwoodwav/n372.wav">&quot;Now we must see if we can find this witness
  832. for you, Lestrade. Might I ask you all to join in the cry of `Fire!'? Now,
  833. then; one, two, three ---&quot; </A></P>
  834. <P><A HREF="../norwoodwav/n373.wav">&quot;Fire!&quot; we all yelled. </A></P>
  835. <P><A HREF="../norwoodwav/n374.wav">&quot;Thank you. I will trouble you once again.&quot;
  836. </A></P>
  837. <P><A HREF="../norwoodwav/n375.wav">&quot;Fire!&quot; </A></P>
  838. <P><A HREF="../norwoodwav/n376.wav">&quot;Just once more, gentlemen, and all together.&quot;
  839. </A></P>
  840. <P><A HREF="../norwoodwav/n377.wav">&quot;Fire!&quot; The shout must have rung over Norwood.
  841. </A></P>
  842. <P><A HREF="../norwoodwav/n378.wav">It had hardly died away when an amazing thing happened.
  843. A door suddenly flew open out of what appeared to be solid wall at the
  844. end of the corridor, </A><A HREF="../norwoodwav/n379.wav">and a little, wizened man darted
  845. out of it, like a rabbit out of its burrow. </A></P>
  846. <center><a href="#Top" onMouseOver="img3top.src='arrowin.jpg'" onMouseOut="img3top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img3top" BORDER=0 ></a></center>
  847. <P><FONT SIZE=+1><A HREF="../norwoodwav/10normul.wav"><img border="0" src="../tingsmbl.gif">Section X</A></FONT></P>
  848. <P><A HREF="../norwoodwav/n380.wav">&quot;Capital!&quot; said Holmes, calmly. &quot;Watson,
  849. a bucket of water over the straw. That will do! Lestrade, allow me to present
  850. you with your principal missing witness, Mr. Jonas Oldacre.&quot; </A></P>
  851. <P><A HREF="../norwoodwav/n381.wav">The detective stared at the new-comer with blank amazement.
  852. The latter was blinking in the bright light of the corridor, and peering
  853. at us and at the smouldering fire. </A><A HREF="../norwoodwav/n382.wav">It was an odious
  854. face -- crafty, vicious, malignant, with shifty, light-grey eyes and white
  855. eyelashes. </A></P>
  856. <P><A HREF="../norwoodwav/n383.wav">&quot;What's this, then?&quot; said Lestrade at last.
  857. &quot;What have you been doing all this time, eh?&quot; </A></P>
  858. <P><A HREF="../norwoodwav/n384.wav">Oldacre gave an uneasy laugh, shrinking back from
  859. the furious red face of the angry detective. </A></P>
  860. <P><A HREF="../norwoodwav/n385.wav">&quot;I have done no harm.&quot; </A></P>
  861. <P><A HREF="../norwoodwav/n386.wav">&quot;No harm? You have done your best to get an innocent
  862. man hanged. If it wasn't for this gentleman here, I am not sure that you
  863. would not have succeeded.&quot; </A></P>
  864. <P><A HREF="../norwoodwav/n387.wav">The wretched creature began to whimper. </A></P>
  865. <P><A HREF="../norwoodwav/n388.wav">&quot;I am sure, sir, it was only my practical joke.&quot;
  866. </A></P>
  867. <P><A HREF="../norwoodwav/n389.wav">&quot;Oh! a joke, was it? You won't find the laugh
  868. on your side, I promise you. Take him down and keep him in the sitting-room
  869. until I come. </A><A HREF="../norwoodwav/n390.wav">Mr. Holmes,&quot; he continued, when
  870. they had gone, &quot;I could not speak before the constables, but I don't
  871. mind saying, in the presence of Dr. Watson, </A><A HREF="../norwoodwav/n391.wav">that
  872. this is the brightest thing that you have done yet, though it is a mystery
  873. to me how you did it. </A><A HREF="../norwoodwav/n392.wav">You have saved an innocent
  874. man's life, and you have prevented a very grave scandal, which would have
  875. ruined my reputation in the Force.&quot; </A></P>
  876. <P><A HREF="../norwoodwav/n393.wav">Holmes smiled and clapped Lestrade upon the shoulder.
  877. </A></P>
  878. <P><A HREF="../norwoodwav/n394.wav">&quot;Instead of being ruined, my good sir, you will
  879. find that your reputation has been enormously enhanced. </A><A HREF="../norwoodwav/n395.wav">Just
  880. make a few alterations in that report which you were writing, and they
  881. will understand how hard it is to throw dust in the eyes of Inspector Lestrade.&quot;
  882. </A></P>
  883. <P><A HREF="../norwoodwav/n396.wav">&quot;And you don't want your name to appear?&quot;
  884. </A></P>
  885. <P><A HREF="../norwoodwav/n397.wav">&quot;Not at all. The work is its own reward. Perhaps
  886. I shall get the credit also at some distant day when I permit my zealous
  887. historian to lay out his foolscap once more -- eh, Watson? </A><A HREF="../norwoodwav/n398.wav">Well,
  888. now, let us see where this rat has been lurking.&quot; </A></P>
  889. <P><A HREF="../norwoodwav/n399.wav">A lath-and-plaster partition had been run across the
  890. passage six feet from the end, with a door cunningly concealed in it. It
  891. was lit within by slits under the eaves. </A><A HREF="../norwoodwav/n400.wav">A few articles
  892. of furniture and a supply of food and water were within, together with
  893. a number of books and papers. </A></P>
  894. <P><A HREF="../norwoodwav/n401.wav">&quot;There's the advantage of being a builder,&quot;
  895. said Holmes, as we came out. &quot;He was able to fix up his own little
  896. hiding-place without any confederate -- </A><A HREF="../norwoodwav/n402.wav">save, of
  897. course, that precious housekeeper of his, whom I should lose no time in
  898. adding to your bag, Lestrade.&quot; </A></P>
  899. <P><A HREF="../norwoodwav/n403.wav">&quot;I'll take your advice. But how did you know
  900. of this place, Mr. Holmes?&quot; </A></P>
  901. <P><A HREF="../norwoodwav/n404.wav">&quot;I made up my mind that the fellow was in hiding
  902. in the house. When I paced one corridor and found it six feet shorter than
  903. the corresponding one below, it was pretty clear where he was. </A><A HREF="../norwoodwav/n405.wav">I
  904. thought he had not the nerve to lie quiet before an alarm of fire. We could,
  905. of course, have gone in and taken him, but it amused me to make him reveal
  906. himself; </A><A HREF="../norwoodwav/n406.wav">besides, I owed you a little mystification,
  907. Lestrade, for your chaff in the morning.&quot; </A></P>
  908. <P><A HREF="../norwoodwav/n407.wav">&quot;Well, sir, you certainly got equal with me on
  909. that. But how in the world did you know that he was in the house at all?&quot;
  910. </A></P>
  911. <P><A HREF="../norwoodwav/n408.wav">&quot;The thumb-mark, Lestrade. You said it was final;
  912. and so it was, in a very different sense. I knew it had not been there
  913. the day before. </A><A HREF="../norwoodwav/n409.wav">I pay a good deal of attention to
  914. matters of detail, as you may have observed, and I had examined the hall
  915. and was sure that the wall was clear. Therefore, it had been put on during
  916. the night.&quot; </A></P>
  917. <P><A HREF="../norwoodwav/n410.wav">&quot;But how?&quot; </A></P>
  918. <P><A HREF="../norwoodwav/n411.wav">&quot;Very simply. When those packets were sealed
  919. up, Jonas Oldacre got McFarlane to secure one of the seals by putting his
  920. thumb upon the soft wax. </A><A HREF="../norwoodwav/n412.wav">It would be done so quickly
  921. and so naturally that I dare say the young man himself has no recollection
  922. of it. </A><A HREF="../norwoodwav/n413.wav">Very likely it just so happened, and Oldacre
  923. had himself no notion of the use he would put it to. Brooding over the
  924. case in that den of his, </A><A HREF="../norwoodwav/n414.wav">it suddenly struck him what
  925. absolutely damning evidence he could make against McFarlane by using that
  926. thumb-mark. </A><A HREF="../norwoodwav/n415.wav">It was the simplest thing in the world
  927. for him to take a wax impression from the seal, to moisten it in as much
  928. blood as he could get from a pin-prick, </A><A HREF="../norwoodwav/n416.wav">and to put
  929. the mark upon the wall during the night, either with his own hand or with
  930. that of his housekeeper. </A><A HREF="../norwoodwav/n417.wav">If you examine among those
  931. documents which he took with him into his retreat I will lay you a wager
  932. that you find the seal with the thumb-mark upon it.&quot; </A></P>
  933. <P><A HREF="../norwoodwav/n418.wav">&quot;Wonderful!&quot; said Lestrade. &quot;Wonderful!
  934. It's all as clear as crystal, as you put it. But what is the object of
  935. this deep deception, Mr. Holmes?&quot; </A></P>
  936. <P><A HREF="../norwoodwav/n419.wav">It was amusing to me to see how the detective's overbearing
  937. manner had changed suddenly to that of a child asking questions of its
  938. teacher. </A></P>
  939. <center><a href="#Top" onMouseOver="img2top.src='arrowin.jpg'" onMouseOut="img2top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img2top" BORDER=0 ></a></center>
  940. <P><FONT SIZE=+1><A HREF="../norwoodwav/11normul.wav"><img border="0" src="../tingsmbl.gif">Section XI</A></FONT></P>
  941. <P><A HREF="../norwoodwav/n420.wav">&quot;Well, I don't think that is very hard to explain.
  942. A very deep, malicious, vindictive person is the gentleman who is now awaiting
  943. us downstairs. </A><A HREF="../norwoodwav/n421.wav">You know that he was once refused
  944. by McFarlane's mother? You don't! I told you that you should go to Blackheath
  945. first and Norwood afterwards. </A><A HREF="../norwoodwav/n422.wav">Well, this injury,
  946. as he would consider it, has rankled in his wicked, scheming brain, and
  947. all his life he has longed for vengeance, but never seen his chance. </A><A HREF="../norwoodwav/n423.wav">During
  948. the last year or two things have gone against him -- secret speculation,
  949. I think -- and he finds himself in a bad way. </A><A HREF="../norwoodwav/n424.wav">He
  950. determines to swindle his creditors, and for this purpose he pays large
  951. cheques to a certain Mr. Cornelius, who is, I imagine, himself under another
  952. name. </A><A HREF="../norwoodwav/n425.wav">I have not traced these cheques yet, but I
  953. have no doubt that they were banked under that name at some provincial
  954. town where Oldacre from time to time led a double existence. </A><A HREF="../norwoodwav/n426.wav">He
  955. intended to change his name altogether, draw this money, and vanish, starting
  956. life again elsewhere.&quot; </A></P>
  957. <P><A HREF="../norwoodwav/n427.wav">&quot;Well, that's likely enough.&quot; </A></P>
  958. <P><A HREF="../norwoodwav/n428.wav">&quot;It would strike him that in disappearing he
  959. might throw all pursuit off his track, and at the same time have an ample
  960. and crushing revenge upon his old sweetheart, </A><A HREF="../norwoodwav/n429.wav">if
  961. he could give the impression that he had been murdered by her only child.
  962. It was a masterpiece of villainy, and he carried it out like a master.
  963. </A><A HREF="../norwoodwav/n430.wav">The idea of the will, which would give an obvious
  964. motive for the crime, the secret visit unknown to his own parents, </A><A HREF="../norwoodwav/n431.wav">the
  965. retention of the stick, the blood, and the animal remains and buttons in
  966. the wood-pile, all were admirable. </A><A HREF="../norwoodwav/n432.wav">It was a net from
  967. which it seemed to me a few hours ago that there was no possible escape.
  968. But he had not that supreme gift of the artist, the knowledge of when to
  969. stop. </A><A HREF="../norwoodwav/n433.wav">He wished to improve that which was already
  970. perfect -- to draw the rope tighter yet round the neck of his unfortunate
  971. victim -- and so he ruined all. Let us descend, Lestrade. </A><A HREF="../norwoodwav/n434.wav">There
  972. are just one or two questions that I would ask him.&quot; </A></P>
  973. <P><A HREF="../norwoodwav/n435.wav">The malignant creature was seated in his own parlour
  974. with a policeman upon each side of him. </A></P>
  975. <P><A HREF="../norwoodwav/n436.wav">&quot;It was a joke, my good sir, a practical joke,
  976. nothing more,&quot; he whined incessantly. &quot;I assure you, sir, that
  977. I simply concealed myself in order to see the effect of my disappearance,
  978. </A><A HREF="../norwoodwav/n437.wav">and I am sure that you would not be so unjust as
  979. to imagine that I would have allowed any harm to befall poor young Mr.
  980. McFarlane.&quot; </A></P>
  981. <P><A HREF="../norwoodwav/n438.wav">&quot;That's for a jury to decide,&quot; said Lestrade.
  982. &quot;Anyhow, we shall have you on a charge of conspiracy, if not for attempted
  983. murder.&quot; </A></P>
  984. <P><A HREF="../norwoodwav/n439.wav">&quot;And you'll probably find that your creditors
  985. will impound the banking account of Mr. Cornelius,&quot; said Holmes. </A></P>
  986. <P><A HREF="../norwoodwav/n440.wav">The little man started and turned his malignant eyes
  987. upon my friend. </A></P>
  988. <P><A HREF="../norwoodwav/n441.wav">&quot;I have to thank you for a good deal,&quot; said
  989. he. &quot;Perhaps I'll pay my debt some day.&quot; </A></P>
  990. <P><A HREF="../norwoodwav/n442.wav">Holmes smiled indulgently. </A></P>
  991. <P><A HREF="../norwoodwav/n443.wav">&quot;I fancy that for some few years you will find
  992. your time very fully occupied,&quot; said he. &quot;By the way, what was
  993. it you put into the wood-pile besides your old trousers? </A><A HREF="../norwoodwav/n444.wav">A
  994. dead dog, or rabbits, or what? You won't tell? Dear me, how very unkind
  995. of you! Well, well, I dare say that a couple of rabbits would account both
  996. for the blood and for the charred ashes. </A><A HREF="../norwoodwav/n445.wav">If ever
  997. you write an account, Watson, you can make rabbits serve your turn.&quot;
  998. </A></P>
  999. </blockquote>
  1000. <P>
  1001. <center><a href="#Top" onMouseOver="img1top.src='arrowin.jpg'" onMouseOut="img1top.src='arrowout.jpg'"><img SRC="arrowout.jpg" NAME="img1top" BORDER=0 ></a></center>
  1002. <HR WIDTH="30%">
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  1004. <HR><P><FONT
  1005. SIZE=-2>http://hua.umf.maine.edu/Chinese/stories/holmes/norwood/norwood.html<BR>Last
  1006. update: September 2001<BR>Marilyn Shea, 2001</FONT></P><HR>
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