FSI - Standard Chinese - Resource Module - P&R - Tape 1.mp3.srt 32 KB

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  1. 1
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  3. Standard Chinese A Modular Approach
  4. 2
  5. 00:00:04,000 --> 00:00:08,000
  6. Resource Module on Pronunciation and Romanization, Tape 1
  7. 3
  8. 00:00:08,000 --> 00:00:12,000
  9. This first tape in the Pronunciation and Romanization series
  10. 4
  11. 00:00:12,000 --> 00:00:15,000
  12. introduces the four tones of standard Chinese.
  13. 5
  14. 00:00:15,000 --> 00:00:21,000
  15. To help you focus on the tones, which will probably strike you as one of the most exotic features of Chinese,
  16. 6
  17. 00:00:21,000 --> 00:00:25,000
  18. this tapes makes use of only the simplest and most obvious consonants and vowels.
  19. 7
  20. 00:00:25,000 --> 00:00:29,000
  21. The trickier sounds and spellings will be covered systematically in the next four tapes.
  22. 8
  23. 00:00:29,000 --> 00:00:33,000
  24. Then the sixth tape will take up sequences of tones.
  25. 9
  26. 00:00:33,000 --> 00:00:37,000
  27. Listen to the four Chinese words which appear in display 1.
  28. 10
  29. 00:00:37,000 --> 00:00:40,000
  30. They are presented in the traditional order of the four tones.
  31. 11
  32. 00:00:40,000 --> 00:00:46,000
  33. Ma, Ma, Ma, Ma
  34. 12
  35. 00:00:46,000 --> 00:00:48,000
  36. Again
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  38. 00:00:48,000 --> 00:00:54,000
  39. Ma, Ma, Ma, Ma
  40. 14
  41. 00:00:54,000 --> 00:00:57,000
  42. The overwhelming impression to a speaker of English
  43. 15
  44. 00:00:57,000 --> 00:01:00,000
  45. is that these must be the same words said four different ways.
  46. 16
  47. 00:01:00,000 --> 00:01:03,000
  48. After all in English we can say Ma
  49. 17
  50. 00:01:03,000 --> 00:01:06,000
  51. meaning is that you mother or Ma
  52. 18
  53. 00:01:06,000 --> 00:01:08,000
  54. meaning perhaps it's you mother.
  55. 19
  56. 00:01:08,000 --> 00:01:12,000
  57. But notice that we'd say that it's the same word in both utterances.
  58. 20
  59. 00:01:12,000 --> 00:01:16,000
  60. We can make different utterances with different patterns of intonation,
  61. 21
  62. 00:01:16,000 --> 00:01:18,000
  63. but not different words.
  64. 22
  65. 00:01:18,000 --> 00:01:22,000
  66. Now listen again to what we said are four different words in Chinese.
  67. 23
  68. 00:01:22,000 --> 00:01:26,000
  69. Ma, Ma, Ma, Ma
  70. 24
  71. 00:01:26,000 --> 00:01:28,000
  72. Ma
  73. 25
  74. 00:01:28,000 --> 00:01:29,000
  75. Again
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  77. 00:01:29,000 --> 00:01:34,000
  78. Ma, Ma, Ma, Ma
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  80. 00:01:34,000 --> 00:01:36,000
  81. To a speaker of Chinese
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  83. 00:01:36,000 --> 00:01:40,000
  84. each of these words is perfectly distinguishable from the others.
  85. 29
  86. 00:01:40,000 --> 00:01:43,000
  87. The different tones keep them apart just as effectively as in English
  88. 30
  89. 00:01:43,000 --> 00:01:46,000
  90. different consonants set off Ma from Pa
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  92. 00:01:46,000 --> 00:01:49,000
  93. and different vowels set off Ma from me.
  94. 32
  95. 00:01:49,000 --> 00:01:52,000
  96. So giving a word a wrong tone can be just as disastrous
  97. 33
  98. 00:01:52,000 --> 00:01:54,000
  99. as giving it a wrong consonant of all.
  100. 34
  101. 00:01:54,000 --> 00:01:58,000
  102. If you say Ma when what you meant was Ma
  103. 35
  104. 00:01:58,000 --> 00:02:01,000
  105. you've said horse instead of mother.
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  107. 00:02:01,000 --> 00:02:05,000
  108. If you look at the display you'll see a visual representation of each tone.
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  110. 00:02:05,000 --> 00:02:08,000
  111. The vertical scale covers about an octave.
  112. 38
  113. 00:02:08,000 --> 00:02:12,000
  114. Just which octave it is of course depends on the speaker's voice.
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  116. 00:02:12,000 --> 00:02:16,000
  117. This is a somewhat greater range than you normally use in speaking English.
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  119. 00:02:16,000 --> 00:02:19,000
  120. The top of the range will seem slightly too high for comfort
  121. 41
  122. 00:02:19,000 --> 00:02:21,000
  123. and the bottom slightly too low.
  124. 42
  125. 00:02:21,000 --> 00:02:24,000
  126. The first tone or high tone word mother
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  128. 00:02:24,000 --> 00:02:27,000
  129. and the third tone or low tone word horse
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  131. 00:02:27,000 --> 00:02:29,000
  132. will let you locate the extremes.
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  134. 00:02:29,000 --> 00:02:30,000
  135. Listen
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  137. 00:02:30,000 --> 00:02:34,000
  138. Ma, Ma
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  140. 00:02:34,000 --> 00:02:38,000
  141. Again mother and horse high versus low
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  143. 00:02:38,000 --> 00:02:41,000
  144. Ma, Ma
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  146. 00:02:41,000 --> 00:02:43,000
  147. The popular notion of the Chinese tones
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  149. 00:02:43,000 --> 00:02:46,000
  150. is that they are like notes on the musical scale
  151. 51
  152. 00:02:46,000 --> 00:02:49,000
  153. and indeed the distinctive difference between the two tones you just heard
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  155. 00:02:49,000 --> 00:02:51,000
  156. is that one is high and one is low.
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  158. 00:02:51,000 --> 00:02:55,000
  159. But you may have noticed that while the high tone was like a single steady high note
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  161. 00:02:55,000 --> 00:02:59,000
  162. the low tone was lower in the middle than at either end.
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  164. 00:02:59,000 --> 00:03:02,000
  165. For a more dramatic example of such a difference in contour
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  167. 00:03:02,000 --> 00:03:05,000
  168. listen to the second tone or rising tone word hemp
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  170. 00:03:05,000 --> 00:03:09,000
  171. and the fourth tone or falling tone word to scold.
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  173. 00:03:09,000 --> 00:03:12,000
  174. Ma, Ma
  175. 59
  176. 00:03:12,000 --> 00:03:15,000
  177. Again hemp and to scold.
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  179. 00:03:15,000 --> 00:03:17,000
  180. Rising versus falling
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  182. 00:03:17,000 --> 00:03:20,000
  183. Ma, Ma
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  185. 00:03:20,000 --> 00:03:23,000
  186. You can see the distinctive contours of the tones
  187. 63
  188. 00:03:23,000 --> 00:03:25,000
  189. and the diagrams of display one
  190. 64
  191. 00:03:25,000 --> 00:03:28,000
  192. and you can see them suggested in the accent marks
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  194. 00:03:28,000 --> 00:03:30,000
  195. used to indicate the tones of the romanization.
  196. 66
  197. 00:03:30,000 --> 00:03:34,000
  198. The diagrams also show that the tones differ in length
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  200. 00:03:34,000 --> 00:03:36,000
  201. with the third tone longer than the first and second
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  203. 00:03:36,000 --> 00:03:38,000
  204. and the fourth tone shorter
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  206. 00:03:38,000 --> 00:03:41,000
  207. and that they differ also in their patterns of loudness
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  209. 00:03:41,000 --> 00:03:45,000
  210. as indicated by the varying width of the curves.
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  212. 00:03:45,000 --> 00:03:48,000
  213. Now we're going to take up the tones in their traditional order
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  215. 00:03:48,000 --> 00:03:51,000
  216. by the time we finish we'll have contrasted each tone
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  218. 00:03:51,000 --> 00:03:53,000
  219. with every other tone.
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  221. 00:03:53,000 --> 00:03:55,000
  222. The first tone is called the high tone.
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  224. 00:03:55,000 --> 00:03:57,000
  225. It's pitch is near the top of the speaker's range
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  227. 00:03:57,000 --> 00:03:59,000
  228. and it's contours level
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  230. 00:03:59,000 --> 00:04:01,000
  231. as you can see in the display.
  232. 78
  233. 00:04:01,000 --> 00:04:05,000
  234. Listen to the high tone word which means mother.
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  236. 00:04:05,000 --> 00:04:11,000
  237. Ma, Ma, Ma
  238. 80
  239. 00:04:11,000 --> 00:04:14,000
  240. Actually this is not an independent word
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  242. 00:04:14,000 --> 00:04:17,000
  243. it's an element in words such as mama
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  245. 00:04:17,000 --> 00:04:19,000
  246. which means mommy.
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  248. 00:04:19,000 --> 00:04:21,000
  249. By the way the weak second syllable in mama
  250. 84
  251. 00:04:21,000 --> 00:04:24,000
  252. is not in one of the four tones.
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  254. 00:04:24,000 --> 00:04:27,000
  255. It's said to be toneless or in the neutral tone.
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  257. 00:04:27,000 --> 00:04:29,000
  258. We'll take this up in the sixth tape.
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  260. 00:04:29,000 --> 00:04:32,000
  261. Since we seldom use high level intonation in English
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  263. 00:04:32,000 --> 00:04:36,000
  264. the high tone may strike you as sung rather than spoken.
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  266. 00:04:36,000 --> 00:04:38,000
  267. Try repeating mother after the speaker
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  270. taking care to stay on the same high note throughout.
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  272. 00:04:42,000 --> 00:04:48,000
  273. Ma, Ma, Ma
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  275. 00:04:48,000 --> 00:04:51,000
  276. If you're getting it right high and level
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  278. 00:04:51,000 --> 00:04:53,000
  279. it should feel somewhat unnatural.
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  281. 00:04:53,000 --> 00:04:55,000
  282. Try saying the high tone word mother
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  284. 00:04:55,000 --> 00:04:59,000
  285. and then repeat after the speaker.
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  287. 00:04:59,000 --> 00:05:02,000
  288. Ma
  289. 97
  290. 00:05:02,000 --> 00:05:04,000
  291. Notice that the tone mark in the romanization
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  293. 00:05:04,000 --> 00:05:06,000
  294. suggests the level contour at least
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  296. 00:05:06,000 --> 00:05:08,000
  297. if not the high pitch.
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  299. 00:05:08,000 --> 00:05:10,000
  300. Try saying mother again
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  302. 00:05:10,000 --> 00:05:13,000
  303. and repeat after the speaker.
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  305. 00:05:13,000 --> 00:05:16,000
  306. Ma
  307. 103
  308. 00:05:16,000 --> 00:05:19,000
  309. The second tone is called the rising tone.
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  311. 00:05:19,000 --> 00:05:21,000
  312. It starts in the middle of your range and almost immediately
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  314. 00:05:21,000 --> 00:05:23,000
  315. rises sharply to the top of your range
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  317. 00:05:23,000 --> 00:05:25,000
  318. as shown in the display.
  319. 107
  320. 00:05:25,000 --> 00:05:29,000
  321. Listen to the rising tone word which means hemp.
  322. 108
  323. 00:05:29,000 --> 00:05:36,000
  324. Ma, Ma, Ma
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  326. 00:05:36,000 --> 00:05:38,000
  327. In English if you want to ask
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  329. 00:05:38,000 --> 00:05:40,000
  330. that you mother you can ask
  331. 111
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  333. Ma with a rising intonation.
  334. 112
  335. 00:05:43,000 --> 00:05:45,000
  336. Think of the question Ma
  337. 113
  338. 00:05:45,000 --> 00:05:47,000
  339. and it may help you pronounce
  340. 114
  341. 00:05:47,000 --> 00:05:49,000
  342. the rising tone word which means hemp.
  343. 115
  344. 00:05:49,000 --> 00:05:51,000
  345. But you must remember that it's not a question
  346. 116
  347. 00:05:51,000 --> 00:05:53,000
  348. and has nothing to do with mother.
  349. 117
  350. 00:05:53,000 --> 00:05:56,000
  351. Try repeating hemp after the speaker.
  352. 118
  353. 00:05:56,000 --> 00:06:03,000
  354. Ma, Ma, Ma
  355. 119
  356. 00:06:03,000 --> 00:06:05,000
  357. Now try saying the rising tone word
  358. 120
  359. 00:06:05,000 --> 00:06:09,000
  360. to hemp yourself and to repeat.
  361. 121
  362. 00:06:09,000 --> 00:06:13,000
  363. Ma
  364. 122
  365. 00:06:13,000 --> 00:06:15,000
  366. Notice that the tone mark in the romanization
  367. 123
  368. 00:06:15,000 --> 00:06:17,000
  369. rises from left to right in the direction
  370. 124
  371. 00:06:17,000 --> 00:06:19,000
  372. your eyes are moving as you read.
  373. 125
  374. 00:06:19,000 --> 00:06:24,000
  375. Try saying hemp again and repeat.
  376. 126
  377. 00:06:24,000 --> 00:06:28,000
  378. Ma
  379. 127
  380. 00:06:28,000 --> 00:06:31,000
  381. Now let's compare the high tone with the rising tone.
  382. 128
  383. 00:06:31,000 --> 00:06:33,000
  384. Both are in the upper part of the pitch range
  385. 129
  386. 00:06:33,000 --> 00:06:34,000
  387. but the high tone stays level
  388. 130
  389. 00:06:34,000 --> 00:06:36,000
  390. while the rising tone climbs sharply
  391. 131
  392. 00:06:36,000 --> 00:06:38,000
  393. starting slightly below the high tone
  394. 132
  395. 00:06:38,000 --> 00:06:40,000
  396. and reaching the top of the range.
  397. 133
  398. 00:06:40,000 --> 00:06:43,000
  399. Listen to mother followed by hemp.
  400. 134
  401. 00:06:43,000 --> 00:06:46,000
  402. Ma, Ma
  403. 135
  404. 00:06:46,000 --> 00:06:49,000
  405. Again high tone rising tone.
  406. 136
  407. 00:06:49,000 --> 00:06:53,000
  408. Ma, Ma
  409. 137
  410. 00:06:53,000 --> 00:06:54,000
  411. Let's turn them around.
  412. 138
  413. 00:06:54,000 --> 00:06:56,000
  414. Hemp followed by mother.
  415. 139
  416. 00:06:56,000 --> 00:06:59,000
  417. Ma, Ma
  418. 140
  419. 00:06:59,000 --> 00:07:02,000
  420. Again rising tone high tone.
  421. 141
  422. 00:07:02,000 --> 00:07:06,000
  423. Ma, Ma
  424. 142
  425. 00:07:06,000 --> 00:07:08,000
  426. At the top of exercise one in your workbook
  427. 143
  428. 00:07:08,000 --> 00:07:11,000
  429. you'll see two romanized surnames.
  430. 144
  431. 00:07:11,000 --> 00:07:13,000
  432. The high tone surname fang
  433. 145
  434. 00:07:13,000 --> 00:07:15,000
  435. and the rising tone surname fang.
  436. 146
  437. 00:07:15,000 --> 00:07:17,000
  438. Remember that these are as distinct
  439. 147
  440. 00:07:17,000 --> 00:07:19,000
  441. as our Peterson and Patterson.
  442. 148
  443. 00:07:19,000 --> 00:07:21,000
  444. For each of the numbered items
  445. 149
  446. 00:07:21,000 --> 00:07:24,000
  447. the speaker will say either fang or fang.
  448. 150
  449. 00:07:24,000 --> 00:07:26,000
  450. You are to add the appropriate tone mark
  451. 151
  452. 00:07:26,000 --> 00:07:28,000
  453. to the romanization repeating the name
  454. 152
  455. 00:07:28,000 --> 00:07:29,000
  456. as you do so.
  457. 153
  458. 00:07:29,000 --> 00:07:31,000
  459. Then I'll give you the correct answer.
  460. 154
  461. 00:07:31,000 --> 00:07:33,000
  462. Don't worry if you miss if you at first.
  463. 155
  464. 00:07:33,000 --> 00:07:35,000
  465. You'll learn as much by being wrong
  466. 156
  467. 00:07:35,000 --> 00:07:37,000
  468. and finding out that you were wrong
  469. 157
  470. 00:07:37,000 --> 00:07:38,000
  471. as by being right
  472. 158
  473. 00:07:38,000 --> 00:07:40,000
  474. and finding out that you were right.
  475. 159
  476. 00:07:40,000 --> 00:07:41,000
  477. Here we go.
  478. 160
  479. 00:07:41,000 --> 00:07:43,000
  480. One
  481. 161
  482. 00:07:43,000 --> 00:07:45,000
  483. Fang
  484. 162
  485. 00:07:45,000 --> 00:07:46,000
  486. High
  487. 163
  488. 00:07:46,000 --> 00:07:47,000
  489. Two
  490. 164
  491. 00:07:47,000 --> 00:07:50,000
  492. Fang
  493. 165
  494. 00:07:50,000 --> 00:07:51,000
  495. Rising
  496. 166
  497. 00:07:51,000 --> 00:07:53,000
  498. Three
  499. 167
  500. 00:07:53,000 --> 00:07:55,000
  501. Fang
  502. 168
  503. 00:07:55,000 --> 00:07:56,000
  504. Rising
  505. 169
  506. 00:07:56,000 --> 00:07:58,000
  507. Four
  508. 170
  509. 00:07:58,000 --> 00:08:00,000
  510. Fang
  511. 171
  512. 00:08:00,000 --> 00:08:01,000
  513. High
  514. 172
  515. 00:08:01,000 --> 00:08:03,000
  516. Five
  517. 173
  518. 00:08:03,000 --> 00:08:05,000
  519. Fang
  520. 174
  521. 00:08:05,000 --> 00:08:07,000
  522. High
  523. 175
  524. 00:08:07,000 --> 00:08:09,000
  525. Six
  526. 176
  527. 00:08:09,000 --> 00:08:11,000
  528. Fang
  529. 177
  530. 00:08:11,000 --> 00:08:13,000
  531. Rising
  532. 178
  533. 00:08:13,000 --> 00:08:14,000
  534. Seven
  535. 179
  536. 00:08:14,000 --> 00:08:17,000
  537. Fang
  538. 180
  539. 00:08:17,000 --> 00:08:18,000
  540. High
  541. 181
  542. 00:08:18,000 --> 00:08:19,000
  543. Eight
  544. 182
  545. 00:08:19,000 --> 00:08:22,000
  546. Fang
  547. 183
  548. 00:08:22,000 --> 00:08:23,000
  549. High
  550. 184
  551. 00:08:23,000 --> 00:08:24,000
  552. Nine
  553. 185
  554. 00:08:24,000 --> 00:08:27,000
  555. Fang
  556. 186
  557. 00:08:27,000 --> 00:08:28,000
  558. Rising
  559. 187
  560. 00:08:28,000 --> 00:08:29,000
  561. Ten
  562. 188
  563. 00:08:29,000 --> 00:08:31,000
  564. Fang
  565. 189
  566. 00:08:31,000 --> 00:08:33,000
  567. Rising
  568. 190
  569. 00:08:33,000 --> 00:08:36,000
  570. The third tone is called the low tone.
  571. 191
  572. 00:08:36,000 --> 00:08:38,000
  573. As you can see in the display
  574. 192
  575. 00:08:38,000 --> 00:08:40,000
  576. it has a slightly dipping contour.
  577. 193
  578. 00:08:40,000 --> 00:08:41,000
  579. Starting fairly low
  580. 194
  581. 00:08:41,000 --> 00:08:43,000
  582. it dips to the very bottom of your range.
  583. 195
  584. 00:08:43,000 --> 00:08:46,000
  585. You can almost feel and hear its great bottom.
  586. 196
  587. 00:08:46,000 --> 00:08:48,000
  588. Then it swoops up a bit.
  589. 197
  590. 00:08:48,000 --> 00:08:49,000
  591. The most important part,
  592. 198
  593. 00:08:49,000 --> 00:08:50,000
  594. the part to listen for
  595. 199
  596. 00:08:50,000 --> 00:08:51,000
  597. and the part to emphasize
  598. 200
  599. 00:08:51,000 --> 00:08:53,000
  600. is the low part in the middle.
  601. 201
  602. 00:08:53,000 --> 00:08:56,000
  603. Remember also that this is the longest tone.
  604. 202
  605. 00:08:56,000 --> 00:08:58,000
  606. Listen to the low tone word
  607. 203
  608. 00:08:58,000 --> 00:09:00,000
  609. which means horse.
  610. 204
  611. 00:09:00,000 --> 00:09:02,000
  612. Ma
  613. 205
  614. 00:09:02,000 --> 00:09:04,000
  615. Ma
  616. 206
  617. 00:09:04,000 --> 00:09:07,000
  618. Ma
  619. 207
  620. 00:09:07,000 --> 00:09:10,000
  621. This also happens to be a common surname.
  622. 208
  623. 00:09:10,000 --> 00:09:11,000
  624. Try repeating horse
  625. 209
  626. 00:09:11,000 --> 00:09:14,000
  627. concentrating on getting as low as you can.
  628. 210
  629. 00:09:14,000 --> 00:09:17,000
  630. Ma
  631. 211
  632. 00:09:17,000 --> 00:09:19,000
  633. Ma
  634. 212
  635. 00:09:19,000 --> 00:09:22,000
  636. Ma
  637. 213
  638. 00:09:22,000 --> 00:09:24,000
  639. Now try saying the low tone word
  640. 214
  641. 00:09:24,000 --> 00:09:28,000
  642. or horse yourself and repeat.
  643. 215
  644. 00:09:28,000 --> 00:09:31,000
  645. Ma
  646. 216
  647. 00:09:31,000 --> 00:09:32,000
  648. Notice that the tone mark
  649. 217
  650. 00:09:32,000 --> 00:09:34,000
  651. captures at least the dipping contour
  652. 218
  653. 00:09:34,000 --> 00:09:36,000
  654. if not the low pitch.
  655. 219
  656. 00:09:36,000 --> 00:09:40,000
  657. Try saying horse again and repeat.
  658. 220
  659. 00:09:40,000 --> 00:09:44,000
  660. Ma
  661. 221
  662. 00:09:44,000 --> 00:09:46,000
  663. It's relatively easy to distinguish between
  664. 222
  665. 00:09:46,000 --> 00:09:48,000
  666. the high tone and the low tone
  667. 223
  668. 00:09:48,000 --> 00:09:49,000
  669. since they contrast in contour
  670. 224
  671. 00:09:49,000 --> 00:09:51,000
  672. as well as in pitch.
  673. 225
  674. 00:09:51,000 --> 00:09:52,000
  675. The high tone is level
  676. 226
  677. 00:09:52,000 --> 00:09:53,000
  678. as well as high
  679. 227
  680. 00:09:53,000 --> 00:09:54,000
  681. and the low tone is dipping
  682. 228
  683. 00:09:54,000 --> 00:09:56,000
  684. as well as low.
  685. 229
  686. 00:09:56,000 --> 00:09:57,000
  687. Listen to mother
  688. 230
  689. 00:09:57,000 --> 00:09:59,000
  690. followed by horse.
  691. 231
  692. 00:09:59,000 --> 00:10:02,000
  693. Ma
  694. 232
  695. 00:10:02,000 --> 00:10:05,000
  696. Again high tone low tone.
  697. 233
  698. 00:10:05,000 --> 00:10:09,000
  699. Ma
  700. 234
  701. 00:10:09,000 --> 00:10:11,000
  702. Now we'll turn them around.
  703. 235
  704. 00:10:11,000 --> 00:10:13,000
  705. Horse followed by mother.
  706. 236
  707. 00:10:13,000 --> 00:10:17,000
  708. Ma
  709. 237
  710. 00:10:17,000 --> 00:10:20,000
  711. Again low tone high tone.
  712. 238
  713. 00:10:20,000 --> 00:10:22,000
  714. Ma
  715. 239
  716. 00:10:22,000 --> 00:10:24,000
  717. Exercise 2
  718. 240
  719. 00:10:24,000 --> 00:10:25,000
  720. involves distinguishing
  721. 241
  722. 00:10:25,000 --> 00:10:26,000
  723. the high tone surname
  724. 242
  725. 00:10:26,000 --> 00:10:27,000
  726. Wei
  727. 243
  728. 00:10:27,000 --> 00:10:28,000
  729. from the low tone surname
  730. 244
  731. 00:10:28,000 --> 00:10:29,000
  732. Wei.
  733. 245
  734. 00:10:29,000 --> 00:10:30,000
  735. You'll see them correctly
  736. 246
  737. 00:10:30,000 --> 00:10:32,000
  738. romanized above the exercise
  739. 247
  740. 00:10:32,000 --> 00:10:33,000
  741. with the tone marks
  742. 248
  743. 00:10:33,000 --> 00:10:34,000
  744. over the vowel e.
  745. 249
  746. 00:10:34,000 --> 00:10:36,000
  747. Fill in the appropriate tone
  748. 250
  749. 00:10:36,000 --> 00:10:38,000
  750. marks and repeat as you do so.
  751. 251
  752. 00:10:38,000 --> 00:10:39,000
  753. One
  754. 252
  755. 00:10:39,000 --> 00:10:43,000
  756. Wei
  757. 253
  758. 00:10:43,000 --> 00:10:44,000
  759. Low
  760. 254
  761. 00:10:44,000 --> 00:10:45,000
  762. Two
  763. 255
  764. 00:10:45,000 --> 00:10:48,000
  765. Wei
  766. 256
  767. 00:10:48,000 --> 00:10:49,000
  768. High
  769. 257
  770. 00:10:49,000 --> 00:10:50,000
  771. Three
  772. 258
  773. 00:10:50,000 --> 00:10:51,000
  774. Wei
  775. 259
  776. 00:10:51,000 --> 00:10:53,000
  777. Low
  778. 260
  779. 00:10:53,000 --> 00:10:55,000
  780. Four
  781. 261
  782. 00:10:55,000 --> 00:10:58,000
  783. Wei
  784. 262
  785. 00:10:58,000 --> 00:10:59,000
  786. Low
  787. 263
  788. 00:10:59,000 --> 00:11:01,000
  789. Five
  790. 264
  791. 00:11:01,000 --> 00:11:03,000
  792. Wei
  793. 265
  794. 00:11:03,000 --> 00:11:04,000
  795. High
  796. 266
  797. 00:11:04,000 --> 00:11:05,000
  798. Six
  799. 267
  800. 00:11:05,000 --> 00:11:08,000
  801. Wei
  802. 268
  803. 00:11:08,000 --> 00:11:09,000
  804. Low
  805. 269
  806. 00:11:09,000 --> 00:11:10,000
  807. Seven
  808. 270
  809. 00:11:10,000 --> 00:11:13,000
  810. Wei
  811. 271
  812. 00:11:13,000 --> 00:11:14,000
  813. High
  814. 272
  815. 00:11:14,000 --> 00:11:15,000
  816. Eight
  817. 273
  818. 00:11:15,000 --> 00:11:18,000
  819. Wei
  820. 274
  821. 00:11:18,000 --> 00:11:19,000
  822. High
  823. 275
  824. 00:11:19,000 --> 00:11:20,000
  825. Nine
  826. 276
  827. 00:11:20,000 --> 00:11:21,000
  828. Wei
  829. 277
  830. 00:11:22,000 --> 00:11:23,000
  831. Low
  832. 278
  833. 00:11:23,000 --> 00:11:24,000
  834. Ten
  835. 279
  836. 00:11:24,000 --> 00:11:26,000
  837. Wei
  838. 280
  839. 00:11:26,000 --> 00:11:28,000
  840. High
  841. 281
  842. 00:11:29,000 --> 00:11:31,000
  843. The contrast between the rising tone
  844. 282
  845. 00:11:31,000 --> 00:11:33,000
  846. and the low tone is somewhat harder.
  847. 283
  848. 00:11:33,000 --> 00:11:36,000
  849. In fact, most students find it hardest of all.
  850. 284
  851. 00:11:36,000 --> 00:11:38,000
  852. One reason is that their starting points
  853. 285
  854. 00:11:38,000 --> 00:11:40,000
  855. are not too far apart.
  856. 286
  857. 00:11:40,000 --> 00:11:43,000
  858. And another is that both are rising at the end.
  859. 287
  860. 00:11:43,000 --> 00:11:45,000
  861. If you start a low tone a bit too high,
  862. 288
  863. 00:11:45,000 --> 00:11:47,000
  864. then fail to get down to the bottom of the range
  865. 289
  866. 00:11:47,000 --> 00:11:49,000
  867. and then exaggerate the rising tail,
  868. 290
  869. 00:11:49,000 --> 00:11:51,000
  870. you've got a rising tone,
  871. 291
  872. 00:11:51,000 --> 00:11:53,000
  873. and vice versa of course.
  874. 292
  875. 00:11:53,000 --> 00:11:55,000
  876. The way to keep them straight is to keep your mind fixed
  877. 293
  878. 00:11:55,000 --> 00:11:57,000
  879. on the features which give them their names.
  880. 294
  881. 00:11:57,000 --> 00:12:00,000
  882. For the rising tone,think rising.
  883. 295
  884. 00:12:00,000 --> 00:12:03,000
  885. All the energy goes into reaching the ceiling.
  886. 296
  887. 00:12:03,000 --> 00:12:06,000
  888. The tone actually gets louder as it rises.
  889. 297
  890. 00:12:06,000 --> 00:12:08,000
  891. For the low tone,think low.
  892. 298
  893. 00:12:08,000 --> 00:12:10,000
  894. All the energy goes into reaching the floor.
  895. 299
  896. 00:12:10,000 --> 00:12:12,000
  897. The rising tail is a tailing off in effort,
  898. 300
  899. 00:12:12,000 --> 00:12:14,000
  900. if not in loudness.
  901. 301
  902. 00:12:14,000 --> 00:12:17,000
  903. In fact,the rising tail is completely lost
  904. 302
  905. 00:12:17,000 --> 00:12:19,000
  906. in certain circumstances
  907. 303
  908. 00:12:19,000 --> 00:12:21,000
  909. as we'll see in the sixth tape.
  910. 304
  911. 00:12:21,000 --> 00:12:24,000
  912. Listen to hemp,followed by horse.
  913. 305
  914. 00:12:24,000 --> 00:12:28,000
  915. Ma.Ma.
  916. 306
  917. 00:12:28,000 --> 00:12:31,000
  918. Again,rising tone,low tone.
  919. 307
  920. 00:12:31,000 --> 00:12:34,000
  921. Ma.Ma.
  922. 308
  923. 00:12:34,000 --> 00:12:36,000
  924. Now the other way around,
  925. 309
  926. 00:12:36,000 --> 00:12:38,000
  927. horse followed by hemp.
  928. 310
  929. 00:12:38,000 --> 00:12:42,000
  930. Ma.Ma.
  931. 311
  932. 00:12:42,000 --> 00:12:45,000
  933. Again,low tone,rising tone.
  934. 312
  935. 00:12:45,000 --> 00:12:49,000
  936. Ma.Ma.
  937. 313
  938. 00:12:49,000 --> 00:12:51,000
  939. Now try adding the appropriate tone marks
  940. 314
  941. 00:12:51,000 --> 00:12:53,000
  942. in exercise three,
  943. 315
  944. 00:12:53,000 --> 00:12:55,000
  945. which contrasts the rising tone surname
  946. 316
  947. 00:12:55,000 --> 00:12:59,000
  948. me,with the low tone surname me.
  949. 317
  950. 00:12:59,000 --> 00:13:01,000
  951. Ask yourself as you repeat each surname
  952. 318
  953. 00:13:01,000 --> 00:13:04,000
  954. whether your effort is going into making it rise
  955. 319
  956. 00:13:04,000 --> 00:13:06,000
  957. or into getting it low,
  958. 320
  959. 00:13:06,000 --> 00:13:08,000
  960. and mark the tone accordingly.
  961. 321
  962. 00:13:08,000 --> 00:13:09,000
  963. One.
  964. 322
  965. 00:13:09,000 --> 00:13:11,000
  966. Me.
  967. 323
  968. 00:13:11,000 --> 00:13:12,000
  969. Low.
  970. 324
  971. 00:13:12,000 --> 00:13:13,000
  972. Two.
  973. 325
  974. 00:13:13,000 --> 00:13:16,000
  975. Me.
  976. 326
  977. 00:13:16,000 --> 00:13:17,000
  978. Rising.
  979. 327
  980. 00:13:17,000 --> 00:13:18,000
  981. Three.
  982. 328
  983. 00:13:18,000 --> 00:13:21,000
  984. Me.
  985. 329
  986. 00:13:21,000 --> 00:13:22,000
  987. Low.
  988. 330
  989. 00:13:22,000 --> 00:13:23,000
  990. Four.
  991. 331
  992. 00:13:23,000 --> 00:13:26,000
  993. Me.
  994. 332
  995. 00:13:26,000 --> 00:13:27,000
  996. Rising.
  997. 333
  998. 00:13:27,000 --> 00:13:28,000
  999. Five.
  1000. 334
  1001. 00:13:28,000 --> 00:13:31,000
  1002. Me.
  1003. 335
  1004. 00:13:31,000 --> 00:13:32,000
  1005. Low.
  1006. 336
  1007. 00:13:32,000 --> 00:13:33,000
  1008. Six.
  1009. 337
  1010. 00:13:33,000 --> 00:13:36,000
  1011. Me.
  1012. 338
  1013. 00:13:36,000 --> 00:13:37,000
  1014. Rising.
  1015. 339
  1016. 00:13:37,000 --> 00:13:38,000
  1017. Seven.
  1018. 340
  1019. 00:13:38,000 --> 00:13:41,000
  1020. Me.
  1021. 341
  1022. 00:13:41,000 --> 00:13:43,000
  1023. Rising.
  1024. 342
  1025. 00:13:43,000 --> 00:13:44,000
  1026. Eight.
  1027. 343
  1028. 00:13:44,000 --> 00:13:47,000
  1029. Me.
  1030. 344
  1031. 00:13:47,000 --> 00:13:48,000
  1032. Low.
  1033. 345
  1034. 00:13:48,000 --> 00:13:49,000
  1035. Nine.
  1036. 346
  1037. 00:13:49,000 --> 00:13:52,000
  1038. Me.
  1039. 347
  1040. 00:13:52,000 --> 00:13:53,000
  1041. Low.
  1042. 348
  1043. 00:13:53,000 --> 00:13:54,000
  1044. Ten.
  1045. 349
  1046. 00:13:54,000 --> 00:13:57,000
  1047. Me.
  1048. 350
  1049. 00:13:57,000 --> 00:14:00,000
  1050. Rising.
  1051. 351
  1052. 00:14:00,000 --> 00:14:02,000
  1053. You may not have scored so well on this.
  1054. 352
  1055. 00:14:02,000 --> 00:14:04,000
  1056. Exercise four gives you another crack
  1057. 353
  1058. 00:14:04,000 --> 00:14:06,000
  1059. at the rising verses low distinction,
  1060. 354
  1061. 00:14:06,000 --> 00:14:09,000
  1062. with the rising tone surname woo,
  1063. 355
  1064. 00:14:09,000 --> 00:14:11,000
  1065. the low tone surname woo.
  1066. 356
  1067. 00:14:11,000 --> 00:14:14,000
  1068. You might find the supplementary clue of length useful.
  1069. 357
  1070. 00:14:14,000 --> 00:14:16,000
  1071. The low tone is longer.
  1072. 358
  1073. 00:14:16,000 --> 00:14:19,000
  1074. Mark the tones and repeat as you do so.
  1075. 359
  1076. 00:14:19,000 --> 00:14:20,000
  1077. One.
  1078. 360
  1079. 00:14:20,000 --> 00:14:23,000
  1080. Me.
  1081. 361
  1082. 00:14:23,000 --> 00:14:24,000
  1083. Rising.
  1084. 362
  1085. 00:14:24,000 --> 00:14:26,000
  1086. Two.
  1087. 363
  1088. 00:14:26,000 --> 00:14:29,000
  1089. Me.
  1090. 364
  1091. 00:14:29,000 --> 00:14:30,000
  1092. Rising.
  1093. 365
  1094. 00:14:30,000 --> 00:14:31,000
  1095. Three.
  1096. 366
  1097. 00:14:31,000 --> 00:14:34,000
  1098. Me.
  1099. 367
  1100. 00:14:34,000 --> 00:14:35,000
  1101. Low.
  1102. 368
  1103. 00:14:35,000 --> 00:14:36,000
  1104. Four.
  1105. 369
  1106. 00:14:36,000 --> 00:14:38,000
  1107. Me.
  1108. 370
  1109. 00:14:38,000 --> 00:14:39,000
  1110. Rising.
  1111. 371
  1112. 00:14:39,000 --> 00:14:40,000
  1113. Five.
  1114. 372
  1115. 00:14:40,000 --> 00:14:43,000
  1116. Me.
  1117. 373
  1118. 00:14:43,000 --> 00:14:44,000
  1119. Low.
  1120. 374
  1121. 00:14:44,000 --> 00:14:45,000
  1122. Six.
  1123. 375
  1124. 00:14:45,000 --> 00:14:48,000
  1125. Me.
  1126. 376
  1127. 00:14:48,000 --> 00:14:49,000
  1128. Low.
  1129. 377
  1130. 00:14:49,000 --> 00:14:50,000
  1131. Seven.
  1132. 378
  1133. 00:14:50,000 --> 00:14:53,000
  1134. Me.
  1135. 379
  1136. 00:14:53,000 --> 00:14:54,000
  1137. Low.
  1138. 380
  1139. 00:14:54,000 --> 00:14:55,000
  1140. Eight.
  1141. 381
  1142. 00:14:55,000 --> 00:14:58,000
  1143. Me.
  1144. 382
  1145. 00:14:58,000 --> 00:14:59,000
  1146. Rising.
  1147. 383
  1148. 00:14:59,000 --> 00:15:00,000
  1149. Nine.
  1150. 384
  1151. 00:15:00,000 --> 00:15:03,000
  1152. Me.
  1153. 385
  1154. 00:15:03,000 --> 00:15:04,000
  1155. Rising.
  1156. 386
  1157. 00:15:04,000 --> 00:15:05,000
  1158. Ten.
  1159. 387
  1160. 00:15:05,000 --> 00:15:07,000
  1161. Me.
  1162. 388
  1163. 00:15:07,000 --> 00:15:10,000
  1164. Low.
  1165. 389
  1166. 00:15:10,000 --> 00:15:12,000
  1167. The fourth tone is called the falling tone.
  1168. 390
  1169. 00:15:12,000 --> 00:15:17,000
  1170. It is an abrupt drop from the top of your range to the bottom,as the display shows.
  1171. 391
  1172. 00:15:17,000 --> 00:15:21,000
  1173. Listen to the falling tone word,which means to scold.
  1174. 392
  1175. 00:15:21,000 --> 00:15:23,000
  1176. Ma.
  1177. 393
  1178. 00:15:23,000 --> 00:15:25,000
  1179. Ma.
  1180. 394
  1181. 00:15:25,000 --> 00:15:27,000
  1182. Ma.
  1183. 395
  1184. 00:15:27,000 --> 00:15:32,000
  1185. Since in English we use a falling intonation at the end of statements and exclamations,
  1186. 396
  1187. 00:15:32,000 --> 00:15:36,000
  1188. the falling tone sounds declarative or emphatic to us.
  1189. 397
  1190. 00:15:36,000 --> 00:15:39,000
  1191. Listen to the answers in this English conversation.
  1192. 398
  1193. 00:15:39,000 --> 00:15:41,000
  1194. Who's mowing the lawn?Ma.
  1195. 399
  1196. 00:15:41,000 --> 00:15:44,000
  1197. Who is?Ma.
  1198. 400
  1199. 00:15:44,000 --> 00:15:50,000
  1200. Try repeating the verb to scold,sliding all the way down the scale as fast as you can.
  1201. 401
  1202. 00:15:50,000 --> 00:15:57,000
  1203. Ma.Ma.Ma.
  1204. 402
  1205. 00:15:57,000 --> 00:16:04,000
  1206. Now try saying the falling tone word to scold yourself and repeat.
  1207. 403
  1208. 00:16:04,000 --> 00:16:05,000
  1209. Ma.
  1210. 404
  1211. 00:16:05,000 --> 00:16:11,000
  1212. Notice that the tone mark drops from left to right in the direction your eyes are moving.
  1213. 405
  1214. 00:16:11,000 --> 00:16:18,000
  1215. Try saying to scold again and repeat.Ma.
  1216. 406
  1217. 00:16:18,000 --> 00:16:27,000
  1218. The contrast between the high tone and the falling tone should be clear,since one stays high and one starts high but drops sharply to the bottom.
  1219. 407
  1220. 00:16:27,000 --> 00:16:33,000
  1221. Exercise five contrast the high tone surname Yin and the falling tone surname Yin.
  1222. 408
  1223. 00:16:33,000 --> 00:16:36,000
  1224. Repeat the appropriate tone marks and repeat.
  1225. 409
  1226. 00:16:36,000 --> 00:16:38,000
  1227. One.
  1228. 410
  1229. 00:16:38,000 --> 00:16:40,000
  1230. Yin.
  1231. 411
  1232. 00:16:40,000 --> 00:16:41,000
  1233. High.
  1234. 412
  1235. 00:16:41,000 --> 00:16:43,000
  1236. Two.
  1237. 413
  1238. 00:16:43,000 --> 00:16:45,000
  1239. Yin.
  1240. 414
  1241. 00:16:45,000 --> 00:16:46,000
  1242. Falling.
  1243. 415
  1244. 00:16:46,000 --> 00:16:48,000
  1245. Three.
  1246. 416
  1247. 00:16:48,000 --> 00:16:50,000
  1248. Yin.
  1249. 417
  1250. 00:16:50,000 --> 00:16:51,000
  1251. Falling.
  1252. 418
  1253. 00:16:51,000 --> 00:16:53,000
  1254. Four.
  1255. 419
  1256. 00:16:53,000 --> 00:16:56,000
  1257. Yin.
  1258. 420
  1259. 00:16:56,000 --> 00:16:57,000
  1260. Falling.
  1261. 421
  1262. 00:16:57,000 --> 00:16:58,000
  1263. Five.
  1264. 422
  1265. 00:16:58,000 --> 00:17:01,000
  1266. Yin.
  1267. 423
  1268. 00:17:01,000 --> 00:17:02,000
  1269. High.
  1270. 424
  1271. 00:17:02,000 --> 00:17:05,000
  1272. Yin.
  1273. 425
  1274. 00:17:05,000 --> 00:17:06,000
  1275. High.
  1276. 426
  1277. 00:17:06,000 --> 00:17:07,000
  1278. Seven.
  1279. 427
  1280. 00:17:07,000 --> 00:17:10,000
  1281. Yin.
  1282. 428
  1283. 00:17:10,000 --> 00:17:11,000
  1284. Falling.
  1285. 429
  1286. 00:17:11,000 --> 00:17:12,000
  1287. Eight.
  1288. 430
  1289. 00:17:12,000 --> 00:17:14,000
  1290. Yin.
  1291. 431
  1292. 00:17:14,000 --> 00:17:15,000
  1293. High.
  1294. 432
  1295. 00:17:15,000 --> 00:17:17,000
  1296. Nine.
  1297. 433
  1298. 00:17:17,000 --> 00:17:20,000
  1299. Yin.
  1300. 434
  1301. 00:17:20,000 --> 00:17:21,000
  1302. High.
  1303. 435
  1304. 00:17:21,000 --> 00:17:22,000
  1305. Ten.
  1306. 436
  1307. 00:17:22,000 --> 00:17:24,000
  1308. Yin.
  1309. 437
  1310. 00:17:24,000 --> 00:17:26,000
  1311. Falling.
  1312. 438
  1313. 00:17:26,000 --> 00:17:37,000
  1314. As you can see in the display,the rising tone is a mirror image of the falling tone except that the rising tone rises from the middle of your range to the top while the falling tone falls the whole way from top to bottom.
  1315. 439
  1316. 00:17:37,000 --> 00:17:42,000
  1317. The easiest way to tell them apart is to think of the English question and statement intonations.
  1318. 440
  1319. 00:17:42,000 --> 00:17:48,000
  1320. But remember that the rising tone has nothing to do with questions and the falling tone has nothing to do with statements.
  1321. 441
  1322. 00:17:48,000 --> 00:17:55,000
  1323. Exercise six contrast the rising tone surname Lai with the falling tone surname Lai.
  1324. 442
  1325. 00:17:55,000 --> 00:17:59,000
  1326. Out the appropriate tone marks over the A and repeat.
  1327. 443
  1328. 00:17:59,000 --> 00:18:00,000
  1329. One.
  1330. 444
  1331. 00:18:00,000 --> 00:18:03,000
  1332. Lai.
  1333. 445
  1334. 00:18:03,000 --> 00:18:04,000
  1335. Rising.
  1336. 446
  1337. 00:18:04,000 --> 00:18:06,000
  1338. Two.
  1339. 447
  1340. 00:18:06,000 --> 00:18:08,000
  1341. Lai.
  1342. 448
  1343. 00:18:08,000 --> 00:18:10,000
  1344. Falling.
  1345. 449
  1346. 00:18:10,000 --> 00:18:11,000
  1347. Three.
  1348. 450
  1349. 00:18:11,000 --> 00:18:14,000
  1350. Lai.
  1351. 451
  1352. 00:18:14,000 --> 00:18:15,000
  1353. Falling.
  1354. 452
  1355. 00:18:15,000 --> 00:18:17,000
  1356. Four.
  1357. 453
  1358. 00:18:17,000 --> 00:18:19,000
  1359. Lai.
  1360. 454
  1361. 00:18:19,000 --> 00:18:21,000
  1362. Rising.
  1363. 455
  1364. 00:18:21,000 --> 00:18:23,000
  1365. Five.
  1366. 456
  1367. 00:18:23,000 --> 00:18:24,000
  1368. Lai.
  1369. 457
  1370. 00:18:24,000 --> 00:18:26,000
  1371. Rising.
  1372. 458
  1373. 00:18:26,000 --> 00:18:28,000
  1374. Six.
  1375. 459
  1376. 00:18:28,000 --> 00:18:30,000
  1377. Lai.
  1378. 460
  1379. 00:18:30,000 --> 00:18:32,000
  1380. Falling.
  1381. 461
  1382. 00:18:32,000 --> 00:18:33,000
  1383. Seven.
  1384. 462
  1385. 00:18:33,000 --> 00:18:35,000
  1386. Lai.
  1387. 463
  1388. 00:18:35,000 --> 00:18:36,000
  1389. Rising.
  1390. 464
  1391. 00:18:36,000 --> 00:18:38,000
  1392. Eight.
  1393. 465
  1394. 00:18:38,000 --> 00:18:40,000
  1395. Lai.
  1396. 466
  1397. 00:18:40,000 --> 00:18:41,000
  1398. Falling.
  1399. 467
  1400. 00:18:41,000 --> 00:18:43,000
  1401. Nine.
  1402. 468
  1403. 00:18:43,000 --> 00:18:45,000
  1404. Lai.
  1405. 469
  1406. 00:18:45,000 --> 00:18:46,000
  1407. Falling.
  1408. 470
  1409. 00:18:46,000 --> 00:18:48,000
  1410. Ten.
  1411. 471
  1412. 00:18:48,000 --> 00:18:50,000
  1413. Lai.
  1414. 472
  1415. 00:18:50,000 --> 00:18:52,000
  1416. Rising.
  1417. 473
  1418. 00:18:52,000 --> 00:18:57,000
  1419. The contrast between the low and falling tones shouldn't present any difficulty.
  1420. 474
  1421. 00:18:57,000 --> 00:19:04,000
  1422. Just remember that the falling tone drops sharply through your full range while the low tone spends most of its time at the bottom.
  1423. 475
  1424. 00:19:04,000 --> 00:19:09,000
  1425. It helps that the falling tone is the shortest tone and the low tone is the longest.
  1426. 476
  1427. 00:19:09,000 --> 00:19:15,000
  1428. Exercise seven contrast the low tone surname Hao with the falling tone surname Hao.
  1429. 477
  1430. 00:19:15,000 --> 00:19:19,000
  1431. Out the appropriate tone marks over the A and repeat.
  1432. 478
  1433. 00:19:19,000 --> 00:19:20,000
  1434. One.
  1435. 479
  1436. 00:19:20,000 --> 00:19:22,000
  1437. Hao.
  1438. 480
  1439. 00:19:22,000 --> 00:19:23,000
  1440. Low.
  1441. 481
  1442. 00:19:23,000 --> 00:19:24,000
  1443. Two.
  1444. 482
  1445. 00:19:24,000 --> 00:19:27,000
  1446. Hao.
  1447. 483
  1448. 00:19:27,000 --> 00:19:28,000
  1449. Falling.
  1450. 484
  1451. 00:19:28,000 --> 00:19:29,000
  1452. Three.
  1453. 485
  1454. 00:19:29,000 --> 00:19:32,000
  1455. Hao.
  1456. 486
  1457. 00:19:32,000 --> 00:19:33,000
  1458. Falling.
  1459. 487
  1460. 00:19:33,000 --> 00:19:34,000
  1461. Four.
  1462. 488
  1463. 00:19:34,000 --> 00:19:37,000
  1464. Hao.
  1465. 489
  1466. 00:19:37,000 --> 00:19:38,000
  1467. Low.
  1468. 490
  1469. 00:19:38,000 --> 00:19:39,000
  1470. Five.
  1471. 491
  1472. 00:19:39,000 --> 00:19:42,000
  1473. Hao.
  1474. 492
  1475. 00:19:42,000 --> 00:19:43,000
  1476. Falling.
  1477. 493
  1478. 00:19:43,000 --> 00:19:44,000
  1479. Six.
  1480. 494
  1481. 00:19:44,000 --> 00:19:47,000
  1482. Hao.
  1483. 495
  1484. 00:19:47,000 --> 00:19:48,000
  1485. Low.
  1486. 496
  1487. 00:19:48,000 --> 00:19:49,000
  1488. Seven.
  1489. 497
  1490. 00:19:49,000 --> 00:19:51,000
  1491. Hao.
  1492. 498
  1493. 00:19:51,000 --> 00:19:52,000
  1494. Low.
  1495. 499
  1496. 00:19:52,000 --> 00:19:54,000
  1497. Eight.
  1498. 500
  1499. 00:19:54,000 --> 00:19:56,000
  1500. Hao.
  1501. 501
  1502. 00:19:56,000 --> 00:19:58,000
  1503. Falling.
  1504. 502
  1505. 00:19:58,000 --> 00:20:10,000
  1506. Exercise eight contrast all four tones with the high tone surname Yi,the rising tone surname Yi,the low tone surname Yi,and the falling tone surname Yi.
  1507. 503
  1508. 00:20:10,000 --> 00:20:14,000
  1509. Fill in the appropriate tone marks and repeat.
  1510. 504
  1511. 00:20:14,000 --> 00:20:15,000
  1512. One.
  1513. 505
  1514. 00:20:15,000 --> 00:20:18,000
  1515. Yi.
  1516. 506
  1517. 00:20:18,000 --> 00:20:20,000
  1518. Two.
  1519. 507
  1520. 00:20:20,000 --> 00:20:23,000
  1521. Yi.
  1522. 508
  1523. 00:20:23,000 --> 00:20:24,000
  1524. Rising.
  1525. 509
  1526. 00:20:24,000 --> 00:20:25,000
  1527. Three.
  1528. 510
  1529. 00:20:25,000 --> 00:20:28,000
  1530. Yi.
  1531. 511
  1532. 00:20:28,000 --> 00:20:29,000
  1533. Low.
  1534. 512
  1535. 00:20:29,000 --> 00:20:30,000
  1536. Four.
  1537. 513
  1538. 00:20:30,000 --> 00:20:33,000
  1539. Yi.
  1540. 514
  1541. 00:20:33,000 --> 00:20:34,000
  1542. Falling.
  1543. 515
  1544. 00:20:34,000 --> 00:20:35,000
  1545. Five.
  1546. 516
  1547. 00:20:35,000 --> 00:20:38,000
  1548. Yi.
  1549. 517
  1550. 00:20:38,000 --> 00:20:39,000
  1551. Rising.
  1552. 518
  1553. 00:20:39,000 --> 00:20:40,000
  1554. Six.
  1555. 519
  1556. 00:20:40,000 --> 00:20:43,000
  1557. Yi.
  1558. 520
  1559. 00:20:43,000 --> 00:20:44,000
  1560. Falling.
  1561. 521
  1562. 00:20:44,000 --> 00:20:45,000
  1563. Seven.
  1564. 522
  1565. 00:20:45,000 --> 00:20:47,000
  1566. Yi.
  1567. 523
  1568. 00:20:47,000 --> 00:20:48,000
  1569. High.
  1570. 524
  1571. 00:20:48,000 --> 00:20:49,000
  1572. Eight.
  1573. 525
  1574. 00:20:49,000 --> 00:20:52,000
  1575. Yi.
  1576. 526
  1577. 00:20:52,000 --> 00:20:53,000
  1578. Low.
  1579. 527
  1580. 00:20:53,000 --> 00:20:54,000
  1581. Nine.
  1582. 528
  1583. 00:20:54,000 --> 00:20:56,000
  1584. Yi.
  1585. 529
  1586. 00:20:56,000 --> 00:20:57,000
  1587. Low.
  1588. 530
  1589. 00:20:57,000 --> 00:20:58,000
  1590. Ten.
  1591. 531
  1592. 00:20:58,000 --> 00:21:01,000
  1593. Yi.
  1594. 532
  1595. 00:21:01,000 --> 00:21:02,000
  1596. Rising.
  1597. 533
  1598. 00:21:02,000 --> 00:21:04,000
  1599. Eleven.
  1600. 534
  1601. 00:21:04,000 --> 00:21:06,000
  1602. Yi.
  1603. 535
  1604. 00:21:06,000 --> 00:21:07,000
  1605. Falling.
  1606. 536
  1607. 00:21:07,000 --> 00:21:08,000
  1608. Twelve.
  1609. 537
  1610. 00:21:08,000 --> 00:21:10,000
  1611. Yi.
  1612. 538
  1613. 00:21:10,000 --> 00:21:11,000
  1614. High.
  1615. 539
  1616. 00:21:11,000 --> 00:21:13,000
  1617. Thirteen.
  1618. 540
  1619. 00:21:13,000 --> 00:21:15,000
  1620. Yi.
  1621. 541
  1622. 00:21:15,000 --> 00:21:17,000
  1623. Rising.
  1624. 542
  1625. 00:21:17,000 --> 00:21:18,000
  1626. Fourteen.
  1627. 543
  1628. 00:21:18,000 --> 00:21:20,000
  1629. Yi.
  1630. 544
  1631. 00:21:20,000 --> 00:21:21,000
  1632. High.
  1633. 545
  1634. 00:21:21,000 --> 00:21:22,000
  1635. Fifteen.
  1636. 546
  1637. 00:21:22,000 --> 00:21:25,000
  1638. Yi.
  1639. 547
  1640. 00:21:25,000 --> 00:21:26,000
  1641. Low.
  1642. 548
  1643. 00:21:26,000 --> 00:21:27,000
  1644. Sixteen.
  1645. 549
  1646. 00:21:27,000 --> 00:21:30,000
  1647. Yi.
  1648. 550
  1649. 00:21:30,000 --> 00:21:31,000
  1650. Low.
  1651. 551
  1652. 00:21:31,000 --> 00:21:32,000
  1653. Seventeen.
  1654. 552
  1655. 00:21:32,000 --> 00:21:34,000
  1656. Yi.
  1657. 553
  1658. 00:21:34,000 --> 00:21:35,000
  1659. Falling.
  1660. 554
  1661. 00:21:35,000 --> 00:21:37,000
  1662. Eighteen.
  1663. 555
  1664. 00:21:37,000 --> 00:21:39,000
  1665. Yi.
  1666. 556
  1667. 00:21:39,000 --> 00:21:40,000
  1668. Rising.
  1669. 557
  1670. 00:21:40,000 --> 00:21:41,000
  1671. Nineteen.
  1672. 558
  1673. 00:21:41,000 --> 00:21:44,000
  1674. Yi.
  1675. 559
  1676. 00:21:44,000 --> 00:21:45,000
  1677. Twenty.
  1678. 560
  1679. 00:21:45,000 --> 00:21:47,000
  1680. Yi.
  1681. 561
  1682. 00:21:47,000 --> 00:21:49,000
  1683. High.
  1684. 562
  1685. 00:21:49,000 --> 00:21:58,000
  1686. If you have particular difficulty with any of the exercises, you may want to rewind and redo the exercises, writing your tone marks on a blank sheet of paper.
  1687. 563
  1688. 00:21:58,000 --> 00:22:11,000
  1689. Also, since the tones are often identified by number rather than by descriptive names we've been using, you might want to go back to the presentation of tones in the traditional order at the beginning of the tape and learn them as a tune.
  1690. 564
  1691. 00:22:11,000 --> 00:22:16,000
  1692. This is the end of tape one of the resource module on pronunciation and romanization.